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57 minutes ago, 01maciel said:

These are exhibits from a permanent open-air exhibition on a huge site. The exhibits are constructed by the artist and often have no real-life counterparts. The site is freely accessible, so I can photograph each art object from all sides.

Since you mention the background, here is a brief description of my (manual) image editing process. This is usually neglected when it comes to images, and everyone has their own method. I  convererted the image into b/w in two steps. I applied a first mask to everything that wasn't sky. Then I assigned the LUT Rollei IR400 to this mask. That would have been too extreme for the sky and would have made the whole thing look too alien. So I created a second mask for the sky and assigned the LUT Kodak TMAX 3200/1 to this mask.

Other than that, I only slightly increased the local contrast for the foreground as I used a very low-contrast lens at open aperture.

Very good indeed, we have something every 2 years here called Sculpture by the Sea where artworks have a theme and on  display at Cottesloe Beach. Not really the same as yours. Great to get a description of your post processing, many thanks,

Ken 

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Dwellings No's 15, 16 and 17, St George's Square, Stamford, Lincs UK.  No 17 includes 13th C. walls; No's 15 & 16 date from 16th C.  Roofs tiled with Colleyweston limestone slates – double lap laid in diminishing courses; larger tiles at eaves; smaller tiles at ridge.  Street double yellow lines PP erased.      

Leica CL/TL 11-23mm @ 11mm (16.5mm FF equiv.) ; ISO 400 f8 1/400sec.  No perspective adjustment required; the TL 11-23mm renders good verticals. 

BW, dunk

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A pile of work

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M6, 28 mm Elmarit ASPH1, TRI-X, Metol-Sulphite

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Deal or no deal
M10 + Voigtlander VM Nokton 35mm 1.2 ASPH. II 

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Cloudy day

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V-Lux.

 

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Süleymaniye Mosque, İstanbul, 2025

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At the library. D-Lux 7.

 

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Fresh from the street today and one for the Hair file

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SL2S + Leica Apo-Summicron-M 1:2/90 ASPH

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M9, how I loved this camera...

 

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Leica User Meeting 2024

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35mm Summilux-M A

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Bakery and Confectionery Cleaver. Arbon, Switzerland

M-A (Type 127) with Tri-Elmar 28-35-50 (MATE) @35mm, Ilford HP5+, OnFilmLab Frankfurt

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Entrance of an old house in Arbon, Switzerland.

M-A (Type 127) with Tri-Elmar 28-35-50 (MATE) @35mm, Ilford HP5+, OnFilmLab Frankfurt

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