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I would just like to say a big thank you to all the contributors to this thread. I was interested in this lens when it was first re introduced but was initially put of by all sorts of negatives such as ,”won’t work on a M9 because of the metering “ and lots of similar comments etc. Consequently became very undecided about it. After following this thread and a pm to one of the contributors who has used it very effectively,I now own a Thambar . No problem on my M9 or Monocrom and first results are very interesting.Not ready to post any results yet.Just thank you for lots of interesting posts and a very informative pm.

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Recovered Surveillance 1941 Triptych

M-A Thambar-M ND3 & APO-Summicron-M 50mm LHSA ADOX Color Implosion & Portra 400

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1941 Studebaker Rod

M-A Thambar-M ND3 ADOX Color Implosion

Grain + Glow, Back to 1941 We Go

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1941 Studebaker Detail

M246 Thambar-M ND3

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What fun it must be to have this lens!

As I am sure many others will agree, the Thambar would not be everybody’s choice .However it’s a fascinating piece of kit which will no doubt give me and many more ,hours of pleasure. Even some of the original ones in “well used condition” are fetching silly money .

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Even some of the original ones in “well used condition” are fetching silly money .

I don't know if it's silly money. I saw one recently (LTM version) for sale at roughly a third of the price of the latest and greatest M10-P. This is for a lens that is about 75 years old and still works as the day it was made... and could go on working more or less indefinitely. I don't think there will be many M10-Ps around in 75 years. That is the value of the object. Then there is the value of the work being produced. Just look at some of the work posted here by Wattsy, Milan and Ernest and I think few people could dispute that some really beautiful, interesting work can be produced with this lens.

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I don't know if it's silly money. I saw one recently (LTM version) for sale at roughly a third of the price of the latest and greatest M10-P. This is for a lens that is about 75 years old and still works as the day it was made... and could go on working more or less indefinitely. I don't think there will be many M10-Ps around in 75 years. That is the value of the object. Then there is the value of the work being produced. Just look at some of the work posted here by Wattsy, Milan and Ernest and I think few people could dispute that some really beautiful, interesting work can be produced with this lens.

Sorry,poor choice of words by myself. I looked at buying an original one when the new edition was introduced and found an original one complete with the metal tube with screw cap.( my understanding was that some where exported too hot climates with the metal tube instead of the leather case). Due to rarity value this was more expensive than the new version.Others with less collector appeal where more modestly priced.I am more than happy with my brand new one and will be delighted to get comparable results to any of the contributors.

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Small White (Pieris rapae). Probably around F4 to F5.6 at minimum focussing distance (which, as many of us have found, minimises the "glow" quite considerably).

 

44452987571_595545ecce_b.jpg

Artful, controlled bokeh! Very painterly. I appreciate your specific technical tips.

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Primarily

M-A Thambar-M CS ND3 ADOX Color Implosion

Color Field Diptych Study

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Rothko? ;)

Yes, Rothko's a bell that can't be unrung, but there are a number of other bells in color field abstraction that can't be unrung, too: Gottlieb, Hofmann, Newman, Still, Motherwell, Reinhardt, Gorky, and even Pollock. With painting as opposed to photography, the painter decides on the statement that the signature of color makes on a surface, whereas the photographer selects from what is given and abstracts from that visual reality as a starting point. I am interested, just as the color field painters, in the interplay of color as well as texture, alone, for the most part, excluding documentation of recognizable people, places, and artifacts. Nothing new, but I am entertained by the excursion, always looking for that aha! kick.
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Recollection Red Triptych

M-A Thambar-M CS ND3 ADOX Color Implosion

(Sandwiched a bit of blur into this one.)

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  • 2 weeks later...

With hindsight, I think the photo I just posted has too much contrast. I've gone a bit overboard in the post processing. I tend to prefer more subtlety, something the Thambar-M (with its inherent low contrast) is suited to – as long as you avoid the temptation to try and correct it in post.

 

Again, around F2.8 or so without the filter.

 

43459630114_6f92084d56_b.jpg

I liked them all Thanks

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  • 4 weeks later...

Safe, At Last

M-A Thambar-M CS
ADOX Color Implosion

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