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Why not more pixels in the M camera?/ 36 MP {merged}


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However, it means that those who want more pixels in order to make bigger prints (as repeatedly stated on this thread) will not get the full benefit of all their extra pixels unless they take extra care to avoid motion blur.

 

Only if they are making prints large enough to cover a handball court and crawl across it with their nose against the print.

Edited by pico
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Frankly, I do not believe motion is more conspicuous with greater pixel counts unless one is viewing on a monitor at 1:1 - an entirely impractical practice. 

 

 

This is generally true. If you want the file to behave like a 24MP file, downsize it and most of these issues disappear. Actually the file is a little better because of super sampling.

 

I have been shooting high resolution (60MP and greater) for a decade now and IMO, the issue of movement and blur is over talked. It's not that it isn't true, it's just that it's a hurdle that is new to the experience of working with this sort of resolution.

 

You can't just go bumbling doing what you always did, there are some changes but really it's not a big deal. Other mileage may vary of course.

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Only if they are making prints large enough to cover a handball court and crawl across it with their nose against the print.

 

I would advise against this. Some modern papers are quite abrasive and there is a H&S risk of taking the skin off the end of one's nose, which is not only painful but also leaves smears on the print which, combined with the crawling marks, mean frequent reprints. Its far better to mount the print in the handball court, photograph it and then post the images on the web, together with a few close ups, so that we can all appreciate how good it would be if we actually did crawl all over it with our noses against the print. There needs to be a little common sense and realism fed into this discussion and clearly the way we view high resolution images needs to be redetermined.

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In the USA it is basketball and those guys are 3 meters long. They are much closer to the ceiling than we are...

 

Anyway, did anybody ever try to determine the resolution of the Sistine Chapel?

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Mike obviously used the wrong brush - should have used a smaller one for the fine detail. Technology, pah!

 

Relatively speaking, I think Mike got the job because he could paint with such great resolution.  ;)

 

The other guy drawing stick men went hungry.

 

Anyway, since God made Mike in his image it's not like he could ever complain.

 

Even if he did complain, God forgives. Clients, not so much.

 

:lol:

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You may have some wool in your ears. 

At this point, however, it is clear you've reached your idiosyncratic conclusions and you just want people to argue with about it. Well, to each their own.

 

I don't reply to personal rude attacks here in this forum - consider yourself blocked. 

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@pgk, congratulations on your awards. I know nothing about it. But I know something about statements like the one above that keep repeating over and over again despite evidence to the contrary. It’s the Energizer bunny phenomenon, I guess.

 

And I’m not just a Leica user, I’m obviously also a Sony user. :)

 

https://www.smugmug.com/gallery/n-Jfdr66/

 

https://www.smugmug.com/gallery/n-x8Mwmw/

 

I would never guess which picture comes from which camera. If I were to compare landscape photography, it would probably be a difference in the corners.
I tried to use the Sony A7 II, but the user interface is not optimal for me. In addition, I was surprised how loud and strange sound the A7 II shutter is. I have a Sony RX100 III and I only use it when I need a small pocket camera.
 
Leica 10 is not the best camera in terms of technical parameters, but it is the best camera in terms of ergonomics. Ergonomics is the most important in everyday shutting. I accept that a few percent of my photos would be better if I used a camera with better technical parameters. But I do not accept that, say, 30-40% of my photos would be worse due to insufficient camera ergonomics.
 
Of course I prefer when I control the camera as opposed to the case when the camera controls the photographer :)

 

So I stay with Leica M10 and M9.
Edited by olgierdc
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The pixel count for M10 is significantly less than full frame cameras from the other brands.

 

Why is that?

What's the thought process behind it?

Is there something inherent in the design process or the way the camera works?

Does Leica not have the technology for this?

 

I buy the argument that if you only print <up to a certain> size, you dont need that many pixels - but that strikes me as a bit of an apologetic argument.

---------------------------------------------------------------------------------

TG14,

 

Haven't you realized yet that the Wetlar Gods have deemed it unnecessary for you.  Why would they give the M10 more pixels when they refuse to give the Leica S more pixels, although everyone else in the mid format range are increasing their camera's pixel.  There are a number in the 100 range and 50 is almost the norm for the cameras that are left..

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In the USA it is basketball and those guys are 3 meters long. They are much closer to the ceiling than we are...

 

Anyway, did anybody ever try to determine the resolution of the Sistine Chapel?

 

Quite low, but the viewing distance is about 65 feet.

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