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Bad photography is not improved by an expensive camera and to many  bad workmen blame there tools. I brought highlight detail back from surface of a silver fish with PS from a M10  raw image. range is massive camera is never on the limits in a masters hands.

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Guest NEIL-D-WILLIAMS

Bad photography is not improved by an expensive camera and to many bad workmen blame there tools. I brought highlight detail back from surface of a silver fish with PS from a M10 raw image. range is massive camera is never on the limits in a masters hands.

nice picture....... well done
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Guest Nowhereman

This is a huge fish taken at the shopping mall where I took the last two pictures I posted. The various types of strong lighting and the thick acrylic tank created all sorts of saturated, colors that I haven't tried to alter or correct. The grouper is about 1 meter long.

 

M10 | Summilux-50 pre-ASPH | ISO 3200 | f/4.0 | 1/60 sec

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Edited by Nowhereman
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Looking into this Chiang Mai art and antique store, along the south moat of the old city, I was taken with the colors and beauty of this Buddha. Not an antique, it was carved in wood in Northern Thailand about thirty years ago, in a Burmese style. It’s selling for a little less than US$2,000. In taking the picture, I was standing in the open front of the store, whose owners are a pleasant older couple.

 
M10 | Summaron-M f/5.6 28mm | ISO 800 | f/5.6 | 1/60 sec
37914917114_410951ae4c_o.jpg
Chiang Mai
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Summicron 35/2 V3 at f/2

 

 

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Storm approaching over Port Phillip Bay, Melbourne.

 

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Guest Nowhereman

In my post #1544 above, I was taken with the colors of the Buddha statue. But continuing to look at this image, I concluded that the the heavy crop below expresses much more that I wanted to say about this statue, without the distraction of the antique shop environment:

 

M10 | Summaron-M f/5.6 28mm | ISO 800 | f/5.6 | 1/60 sec

 

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"Twin Crossing."

Leica M10 with 50mm Summilux ASPH. 

Yau Ma Tei, Hong Kong. 

 

www.instagram.com/jonatdonuts

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Guest Nowhereman

On an overcast day, another example of what Moriyama Daido calls a “no finder shot”:  I held the camera in front of my chest after I pre-set the focus and shutter speed. Had I brought the camera up to my eye, at least one these people would have given me a great, big smile or made a “V-sign”. 

 

Although someone (Maggie Osterburg) has said she thinks I was getting somewhat more acuity with the M9, I'm happy now with the M10: I've been getting the color that I want and also have been able to rough up my high-contrast B&W images sufficiently, while keeping mid-tone gradation that I want. So, despite being In Chiang Mai, where there is a great, little hand-development lab, I simply have not yet gotten around to shooting with the M6 and M3 some Tri-X and trying out the Portra 800 that I brought; but I hope to do that in the next few months.

 

M10 | Summaron-M f/5.6 28mm | ISO 200 | f/5.6 | 1/250 sec

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