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Signature Look / Leica Look


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The original Leica look:

 

 

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Can somebody please kindly share me examples of the "signature Leica look" of a Leica product?

 

Examples are most appreciated!

 

While jaapv's post above is very nearly true, the TRUE "signature Leica look" is that which makes you appear to be Royalty when it's held to your eye:

 

9775b969af6c20dc16a814eed27850e4.jpg

 

 

And I believe that manoleica's post succinctly describes the impetus for the myth about the "other" "signature Leica look."

 

 

Dear Dream Killer, after paying $12,000,00 for a box and a tube with glass inside, I need to believe.. ""

 
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Over the time I have spend more than 12 k on Leica gear, sorry about my spelling I am a foreign national. 12k is a good start, do not stop here.

Sir, over the years I have spent -W A Y- more than the $12k on Leica cameras, lenses & other Red Dot products..  Regarding being a foreign national, we do have Spell check and a Free Thesaurus available via the internet... 

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Thank you all for your opinions.

 

I'm relieved that nobody so far has told me that I am blind if I cannot see the difference. To be honest (and I think I have said this elsewhere) I use Leica gear not because I appreciate its distinct photographic results but because I can afford it and simply like the classical look of the equipment - and yes, perhaps the snob appeal.

 

But I know there are many others out there who buy it for the optical quality.

 

I have an Apo Summicron, Noctilux, and a few other "expensive lenses" which makes me feel special, but other than that feeling of ownership, there is nothing magical about them in my sense.

 

If you see the difference, good for you! I can't, and I envy you. I simply want to see where you can see the differences.

 

I enjoy this forum as much as anybody else does, but when people start talking how "Leicas are magical" and "Oh, look at that sjgnature Leica look!" and even "Sony makes plastic images" "You're blind if you can't see the difference between lightroom converted BW and a M Monochrom image" then I start to wonder if I'm and idiot for not "seeing the difference".

An Apo Summicron? What kind of lens is that??

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When I was shooting slide film professionally, the owner of my stock agency and my slide duplicator both asked me the same question: "What lenses are you using?" When I answered "Leica", they both nodded and smiled. Certain Mandler designed lenses have a look on film that is only found with Leica. Not so much anymore with digital - the latest Leica lenses (except for the 28mm Summicron) on a M 240 produce results that look very similar to Nikon or Canon's best lenses and camera.

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When I started with the M6 and a canadian summicron 50mm. I made this picture. My first filmrol.

 

I really love this photo and I really thought that it was made this way, because of the Leica.

 

I thought I couldn't have made  it with my Nikon F3 + nikkor 1,4 50mm. But maybe it's just the situation and the feeling I have for the subject which brought me to this conclusion: 

 

Still I really like this picture ( especially the print form  ) .

 

 

 

 

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There are lens signatures, the most distinct from the earlier years. As pointed out above, all lens designers now have the same tools, but what they choose to demonstrate is different. In the earlier years it was as much an art as science, and different 'looks' were a goal.

 

Speaking of early lenses, in the film days we did the best with what we had. One street photo I cannot unsee from Bruce Davidson:

 

bruce-davidson_girl_kitten.jpg

 

 

There are lens signatures, the most distinct from the earlier years. As pointed out above, all lens designers now have the same tools, but what they choose to demonstrate is different. In the earlier years it was as much an art as science, and different 'looks' were a goal.

 

 

I believe the above most accurately describes the "Leica Look," also the goal of the lens designer at the time, remembering that all our lenses have been designed in a distant or not-so distant past and by a lead optical designer with their team inspired by a rendering goal agreed on.

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I believe the above most accurately describes the "Leica Look," also the goal of the lens designer at the time, remembering that all our lenses have been designed in a distant or not-so distant past and by a lead optical designer with their team inspired by a rendering goal agreed on.

 

At one time lenses were designed to certain aesthetic effects before the metrics of MTF and other engineering abstracts were created. Since those metrics were made, any reader could quote and argue about lens 'quality' in internet text with no experience of their own, no reference to images, or clue regarding their own vision. So some bloke would write one day that he has just got into photography and three weeks later he is posting his own opinions of quality based upon metrics,  text!

 

The same happens in this group, in particular with the vociferous Noctilux people, followed closely by the APO enthusiasts,

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A Leica is just a tool designed to do a specific job in a certain way. For most of us here, it does its job the way we wish (it gets out of our way).  If there is any "magic" involved, it is that.

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I just meant, that when somebody  is writing: " I have an Apo summicron, Noctilux etc. I cannot know what lens he means, there are different kinds. A 90 apo doesn't cost as much as an apo 50mm. There's a price difference.

 

Also, if I have a lens , that I know really well, I would not say: " I have an Apo summicron."  I would gladly chair all the information about this specific lens.

 

It's like saying: "I have a Mercedes" nobody knows what kind... Last year I drove a Mercedes with 450 kilo of diving gear to the port.  Can you tell me what kind that was? Was it expensive?

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A Leica is just a tool designed to do a specific job in a certain way. For most of us here, it does its job the way we wish (it gets out of our way).  If there is any "magic" involved, it is that.

 

 

On the contrary, it gets right in the way. It needs attention - framing, focusing, ISO setting, white balancing, focal length, aperture, shutter speed, battery and memory card maintenance, lens character choices, ... and there's more.

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On the contrary, it gets right in the way. It needs attention - framing, focusing, ISO setting, white balancing, focal length, aperture, shutter speed, battery and memory card maintenance, lens character choices, ... and there's more.

 

 

Speak for yourself. With my Leica cameras I simply focus, frame and shoot – it couldn't be simpler or less intrusive. Exposure (including aperture setting) is made well in advance of bringing the camera to my eye and as for all the stuff about ISO, white balance, battery and memory card maintenance. Well that's someone else's problem. 

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Speak for yourself. With my Leica cameras I simply focus, frame and shoot – it couldn't be simpler or less intrusive. Exposure (including aperture setting) is made well in advance of bringing the camera to my eye and as for all the stuff about ISO, white balance, battery and memory card maintenance. Well that's someone else's problem.

 

How can that be someone-else's problem? Your the photographer holding the camera!! Or maybe it's just jewelry to you!! A somewhat naïve Post from an experienced photographer..
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I think Ian is referring to digital cameras and therefore 'digital photographers'... and therefore their problem (on the digital specific stuff he mentioned).

 

On the other hand, I disagree with his point that the camera doesn't intrude on the picture making process. The very fact you have to make choices in aperture, shutter speed, film selected and loaded, iso, developing, printing etc., etc., means the camera and the whole process of making an image very much 'gets in the way'... although I would argue that's the very reason we choose to use these cameras... 

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