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Edward , your M7 gives nice street pictures , contrast , definition without excessive sharpness

agressive for eyes , black, grey and white tones are perfect IMHO

Good scan result. Edward you develop yourself b&w ?

Please share with us in "I like film" thread ! :)

http://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/page-1498

Best

Henry

Edited by Doc Henry
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Edward I know you prefer b&w but color is nice too :)

M7 can also gives beautiful color  :)

color more faithful and natural in comparison with digit.

film more sensitive , look at details in color of grass in foreground

(I have the same picture with M9)

 

Le Crotoy , the Bay of Somme at sunset and low tide

Nov 2016

 

Kodak Ektar 100-M7-35 LA

Kodak Ektar dev by myself in Tetenal 38°C

 

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Simply register for free here – We are always happy to welcome new members!

 

Best

Henry

Edited by Doc Henry
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Edward I know you prefer b&w but color is nice too :)

M7 can also gives beautiful color  :)

color more faithful and natural in comparison with digit.

film more sensitive , look at details in color of grass in foreground

(I have the same picture with M9)

 

Le Crotoy , the Bay of Somme at sunset and low tide

Nov 2016

 

Kodak Ektar 100-M7-35 LA

Kodak Ektar dev by myself in Tetenal 38°C

 

attachicon.gifImage19crotoykodektarm7lfht+++950bis.jpg

 

Best

Henry

 

 

Henry, I too love my M7 and film. However the M7 does not give beautiful colour, in fact it doesn't give any colour.

It's jut a very nice box to mount a lens and hold film that give beautiful colour ;-)

Edited by MarkP
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Mark , one box may be, but I do not agree
...because the support is not the same more sensitive . 

Details and color in the shadow as I said above more visible vs digit.

especially when backlit (contre-jour) photo

I'll post crop for you for proof !

Best

Henry

Edited by Doc Henry
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Mark , one box may be, but I do not agree

Henry you miss my point. That is an effect of film NOT the M7!

 

 

I think we've had a similar discussion before and although I agree with Mark that the M7 is essentially a light tight box which should have no bearing on the colour of the photographs taken, it is possible that, for a particular user, the M7 meter may influence the way they expose a scene. For somebody that otherwise uses an incident meter or maybe a Nikon with matrix metering, using the internal meter of an M7 may lead the same photographer to over or underexpose the scene compared with what they might have done with a different camera or meter. That difference in exposure may have a modest influence on the colour obtained from the film and this might be what Henry is getting at? Of course, that would essentially be a difference in colour as a function of metering and nothing really to do with the M7 per se. :)

Edited by wattsy
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Thank you for your kind words Henry. I am sending my film to a small lab basically run by just one person who treats every film as if it was his own. I started today shooting color so let's wait and see what it gives. As on the color subject, I believe the lenses and film are responsible for it, while as wattsy said, the camera may influence exposure and the way one takes pictures.

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My M7's. 

 

One black chrome, one silver chrome and on black chrome Dutch Flag Edition. I love the M7 BP a la carte with MP style lever, but 4 M7's is a little bit crazy...

 

 


33850356346_1055fff7e9_c.jpg

 

33506498940_eb66f438c9_c.jpg

Edited by Paul Verrips
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Paul , Wow glad see you back .... with 3 M7  :)  amazing

All for you ? so you can put in example one roll of b&w Kodak TMax

on one camera, one roll of Kodak Portra 400 on another camera

.... and one roll of Kodak Ektar 100.

What do you think ?

Congrats Paul . A great treasure  !

Best

Henry

I have two cameras M7 and MP with color in one and b&w in another  :)

Edited by Doc Henry
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MarK, I agree for the film but the camera and the lens take an important part too
for the photographer. My MP gives nicer picture than my Leica R4S !

Thanks to watch examples  in "I like film thread" !

and don't forget the photographer : his manner of composing , framing his picture

That's my impression

Rg

H

Edited by Doc Henry
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Paul , Wow glad see you back .... with 3 M7  :)  amazing

All for you ? so you can put in example one roll of b&w Kodak TMax

on one camera, one roll of Kodak Portra 400 on another camera

.... and one roll of Kodak Ektar 100.

What do you think ?

Congrats Paul . A great treasure  !

Best

Henry

I have two cameras M7 and MP with color in one and b&w in another  :)

Henry, Thank you for your kind words. No i only shoot B&W, but i could not choose between silver chrome and black chrome..... And i could not resist the Dutch flag edition (only 10 produced). I only use one at a time, so i change now and then between the different bodies.

 

I wil soon post some B&W work from the past period.

 

The MP in BP is also one of my favorites. :)

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Pico,

 

What are your wishes?

Mine are a rewindknob MP style + like the MP all shutterspeeds mechanical, so no battery is needed in case of...... Sunny sixteen will do the exposure.

 

* i know this is an a la carte option, maybe i will do that once together with a rewind lever MP style, 0.58 VF and black paint.

 

About the 0.58; i never experienced this in real life, so first want to look through this 0.58 VF if it's suits my expectations.

Edited by Paul Verrips
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When you have the shutter set on AUTO and then turn on the camera, there is a 2 second delay before you can fire the shutter.  That is a huge design flaw and should be removed.

 

(the reason for this is the film ISO speed is shown in the viewfinder during the 2 second start up time)

 

Get rid of the DX system and the 2 second start up delay.  Add in B (bulb) as a third mechanical shutter speed and it'd be a well-polished camera.  Oh and get rid of the red dot in the front, no one wants it anyway...

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