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M8 and Lightroom color profile. Your experiences?


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Hi Guys,

 

I recently bought an M8 with a nice summicron 35mm asph (fitted with Leica IR filter). I'm still "warming up" to the camera and how to get the best out of it.

 

One thing i've noticed by now, is that the images as interpreted by Lightroom when using the "Adobe Standard" color profile show kind of "funky" skin tones, with a certain pinkish cast that is not very flattering. "Camera Standard" appears to work better, rendering more natural skin tones, but the image looks a bit darker or dull, with maybe a yellow/green cast to some colors.

 

I've googled for a while on this, and couldn't find anything conclusive, apart from creating my own color profiles.

 

I wonder what's your experience regarding this.

 

Thanks.

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... apart from creating my own color profiles.

 

Yep, many folks use the ColorChecker Passport card to create a custom profile for different lighting conditions. Or one can just save develop module presets once a satisfactory result is achieved.

 

I assume you've adjusted WB appropriately to start.

 

Some prefer Capture One; I get along fine with LR.

 

Jeff

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One thing i've noticed by now, is that the images as interpreted by Lightroom when using the "Adobe Standard" color profile show kind of "funky" skin tones, with a certain pinkish cast that is not very flattering. "Camera Standard" appears to work better, rendering more natural skin tones, but the image looks a bit darker or dull, with maybe a yellow/green cast to some colors.

 

Do you shoot in sRGB or AdobeRGB?

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One thing i've noticed by now, is that the images as interpreted by Lightroom when using the "Adobe Standard" color profile show kind of "funky" skin tones, with a certain pinkish cast that is not very flattering. "Camera Standard" appears to work better, rendering more natural skin tones, but the image looks a bit darker or dull, with maybe a yellow/green cast to some colors.

 

Exactly my experience when I got my M8.2. Custom profiles resolved it. Not much different with my M9. I generally prefer Capture One's skin tones, although Lightroom does well with the proper profile.

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You can make it behave if you use uv/ir filter, white balance, and profile the camera with adobe profile editor.

 

I make ACR set the profile automatically by camera serial number and I assume there is some similar provision in LR.

 

If that is not perfect enough, make a preset brush and paint all flesh, orange - and red-.

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Yep, many folks use the ColorChecker Passport card to create a custom profile for different lighting conditions. Or one can just save develop module presets once a satisfactory result is achieved.

 

I assume you've adjusted WB appropriately to start.

Jeff

 

Hey Jeff, thanks for replying. I don't have a colorchecker (yet), so i have to make do without custom color profiles, but it is definitely on my shopping list. In any case, from what i've read, for color profiles to be effective, you need to do them in every light and iso you expect to choose, which might be impractical in uncontrolled situations, like street shooting. That's why i'm looking for a "good enough" profile that will get the bases covered in most "average" conditions.

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Exactly my experience when I got my M8.2. Custom profiles resolved it. Not much different with my M9. I generally prefer Capture One's skin tones, although Lightroom does well with the proper profile.

 

Thanks for confirming my thoughts, since i had no previous experience with an M, i really needed a point of reference.

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Hey Jeff, thanks for replying. I don't have a colorchecker (yet), so i have to make do without custom color profiles, but it is definitely on my shopping list. In any case, from what i've read, for color profiles to be effective, you need to do them in every light and iso you expect to choose, which might be impractical in uncontrolled situations, like street shooting. That's why i'm looking for a "good enough" profile that will get the bases covered in most "average" conditions.

 

No. Adobe profile editor needs two , 6500 K and 2800 K. Everything between is interpolated and it happens by itself.

 

This does not take the place of WB and I recommend a aWh Bal Card or Exposo disk for that.

 

Save as different user profiles and the M8 has place for 3 or 4. Make one for sun, your studio flash, shade, or cloudy. If you do not want to do that, include a WhiBal in the first frame of the series and use the WB tool in LR or ACR for the series.

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