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MM and 24 elmar.

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Süleymaniye Mosque courtyard

İstanbul, 2025

Q2M

Edited by tuna
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Barbershop in Konstanz, Germany.

M 11 Monochrom with Summaron-M 1:5.6 /28, ISO 5000, f5.6, 1/500

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Edited by lexffm
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The Karl Steurer Fountain in Konstanz, Germany

M 11 Monochrom with Tri-lmar-M 1:4 28-35-50 (silver version)@50mm, ISO 1600, f4, 1/500

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Edited by lexffm
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Q3

 

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Leica M10 + Summarit f=5cm 1:1,5

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A picture with something missing 

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SL2s, VM Nokton 50mm 1.1
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Georgetown, Texas. D-Lux 7.

 

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Leica HQ, Wetzlar

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M10M with ‘lux 50 asph (v1)

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m240

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m240

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m9

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MP240 Safari Set

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GFX50R + Leica Summilux-M 1:1.4/50 ASPH

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D-Lux4

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15 hours ago, 01maciel said:

Leica M10 + Summarit f=5cm 1:1,5

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I have no idea what these objects are or what they mean in the image but it doesn't matter at all. The composition works okay with an interesting horizon/background. Any way I felt like delivering my "like" by replying in comment

 

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vor einer Stunde schrieb Ken Abrahams:

I have no idea what these objects are or what they mean in the image but it doesn't matter at all. The composition works okay with an interesting horizon/background. Any way I felt like delivering my "like" by replying in comment

These are exhibits from a permanent open-air exhibition on a huge site. The exhibits are constructed by the artist and often have no real-life counterparts. The site is freely accessible, so I can photograph each art object from all sides.

Since you mention the background, here is a brief description of my (manual) image editing process. This is usually neglected when it comes to images, and everyone has their own method. I  convererted the image into b/w in two steps. I applied a first mask to everything that wasn't sky. Then I assigned the LUT Rollei IR400 to this mask. That would have been too extreme for the sky and would have made the whole thing look too alien. So I created a second mask for the sky and assigned the LUT Kodak TMAX 3200/1 to this mask.

Other than that, I only slightly increased the local contrast for the foreground as I used a very low-contrast lens at open aperture.

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57 minutes ago, 01maciel said:

These are exhibits from a permanent open-air exhibition on a huge site. The exhibits are constructed by the artist and often have no real-life counterparts. The site is freely accessible, so I can photograph each art object from all sides.

Since you mention the background, here is a brief description of my (manual) image editing process. This is usually neglected when it comes to images, and everyone has their own method. I  convererted the image into b/w in two steps. I applied a first mask to everything that wasn't sky. Then I assigned the LUT Rollei IR400 to this mask. That would have been too extreme for the sky and would have made the whole thing look too alien. So I created a second mask for the sky and assigned the LUT Kodak TMAX 3200/1 to this mask.

Other than that, I only slightly increased the local contrast for the foreground as I used a very low-contrast lens at open aperture.

Very good indeed, we have something every 2 years here called Sculpture by the Sea where artworks have a theme and on  display at Cottesloe Beach. Not really the same as yours. Great to get a description of your post processing, many thanks,

Ken 

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