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@benqui, how about more TMax 3200?

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Band director, 1995 or 96. TMZ at 6400, spot metered on the face. Shot at f8 and wherever the shutter landed. Pentax PZ1p and 70-200mm zoom. Scan of an 8x10 print on Kodak Polycontrast RC glossy. 

I no longer have the negative so this lone scratched print is all that is left. Fortunately it was from my full frame printing phase. We all do it eventually. 

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View from Bad Homburg Castle into the castle park with a huge tree. Bad Homburg, Germany

M-A (Type 127) with Apo-Summicron-M 1:2 /50 ASPH, Ilford FP4+

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Statue in the entrance area of Bad Homburg Castle, Germany

 

M-A (Type 127) with Apo-Summicron-M 1:2 /50 ASPH, Ilford FP4+

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Leica M3 | Summicron 50mm f/2 | Delta 400 | BAD Bellini Eco Developer
So I tried this Bellini developer, it looked a little like Rodinal, which at the time I didn't realize was not a good sign. Bellini Eco developer is clear when it's fresh. This developer must have gotten oxidized at some point and the guys at the shop were also unaware. I lost two rolls of film as the developer drastically underdeveloped all of the negatives. I decided to scan the negatives anyway to see if anything was redeemable. Here's one.

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Between the high-rise buildings (Frankfurt, Germany, Leica M44-2, Zeiss Biogon 2/35, Ilford FP4+):

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A visual representation of my wife’s mind

Nikon F3 | Noct-Nikkor 58/1.2 | Gold 200

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18 hours ago, benqui said:

For traveling I bought a R zoom 28-90 with an adapter for my M10. I was very happy with the results and I thought why not using this wonderful lens also analog? I found a R8 in a very good condition for a very good price and used it last week for portrait shootings in combination with my M6 TTL. And I have to admit that I really like the results of the R8. I had more „focus failures“ with the R8 in comparison with the M6 TTL, but I think it is just a matter of training.

Jennifer, R8, R 2.8/28-90 zoom, Portra 800 (for a sharper version, please click on the photo)

 

Excellent Marc. I’ve been doing a similar thing, new to me R8, and a pair of R zooms. Also switching them to my SL2 digital, I figure the zooms on the bodies as too hard. You used the Visoflex with the M10.

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6 hours ago, Sunyforreal said:

A visual representation of my wife’s mind

Nikon F3 | Noct-Nikkor 58/1.2 | Gold 200

I fully endorse using Nikon’s top pro lens of the film era with Kodak’s most consumer-oriented film. The combination works well. 

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It feels like 1954  or simple: the M3 is back.

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M3 Elmar 50mm 2.8, 5222 HC110
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Am 19.2.2025 um 16:45 schrieb AZD:

I like this. TMax 3200 shines in simple compositions where the large grain becomes part of the whole rather than a distraction. 

Thanks a lot! I also like this special film very much!

Am 19.2.2025 um 18:09 schrieb Roy Bigsby:

M6 (2022) | 50cron (V) | FP4+

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A wonderful natural portrait Roy, very well done!

Am 19.2.2025 um 18:13 schrieb AZD:

@benqui, how about more TMax 3200?

Band director, 1995 or 96. TMZ at 6400, spot metered on the face. Shot at f8 and wherever the shutter landed. Pentax PZ1p and 70-200mm zoom. Scan of an 8x10 print on Kodak Polycontrast RC glossy. 

I no longer have the negative so this lone scratched print is all that is left. Fortunately it was from my full frame printing phase. We all do it eventually. 

Yes, very good!

Am 19.2.2025 um 18:22 schrieb r+m:

I really like the film grain of this picture.

Me too!

vor 12 Stunden schrieb gbealnz:

Excellent Marc. I’ve been doing a similar thing, new to me R8, and a pair of R zooms. Also switching them to my SL2 digital, I figure the zooms on the bodies as too hard. You used the Visoflex with the M10.

Yes I used the Visoflex 2 and it worked vey well

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