Engelo Posted February 20, 2016 Share #1 Â Posted February 20, 2016 Advertisement (gone after registration) I read a couple of reviews of the 21mm Summilux all of them prasing the lens as producing sharp and crisp pictures. Since I own the lens I always had a different impression - pictures look "soft", not very sharp! Doing a comparison with a Zeiss 16-35 on a Sony A7s, the Zeiss lens clearly produced sharper pictures than the m240 + Summilux. What are your experiences and views with regards to the lens? Link to post Share on other sites More sharing options...
Advertisement Posted February 20, 2016 Posted February 20, 2016 Hi Engelo, Take a look here M240+Summilux 21 vs Sony A7s+Zeiss 16-35. I'm sure you'll find what you were looking for!
darylgo Posted February 21, 2016 Share #2  Posted February 21, 2016 It is not the sharpest lens in my system however it has beautiful tonality on the M240 at all apertures and it is sharp enough for my uses.  Leica divided their 21 and 24mm lenses into super sharp slower (3.4 and f3.8) and sharp fast (f1.4).  I guess I expect a sharpness compromise as a tradeoff for speed and have never really tested it against other lenses but rather determined it performs well enough, if not rather spectacularly for my purposes.  I do remember selling all my Nikkor 21mm lenses after purchase of the Summilux, the Nikkors were not only softer but tonality didn't compare to  the Summilux.   Perhaps the softness you speak of is due to a sample in need of Leica's attention, if you can test another copy that would help in this determination.  My Summilux needed adjustment with both an M9 and M240 for proper focus accuracy.  Link to post Share on other sites More sharing options...
Engelo Posted February 21, 2016 Author Share #3 Â Posted February 21, 2016 @ Darylgo: thank you for your post! A comparison Between my lens and another 21 Summilux would be interesting indeed. With regards to adjustment: the lens has already been at Leica for this, but to me, results seem to be unchanged. Link to post Share on other sites More sharing options...
hiepphotog Posted February 27, 2016 Share #4 Â Posted February 27, 2016 For its size, it is still the best 21/1.4 you can buy. I have no doubt that the new Sigma 20/1.4 would be sharper but it's much bigger as well. With that said, to expect a 21/1.4 t be very sharp at WO is unrealistic. Link to post Share on other sites More sharing options...
MarkP Posted February 28, 2016 Share #5  Posted February 28, 2016 It is not the sharpest lens in my system however it has beautiful tonality on the M240 at all apertures and it is sharp enough for my uses.  Leica divided their 21 and 24mm lenses into super sharp slower (3.4 and f3.8) and sharp fast (f1.4).  I guess I expect a sharpness compromise as a tradeoff for speed and have never really tested it against other lenses but rather determined it performs well enough, if not rather spectacularly for my purposes.  I do remember selling all my Nikkor 21mm lenses after purchase of the Summilux, the Nikkors were not only softer but tonality didn't compare to  the Summilux.   Perhaps the softness you speak of is due to a sample in need of Leica's attention, if you can test another copy that would help in this determination.  My Summilux needed adjustment with both an M9 and M240 for proper focus accuracy.    This is my experience with the 21 Summilux vs SEM.  My 21 Summilux had focus shift (which would obviously affect sharpness at wide apertures) and went back to Leica for adjustment which fixed the problem.  The lens reminds me a bit of my 28 Summicron - excellent micro contrast, colour and rendering,  but with that more  classic (Mandler?) lens feel to the photographs. Furthermore, it offers almost 3 stops more light that the 21 SEM and reduced DOF in an ultra-WA if you want to use it that way (in which case you will need a series VIII ND filter for daytime use and these are now hard to come by)  It is big and heavy, not razor sharp with modern colouring like the 3.4/21 SEM (but no slouch - it is a Leica), and it is not a lens for architectural work where you need to maintain those dead-straight lines. Because of it's size it does not get as much daytime use as my 3.4/21 SEM. If you only want a daytime lens, or tripod in low light then get the SEM as it's abettor all-rounder.  I'm not sure what more one could expect out of such a lens that allows such low-light hand-held work (except for it to be cheaper). I hate agreeing with the Bard but "sharpness isn't everything".  These may give you some idea of why I like the lens. Many of these would not have been possible hand-held in low light with a 21 SEM without really pushing the ISO.  Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/257135-m240summilux-21-vs-sony-a7szeiss-16-35/?do=findComment&comment=2998102'>More sharing options...
MarkP Posted February 28, 2016 Share #6  Posted February 28, 2016 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/257135-m240summilux-21-vs-sony-a7szeiss-16-35/?do=findComment&comment=2998104'>More sharing options...
MarkP Posted February 28, 2016 Share #7  Posted February 28, 2016 Advertisement (gone after registration) Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/257135-m240summilux-21-vs-sony-a7szeiss-16-35/?do=findComment&comment=2998105'>More sharing options...
MarkP Posted February 28, 2016 Share #8  Posted February 28, 2016 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/257135-m240summilux-21-vs-sony-a7szeiss-16-35/?do=findComment&comment=2998107'>More sharing options...
MarkP Posted February 28, 2016 Share #9  Posted February 28, 2016 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/257135-m240summilux-21-vs-sony-a7szeiss-16-35/?do=findComment&comment=2998109'>More sharing options...
menos I M6 Posted February 28, 2016 Share #10 Â Posted February 28, 2016 I was looking for a 21/1.4 over a span of two years, having rejected a handful of brand new copies over that time. The reason was in every regard sample variation in how the lens was calibrated from the factory. Â Contrary to popular believe, this very super wide angle lens is extremely sensitive to the slightest mis-calibration of both the lens and the camera's rangefinder mechanism as of its large deviation in focal length from the 51.6mm standard and of course it's very large aperture resulting in a slim DOF despite it's short focal length. Â When on my yearly rangefinder calibration checkup, this 21/1.4 is one of the critical lenses I check on adjusted bodies to focus in spec. It is as critical as a 50/1 or a 75/1.4. The only other focal length that behaves even more sensitive to RF mis-calibration is the 135mm. Â When new to a specific sample of the 21/1.4, make absolutely sure that both the lens and the camera body is calibrated to spec. Â Another point is that this very lens does have a pretty wild plane of focus (not really a plane with this lens) and quite heavy distortion. Make sure you understand how this relates to images. My advice for best sharp results: turn off any additional distortion correction in the raw converter (Adobe Lightroom applies a profile by default which will lead to some inevitable slight loss in acuity and of course a crop of the frame). Â A good sample of the lens should be modern sharp - it is not a soft lens. It is by no means as sharp as the 21/3.5 SE and even it's slightly longer sister lens, the 24/1.4 has been reported to have slight edge optically. It is a specialty lens - a compromise. Don't expect it to set test chart reference standards ;-) Link to post Share on other sites More sharing options...
CheshireCat Posted February 28, 2016 Share #11 Â Posted February 28, 2016 I read a couple of reviews of the 21mm Summilux all of them prasing the lens as producing sharp and crisp pictures. Since I own the lens I always had a different impression - pictures look "soft", not very sharp! Doing a comparison with a Zeiss 16-35 on a Sony A7s, the Zeiss lens clearly produced sharper pictures than the m240 + Summilux. Â Â Post comparison photos, and we'll be able to tell you where the user error is Link to post Share on other sites More sharing options...
Engelo Posted February 28, 2016 Author Share #12 Â Posted February 28, 2016 @ hiepphotog, Mark P, menos M6 and Cheshire Cat: Thank you all very much for taking the time to comment! Appreciated! Link to post Share on other sites More sharing options...
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