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Emerald Eye Diptych

M-A Thambar-M CS ND3 ADOX Color Implosion ISO 100

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More a thread bump than anything else but some recent stuff with the Thambar-M. I'm still using it as a general purpose 90 at mid-aperture and haven't tried a portrait for months. Anyway I quite like the clean, low contrast look I get for orchids.

 

A Bee orchid at around F5.6 (maybe F4).

42052952414_b87db7b9b4_b.jpg

 

 

Some more experimental snaps fooling around between orchid photos. I've always been aware that, at wider apertures, this lens can run a fine line between something interesting (especially in terms of the light) and something irredeemably naff (1970s kitsch at best). I've probably steered into the latter here but I still feel there is promise with this lens for what I have in my own mind. It will just take a while to get there. What I do know is that a more conventional lens wide-open isn't the look I'm seeking.

 

40960418280_c0da573f24_b.jpg

 

 

28897764578_871a370641_b.jpg

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Thambar Summer
Leica SL w/ Thambar LTM 90mm f/2.2
 
 

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Edited by Milan_S
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Some pics shot with the Thambar.

Unfortunately on a overcast day!

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A few more

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And a couple more

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Kitesurfers, which quit due to strong wind.

 

Leica CL, Thambar without filter.

 

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In one of the last rural areas of the NJ shore Edited by 0luke1
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100% crop. 

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another from the NJ shore, captured the dreamy silence 
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(Trying) portraits with the Thambar.

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Very nice portrait, it only suffers from away eye in focus - something that happens to me a lot.

 

 

Yes, it looks like that. The plane of focus is odd in as much as the hair on the near side is in sharper focus yet the far eye, as you point out, is (or looks) in sharper focus. Probably the angle I have the camera held in relation to the subject might explain that (or it's just some optical illusion to do with the different contrast in different parts of the scene). In truth, one of the things the Thambar teaches you is that precise (or conventional) focus no longer seems so important. Most of the portrait photos I have taken that I like best are ones where I have missed optimum focus on the eyes altogether. 

Edited by wattsy
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>>snip<<

In truth, one of the things the Thambar teaches you is that precise (or conventional) focus no longer seems so important. Most of the portrait photos I have taken that I like best are ones where I have missed optimum focus on the eyes altogether. 

Unless picture is for the Passport or such like there is more to portrait than set pose and eyes in perfect focus.  This would probably be applicable to portrait made with any lens.

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Guest Nowhereman

Yes, it looks like that. The plane of focus is odd in as much as the hair on the near side is in sharper focus yet the far eye, as you point out, is (or looks) in sharper focus. Probably the angle I have the camera held in relation to the subject might explain that (or it's just some optical illusion to do with the different contrast in different parts of the scene). In truth, one of the things the Thambar teaches you is that precise (or conventional) focus no longer seems so important. Most of the portrait photos I have taken that I like best are ones where I have missed optimum focus on the eyes altogether. 

 

Ian - Yes, better to value an image for its aesthetic, or emotional or expressive, impact rather than on the basis of technical considerations.

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Alone in Bangkok essay on BURN Magazine

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With hindsight, I think the photo I just posted has too much contrast. I've gone a bit overboard in the post processing. I tend to prefer more subtlety, something the Thambar-M (with its inherent low contrast) is suited to – as long as you avoid the temptation to try and correct it in post.

 

Again, around F2.8 or so without the filter.

 

43459630114_6f92084d56_b.jpg

Edited by wattsy
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