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I thought you might be interested to know that one of the submissions to this prize, shot with a Leica SL and 50mm SL-Summiliux, has made it through to the final round of judging. The first round is digital submission; in 2017 there were 5700 submissions. I don't know how many are selected for the final round of judging, which requires a printed submission, but I've been told it's around 100.

 

The image selected (which is the only one I submitted. It costs $50 per image!) is the following:

 

40563109695_220f86272f_k.jpgAlex - Transitions Volume Two by Greg Turner, on Flickr

 

 

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I thought you might be interested to know that one of the submissions to this prize, shot with a Leica SL and 50mm SL-Summiliux, has made it through to the final round of judging. The first round is digital submission; in 2017 there were 5700 submissions. I don't know how many are selected for the final round of judging, which requires a printed submission, but I've been told it's around 100.

 

The image selected (which is the only one I submitted. It costs $50 per image!) is the following:

 

40563109695_220f86272f_k.jpgAlex - Transitions Volume Two by Greg Turner, on Flickr

Well done and good luck in the final judging.

 

I always look forward to Taylor Wessing. It’s a breath of fresh air and I enjoy seeing the customary turning of accepted ‘rules’ on their head and ensuing controversy. You’ve obviously considered that too.

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That's a good picture by any standard

Very kind of you to say so, thank you.

 

The deadline for prints to be submitted is today. I really don't know how many they take in from the digital round. I'm not holding my breath for anything other than to be included in the final exhibit. That would be beyond phemomenal for me and would represent something I've dreamed about for the last six years or so.

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