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Are there any benefits of using film compared to digital


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Paul , Epson scan for negative 135 of MF is a very good scanner

Some pictures scan with Epson V700 in "I like film"  thread with only

3200dpi. A V500 is also still good.

http://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?p=3211253

Naturally , it's better you print on silver paper with an enlarger , it's nicer

Henry

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Not on 135mm film in my view. Scanning is cumbersome. The real benefits of B&W silver film can only come forward in the dark room in my view, when you print on Baryta paper. THE greatest loss in analogue photographie is the paperprint IMO and especally on Agfa's Record Rapid and Portriga Rapid. Inkjet printing on modern Baryta inkjet papers does not give that sensation of depth in images.

 

It depends for what and for whom. I never printed B&W on paper before 2014. For first 25 or so years I was taking it at ORWO slides with FED-2 and later on consumer P&S cameras with consumer film developed and printed at the lab. I only started with BW film in 2012. And scanning is super easy. In fact, all I'm using is Epson flatbed and Epson software. Little adjustments in Lightroom which are very similar and simple to manipulations in the darkroom.  I do both now and benefiting from both. Few days ago for first time I printed digital negative on plain paper and contact printed on very old AGFA Brovira paper in Light developer.

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:) Sometimes we have a family projection with our Pradovit ( only 1.5m screen) and plenty of Kodachrome (could be also Velvia or Provia :D ).

Even if the fan-sound of the Pradovit is there, those evenings are memorable with these liveful/lovely/true-color/etc. slides.

 

Time has passed by, but our slides tell us we had good time then.

 

If I use digital to scan my slides or film, that's very nice indeed.

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Decades old Kodachrome with color-boost * in PP -_-

 

I admit that one is too much "slide bar"

 

* taken with M Leica in Tuileries Garden, but don't remember which one or which lens, sorry

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attachicon.gifchevaux tuileries 8.jpg

 

Decades old Kodachrome with color-boost * in PP -_-

 

I admit that one is too much "slide bar"

 

* taken with M Leica in Tuileries Garden, but don't remember which one or which lens, sorry

 

Nice red Arnaud glad see you here :)

Slides what year ? in the 1960's ?

 

"Are there any benefits of using film compared to digital"

 

Read this article in Time

http://time.com/4649032/film-photography-cameras/

 

and also read this report :

http://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?p=3206514

 

Rg H.

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Any thoughts would be welcome to help with my decision making.

 

actually the headline asked: "

Are there any benefits of using film compared to digital

"

 

and the quick answer is: no!

 

there are no benefits at all. just like drinking beer or eating iceream doesnt have any benefits. smoking cigarettes, owning a fully mechanical ROLEX watch or driving a Ferrari would be other examples.

 

go ahead. try it. you will love it!

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:D Thanks Doc.

 

I checked few minutes ago, marked on the mount " DEC 80 ".

So not so old, I thought it was older than that myself.

That's magic of Kodachrome I forgot :ph34r: .

Thanks Arnaud for your reply

 

You like red , me too :)

The last Kodachrome slide developed by Dwanes Lab Parsons Kansas US in 2009 :)

 

taken with an old  Leicaflex SL of 1969 (recently revised by Leica Wetzlar) + Summicron 50 (1969)

 

 

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You are welcome in our thread Arnaud don't hesitate to post . Thanks.

 

Just post slides Kodachrome from 1969 :)  slides 48 years old

http://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?p=3217155

You'll see the difference in color , with your digital cameras :D

 

Best

Henry

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Doc,

 

May I admit that I do use digital M (and others) too and I continue analog M also, ... with Hasselblad XPan right now.

The two medias have each advantages on the other one for me.

 

I'm like this balinese mask and I'm happy with each camera I use, black/red/white. Not so black, not so white ;) .

 

 

 

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from M (type 262) and Apo-Summicron-M 2/75 Asph.

This old balinese dance mask is in real in front of me and when compared with it's image,

I see very small difference in color and depend on it's lighting mainly.

 

 

 

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Great thread. It's difficult, I think, to compare film and digital - each has their strengths and weaknesses. I'm fortunate enough to have an M Monochrom mk1, and I shoot that alongside with my analogue M cameras. The M Mono is very convenient. ISO can be changed from frame to frame, and it doesn't cost you each time you release the shutter. A lot can be done with the files, and I think it's a sensational camera when the light levels drop and you can push the ISO up a bit.

 

But there's just something about film. When you scan or print a negative, there is very little, if any, tweaking required in post. And the images on film have an almost indefinable quality to them, with their gentle tones and textured grain. Digital pictures, in comparison, can seem almost too sharp and contrasty to my eyes.

