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It would be an interesting comparison. In my experience multishot is good and truly does increase resolution, but not to a true 187mp or 96mp. I think it gives a good boost, but native results seem better. So my suspicion would be that the M11 would give you a better result than the SL2S with multishot, but it would be an interesting comparison. Please share if you do it!

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25 minutes ago, davidmknoble said:

My other thought is to try the Sl2-S with the multi shot if I can get the focus and framing nailed...  Thanks again!

If this can help, I set the lens to M focus, and set it to the minimum distance, On the camera, I have attached a 24 Monito on the HDMI to see it larger, and then I move the camera up and down to focus on the macro rail.

I use SL2 with 105 sigma at f8 at 1/250's. I use a flash to backlight multiple sheets of plexiglass. I just the power of the Flash for different films.

The lens is good, but still needs LCC correction. I take a white frame and please color pickers from center to corners.

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8 minutes ago, Stuart Richardson said:

It would be an interesting comparison. In my experience multishot is good and truly does increase resolution, but not to a true 187mp or 96mp. I think it gives a good boost, but native results seem better. So my suspicion would be that the M11 would give you a better result than the SL2S with multishot, but it would be an interesting comparison. Please share if you do it!

I tried multishot on the SL2 when I started, I didn't notice any improvement. I have tested few other cameras.  Above 40MP the resolution of film 35mm didn't improve.

The M 90mm Macro lens is a very good lens for this, optimized for macro and very sharp. I can see that working well on the M11. You may need more than one macro ring to get to 1:1 if I remember right.

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45 minutes ago, Photoworks said:

I tried multishot on the SL2 when I started, I didn't notice any improvement. I have tested few other cameras.  Above 40MP the resolution of film 35mm didn't improve.

The M 90mm Macro lens is a very good lens for this, optimized for macro and very sharp. I can see that working well on the M11. You may need more than one macro ring to get to 1:1 if I remember right.

That may well be for 35mm. I do not camera scan 35mm. I was talking generally about it. I think you do see an effect for 6x7 at least…

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I tried multishot with the SL2-S for both 35mm and 4x5. Although both gave me more detail, in real life I don't actually need more than 24mp for most uses. If I wanted to print 4x5 at very large size, or crop 4x5 substantially, then I might use multishot, but not otherwise. I'm not convinced that for 35mm we gain anything from more than about 24mp - the film resolution is limiting.

Edited by LocalHero1953
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8 hours ago, LocalHero1953 said:

I tried multishot with the SL2-S for both 35mm and 4x5. Although both gave me more detail, in real life I don't actually need more than 24mp for most uses. If I wanted to print 4x5 at very large size, or crop 4x5 substantially, then I might use multishot, but not otherwise. I'm not convinced that for 35mm we gain anything from more than about 24mp - the film resolution is limiting.

I have a coolscan from Nikon Ive had since they came out.  4000 dpi on 35mm negs in slow speed film does a great job with 30-35mb DNG files.  Tri X 400 tends to get some grain limits, but FP4+ and Ilford 50 do really well. 

I am hoping to get 6x6 sizes to print 18x18 or 24x24 and smaller.  It just seems a shame not to get a great scan of a large negative.  The S system proved that to me over 35mm…

After tax season I’ll try the multi-shot, single shot and M11 with a few lens combos and see how it works out…

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