a.noctilux Posted April 9, 2020 Share #281 Posted April 9, 2020 Advertisement (gone after registration) Don't know if this pix is qualified for this thread Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Exhibition of some nice photos in Guebwiller church St Léger. M10 with Elmar LTM 90mm 5 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Exhibition of some nice photos in Guebwiller church St Léger. M10 with Elmar LTM 90mm ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3950158'>More sharing options...
Advertisement Posted April 9, 2020 Posted April 9, 2020 Hi a.noctilux, Take a look here Diptychs, Triptychs and Polytychs (Open Thread). I'm sure you'll find what you were looking for!
Ernest Posted April 9, 2020 Share #282 Posted April 9, 2020 7 hours ago, a.noctilux said: Don't know if this pix is qualified for this thread Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Exhibition of some nice photos in Guebwiller church St Léger. M10 with Elmar LTM 90mm Absolutely! The diptych started in the church with two side-by-side panels. Your triptych, here, is perfect, and the contrast of the blur and sharp focus images is a bonus. 1 1 Link to post Share on other sites More sharing options...
Ernest Posted April 9, 2020 Share #283 Posted April 9, 2020 (edited) Links III MM246 APO 50 & Summaron-M 28mm & Summicron-M 35 BC Variations on two triptychs. Look out, a chorus for COVID-19. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited April 9, 2020 by Ernest 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3950438'>More sharing options...
Ernest Posted April 12, 2020 Share #284 Posted April 12, 2020 Interstate Noir Journal MM246 APO 50 & Summaron-M 28 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3952525'>More sharing options...
Ernest Posted April 16, 2020 Share #285 Posted April 16, 2020 Layer MM246 28 1/125 f/16 ISO 2000, 35 1/30 f/3.4 IS0 3200, 35 1/1000 f/8 ISO 1250 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3955037'>More sharing options...
Ernest Posted April 23, 2020 Share #286 Posted April 23, 2020 Subtraction III Diptych M-A APO 50 Fuji Natura Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3959192'>More sharing options...
peterm1_Leica Posted April 23, 2020 Share #287 Posted April 23, 2020 (edited) Advertisement (gone after registration) I frequently enjoy using natural divisions in a shot to create the illusion of a traditional tiptych or diptych especially when shooting through windows or shooting reflections in widows. IUsing the window frames as natural framing device can be an effective way of creating multiple images within a single image. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Windows 4 by Life in Shadows, on Flickr A higher calling by Life in Shadows, on Flickr Cocolat by Life in Shadows, on Flickr And from time to time I find that an otherwise very ordinary photo can be given extra dimension and interest by cutting it up in post, into a triptych or diptych. And sometimes juggling the photo elements about within the frames created helps create an even more effective story telling mechanism by forcing the viewer to think a little more carefully about what is going on within the images. South Bank Esplanade Melbourne Tryptich by Life in Shadows, on Flickr Scenes on the Street -Triptych by Life in Shadows, on Flickr Tryptich - Scenes from City Life by Life in Shadows, on Flickr Urban Tryptich by Life in Shadows, on Flickr Cafe Triptych by Life in Shadows, on Flickr Edited April 23, 2020 by peterm1_Leica 5 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Windows 4 by Life in Shadows, on Flickr A higher calling by Life in Shadows, on Flickr Cocolat by Life in Shadows, on Flickr And from time to time I find that an otherwise very ordinary photo can be given extra dimension and interest by cutting it up in post, into a triptych or diptych. And sometimes juggling the photo elements about within the frames created helps create an even more effective story telling mechanism by forcing the viewer to think a little more carefully about what is going on within the images. South Bank Esplanade Melbourne Tryptich by Life in Shadows, on Flickr Scenes on the Street -Triptych by Life in Shadows, on Flickr Tryptich - Scenes from City Life by Life in Shadows, on Flickr Urban Tryptich by Life in Shadows, on Flickr Cafe Triptych by Life in Shadows, on Flickr ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3959202'>More sharing options...
Ernest Posted April 23, 2020 Share #288 Posted April 23, 2020 Subtraction L Diptych M-A APO 50 Fuji Natura Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3959638'>More sharing options...
Steve Ricoh Posted April 26, 2020 Author Share #289 Posted April 26, 2020 (edited) Heptagon-Polytych M240, 7Artisans 28mm f1.4 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited April 26, 2020 by Steve Ricoh 3 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3961451'>More sharing options...