 

And there's definitely something supremely satisfying in owning a strip of film, processed, and containing images you saw and captured. It's an artefact, a tangible, touchable thing that was there with you when you pressed the button. Something that you made. And it will last and last, and always be scannable or printable. 

 

Here are a few film shots I've taken around Glasgow, either on my M2 or M5. The compression here kills them a bit, but the prints and TIFF scans are lovely.

 

Best wishes all,

 

Colin

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Doc,

 

May I admit that I do use digital M (and others) too and I continue analog M also, ... with Hasselblad XPan right now.

The two medias have each advantages on the other one for me.

 

I'm like this balinese mask and I'm happy with each camera I use, black/red/white. Not so black, not so white ;) .

 

 

 

attachicon.gifmasque Bali 3.jpg

 

from M (type 262) and Apo-Summicron-M 2/75 Asph.

This old balinese dance mask is in real in front of me and when compared with it's image,

I see very small difference in color and depend on it's lighting mainly.

 

Great thread. It's difficult, I think, to compare film and digital - each has their strengths and weaknesses. I'm fortunate enough to have an M Monochrom mk1, and I shoot that alongside with my analogue M cameras. The M Mono is very convenient. ISO can be changed from frame to frame, and it doesn't cost you each time you release the shutter. A lot can be done with the files, and I think it's a sensational camera when the light levels drop and you can push the ISO up a bit.

 

But there's just something about film. When you scan or print a negative, there is very little, if any, tweaking required in post. And the images on film have an almost indefinable quality to them, with their gentle tones and textured grain. Digital pictures, in comparison, can seem almost too sharp and contrasty to my eyes.

 

And there's definitely something supremely satisfying in owning a strip of film, processed, and containing images you saw and captured. It's an artefact, a tangible, touchable thing that was there with you when you pressed the button. Something that you made. And it will last and last, and always be scannable or printable. 

 

Here are a few film shots I've taken around Glasgow, either on my M2 or M5. The compression here kills them a bit, but the prints and TIFF scans are lovely.

 

Best wishes all,

 

Colin

 

I admit it's practical and immediate Arnaud and Colin but it stops there.

Color not satisfying  at the moment

Proof : Leica has just released the M10 and has the merit to continue the quest for perfection

since the M8.The reason : look at my previous post about color from sensor in comparison

with our eyes spectra

 

In the meantime , I shoot  film  :) ... and you do what you like

Nice pictures in b&w Colin . Please post and share with us in "I like film" thread . :)

and you are welcome . :) Thanks

Henry

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I think that the present state of technic and possibilities of digital workflow are awsome

I really like working with it

 

So why all that fuzz with mechanical cameras and film ?

 

Because even taking a picture is different. You have to be more focused. You need more time and you take it.

You take it for yourself (and maybe someone sees it in your pictures too).

You take these pictures to last. Longer than any digital file ever will and that´s why I still use film for projects that are to important to loose.

 

Just my 2cents.  ;)

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I think that the present state of technic and possibilities of digital workflow are awsome

I really like working with it

 

So why all that fuzz with mechanical cameras and film ?

 

Because even taking a picture is different. You have to be more focused. You need more time and you take it.

You take it for yourself (and maybe someone sees it in your pictures too).

You take these pictures to last. Longer than any digital file ever will and that´s why I still use film for projects that are to important to loose.

 

Just my 2cents.  ;)

 

I was photographing my daughter and her boyfriend recently using an APS P&S, he asked what type of camera it was and when I responded it was film his immediate reaction was "oh wow, a permanent photo".

 

I also showed a young co-worker my Sofort recently, she immediately went out and bouhgt a Fuji Instax, she loves the idea of an instant photo for permanent memories.

 

Digital is considered disposable by younger people, analogue is not.

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Just catching up with this thread. With reference to using lower temperatures for C-41, I did manage a year ago to make it work at room temperature, but the development was so long that it would have been quicker to heat the solutions as per normal! Details in this post - where else? - in the I Like Film thread!

 

Chris

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I'm currently using an M240, however from time to time I start thinking about acquiring and using a film M (an M6 is currently on my watch list) but then the other half of me says don't be silly, the expense and extra effort to process and digitise negs or slides isn't worth it.

What are the pros and cons that I should seriously consider before hitting the buy key?

 

Any thoughts would be welcome to help with my decision making.

 

It's great, but bad for your skin.

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Very cool! The statistic I love is that 49% of film shooters develop and print themselves. Now someone just needs to develop a colour process that is as easy as black and white. :)

 

Mike , except you need a water bath for the temperature , color process is easier and faster. 

Only dev+fix+ stab and one roll costs less 2 Euros... and you can develop even a sunday

no scratches and work well done. :)I work near a window of ventilation and I have a sink

with a tap of water in the lingerie of my house

Henry

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