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3 hours ago, Kwesi said:

Erm, now that that's all sorted out...I would have thought the 50/2 v5 and the 50 Elmar-M would render about the same in terms of contrast and saturation

Kwesi,

You are correct. The slight difference, to my eye, is not a big deal and I just wondered if anyone else had a similar experience. I'm going to redo my test with the Summicron and the Elmar-M. Thanks to all who responded.

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1 hour ago, rpsawin said:

Kwesi,

You are correct. The slight difference, to my eye, is not a big deal and I just wondered if anyone else had a similar experience. I'm going to redo my test with the Summicron and the Elmar-M. Thanks to all who responded.

I’ve often wondered if lenses from the same time period as borne out by serial numbers tend to have the same color characteristics and if true, how much of the sameness is due to the lens coatings employed at that time. Let us know how your retest turns out. 

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The Elmar-M 1:.2.8/50 (latest version) is an excellent lens.  Often, given the choice of putting a Summilux-M 1:1.4/50 ASPH or the Elmar on an M9 or SL, I choose the Elmar and have not been disappointed.  It is sharp wide-open, hardly vignettes and closing down is mostly useful to manage depth of field. 

Image below from the SL with M-Adapter L.

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Another Elmar-M mage from the SL with M-Adapter L.

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Works fine on closeups too. Look at the nice (to me) bokeh ball on the grass. Not those boring round things produced by (feel in blank) :D

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