Ernest Posted April 29, 2020 Share #290 Posted April 29, 2020 On 4/26/2020 at 8:16 AM, Steve Ricoh said: Heptagon-Polytych M240, 7Artisans 28mm f1.4 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Oh, yes! After I pulled my head out of the stratocumulus, I came back to the artful editing, less is more, and those vibes that Ralph Gibson plays. Then, I segued to Porsche Macan Turbo Miami blue, but you've got more cobalt blue working, and the panels aren't Porsche, so I am up in the clouds, again. Composition and color. And, you have the cold steel in counterpoint to the diaphanous clouds. Wink-wink, nudge-nudge, more than just a little applause! 1 Link to post Share on other sites More sharing options...
Ernest Posted April 29, 2020 Share #291 Posted April 29, 2020 On 4/22/2020 at 7:25 PM, peterm1_Leica said: I frequently enjoy using natural divisions in a shot to create the illusion of a traditional tiptych or diptych especially when shooting through windows or shooting reflections in widows. IUsing the window frames as natural framing device can be an effective way of creating multiple images within a single image. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Windows 4 by Life in Shadows, on Flickr A higher calling by Life in Shadows, on Flickr Cocolat by Life in Shadows, on Flickr And from time to time I find that an otherwise very ordinary photo can be given extra dimension and interest by cutting it up in post, into a triptych or diptych. And sometimes juggling the photo elements about within the frames created helps create an even more effective story telling mechanism by forcing the viewer to think a little more carefully about what is going on within the images. South Bank Esplanade Melbourne Tryptich by Life in Shadows, on Flickr Scenes on the Street -Triptych by Life in Shadows, on Flickr Tryptich - Scenes from City Life by Life in Shadows, on Flickr Urban Tryptich by Life in Shadows, on Flickr Cafe Triptych by Life in Shadows, on Flickr Remarkable work! Not here, but your "Waterwall" series has a current all of its own. Really admire your sense of color and the unique look of your take on the urban scene and meaningful portraits on the fly. Waiting for more from your chorus. Link to post Share on other sites More sharing options...
peterm1_Leica Posted April 29, 2020 Share #292 Posted April 29, 2020 2 hours ago, Ernest said: Remarkable work! Not here, but your "Waterwall" series has a current all of its own. Really admire your sense of color and the unique look of your take on the urban scene and meaningful portraits on the fly. Waiting for more from your chorus. Thank you Ernest, it is very kind of you and I appreciate it. The Waterwall at the National Gallery of Victoria was a lucky find and it is a feature at that Gallery which makes for some remarkable shooting when people take advantage of it. I am glad I was able to make those shots in my Flickr Photostream and create an interesting series of semi abstract images. I must admit I learned from studying the remarkable work of Saul Leiter who made many beautiful images in both color and black and white though I admire his color work especially. And more especially his work utilizing reflections and distortions in and through windows. best regards Peter Link to post Share on other sites More sharing options...
Steve Ricoh Posted April 29, 2020 Author Share #293 Posted April 29, 2020 4 hours ago, Ernest said: Oh, yes! After I pulled my head out of the stratocumulus, I came back to the artful editing, less is more, and those vibes that Ralph Gibson plays. Then, I segued to Porsche Macan Turbo Miami blue, but you've got more cobalt blue working, and the panels aren't Porsche, so I am up in the clouds, again. Composition and color. And, you have the cold steel in counterpoint to the diaphanous clouds. Wink-wink, nudge-nudge, more than just a little applause! Thanks Rog, with lock down and time on my hands I remembered taking this shot last year of a lovely summer sky reflected on the panels of a van parked up on the side of the road. As it happened I had the 28mm on the camera so had to get up close; god knows what the owner was thinking. Only recently did I make the connection with this diptych thread, thinking they consisted of at least two frames not one. Sometimes it’s how you think about things after the event, in this case a long time afterwards. 1 1 Link to post Share on other sites More sharing options...
