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35mm shots


TheGodParticle/Hari

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35mm f2.4 Summarit and M262, Monochome conversion via Adobe Camera raw.

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Leica MP & Summilux-M 35mm Pre-Asph, Kodak Ektar 100

Cine Super K, Boa Vista, Roraima

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M-P w/Summilux-M 35 AA.

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At the Buddhist Temple in Dallas, Texas, with the 35mm f2.4 Summarit and M262.

 

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M10 + 35mm summilux preasph v2

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M10 + 35mm Skopar v2

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4 hours ago, andyturk said:

How was this post-processed? Will a magician tell his secrets?

Haha, magician!

Thanks - of course. I'm not a believer in hoarding information. Essentially I use layers in Photoshop. I have a set of tools built-in (in the mustard colour, on the right) for adjusting the levels and contrast, using layers. You can vary the strength of adjustments manually, or click "safe levels and contrast" to instantly make an image punchier. The main thing with using layers, is that it is a non-destructive process. You don't damage the file the way you do by fiddling with it in its standard form. Layers is the key to Photoshop. 

On this shot, I've gone pretty nuclear with the levels and contrast, but I still have the original TIFF file. I always keep the original non-altered file. I've dodged and burned it quite a bit too (especially burning in the background). You can see how flat and dull the original file is - typical of the M Monochrom. With the M Monochrom, I always try to visualise the finished image, because the shots straight from the camera usually look rubbish, especially when viewed on the appallingly bad camera screen.

This shot was grabbed from the driver's seat of my car, at a set of traffic lights. I saw the face at the window of the car next to me, and fortunately had my camera in the passenger footwell. I knew the lights were about to change so I had no time to properly focus. I just used the scale on the lens and set it to ten feet, pointed, pressed the button, and hoped for the best. It's not that sharp really, but I'm not bothered about that.

Hope that's of some help.

Colin

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  • 2 weeks later...

Los Cubanos by #milanswolfsphotography 
Just came back from my second time in Cuba 🇨🇺 and I’m always impressed by the beautiful different faces and characters of this wonderful country. Leica m240 with Summilux-M 35mm f1.4 ASPH FLE

 

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  • 3 weeks later...

Leica M10  + 35mm Summicron-M pre-ASPH v.4

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I keep only one 35mm lens, it is the old Summilux 1.4/35 pre ASPH and I use it mainly for what it got once designed - available light

Old house in Shinagawa/Tokyo, M10-D

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I'm getting more and more excited about this little lens, the summilux.  It goes from no noticeable glow to ridiculous amounts of it.  (All with MP on Ektar)

None:

A little:

Some more:

Significant:

Lots:

Ridiculous:

 

 

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