Ernest Posted April 30, 2020 Share #294 Posted April 30, 2020 On 4/28/2020 at 10:39 PM, peterm1_Leica said: Thank you Ernest, it is very kind of you and I appreciate it. The Waterwall at the National Gallery of Victoria was a lucky find and it is a feature at that Gallery which makes for some remarkable shooting when people take advantage of it. I am glad I was able to make those shots in my Flickr Photostream and create an interesting series of semi abstract images. I must admit I learned from studying the remarkable work of Saul Leiter who made many beautiful images in both color and black and white though I admire his color work especially. And more especially his work utilizing reflections and distortions in and through windows. best regards Peter Yes, and there's Haas's color work, too, which I am sure you know. You might take a look at Chris Marker's Passenger's, as well, what he's doing with controlled color and his novel approach to shooting subjects on the subways. "Masterpieces among us," as I recall. https://www.amazon.com/dp/0935875271/ref=cm_sw_em_r_mt_dp_U_-SYQEb4DVFXKT There's also Francois Halard's LibraryMan book on Saul Leiter's empty apartment: https://www.amazon.com/dp/0935875271/ref=cm_sw_em_r_mt_dp_U_-SYQEb4DVFXKT On 4/29/2020 at 12:51 AM, Steve Ricoh said: Thanks Rog, with lock down and time on my hands I remembered taking this shot last year of a lovely summer sky reflected on the panels of a van parked up on the side of the road. As it happened I had the 28mm on the camera so had to get up close; god knows what the owner was thinking. Only recently did I make the connection with this diptych thread, thinking they consisted of at least two frames not one. Sometimes it’s how you think about things after the event, in this case a long time afterwards. This is exactly the spirit of creative diptych construction, like dovetailed images assembled in the fashion of church diptychs or triptychs with folding wings that closed to protect the painting at an altar. Ralph Gibson's books are invariably a series a diptychs, since he carefully chose images that "commented" on one another, working in counterpoint. In other words, two images, two separate ideas, that start the dialogue commenting on one another. I just found a copy of Syntax, and here the diptych images are purposely different sized verticals. 1 1 Link to post Share on other sites More sharing options...
Steve Ricoh Posted April 30, 2020 Author Share #295 Posted April 30, 2020 12 minutes ago, Ernest said: Yes, and there's Haas's color work, too, which I am sure you know. You might take a look at Chris Marker's Passenger's, as well, what he's doing with controlled color and his novel approach to shooting subjects on the subways. "Masterpieces among us," as I recall. https://www.amazon.com/dp/0935875271/ref=cm_sw_em_r_mt_dp_U_-SYQEb4DVFXKT There's also Francois Halard's LibraryMan book on Saul Leiter's empty apartment: https://www.amazon.com/dp/0935875271/ref=cm_sw_em_r_mt_dp_U_-SYQEb4DVFXKT This is exactly the spirit of creative diptych construction, like dovetailed images assembled in the fashion of church diptychs or triptychs with folding wings that closed to protect the painting at an altar. Ralph Gibson's books are invariably a series a diptychs, since he carefully chose images that "commented" on one another, working in counterpoint. In other words, two images, two separate ideas, that start the dialogue commenting on one another. I just found a copy of Syntax, and here the diptych images are purposely different sized verticals. Not heard of this book before, Rog, preview looks really good so might just get a copy. 1 Link to post Share on other sites More sharing options...
Ernest Posted April 30, 2020 Share #296 Posted April 30, 2020 44 minutes ago, Steve Ricoh said: Not heard of this book before, Rog, preview looks really good so might just get a copy. Google Chris Marker Passengers images, too, for a looksee. It's one of my favorite; I am a big Marker fan. Cheers, Rog 1 Link to post Share on other sites More sharing options...
Ernest Posted May 3, 2020 Share #297 Posted May 3, 2020 Flaps Yellow M-A APO 50 Fuji Natura & ADOX Color Implosion Trying for some air. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 1 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3966461'>More sharing options...
Lmax Posted May 7, 2020 Share #298 Posted May 7, 2020 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! «mirror houses» D'dorf harbour 5 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! «mirror houses» D'dorf harbour ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3968408'>More sharing options...
Ernest Posted May 8, 2020 Share #299 Posted May 8, 2020 Five Square III M-A APO 50 ADOX Color Implosion Bauhaus collage. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 4 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/290225-diptychs-triptychs-and-polytychs-open-thread/?do=findComment&comment=3969355'>More sharing options...
stray cat Posted May 10, 2020 Share #300 Posted May 10, 2020 On 5/9/2020 at 2:45 AM, Ernest said: Five Square III M-A APO 50 ADOX Color Implosion Bauhaus collage. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Wow! Now this is different! You must have had to get out the protractor, the slide rule and abacus to come up with the geometric alignments. But the colors! The colors work so well here in sympathy with one another, repeating to form a kaleidoscope of mathematical ingenuity. Red slicing bold diagonals, yellow describing a bold and stable center, the muted greens and pastels shoring up the strength and sense of solidity. and speaking of solidity, it's only then that we realize and recognize and tip our hat that this is all hard surfaces (sorry! PICTURES of hard surfaces!), repurposed and appropriated in the service of art. Link to post Share on other sites More sharing options...
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