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i2, Color i-type

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i2, Color i-type

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Nikon F2 Photomic, adapted Helios 44-2 58/2, Ilford HP5 @ 200, Replenished D-23 8'40" 20°.

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Paschi`s greendeal

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M3 Elmar 50mm 2.8, outdated Foma400 HC110
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Back street repairshop

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M3 Elmar 50mm 2.8, outdated Foma400 HC110
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On 9/26/2024 at 12:11 AM, Kl@usW. said:

The more I look at the Dirtych, the more it fascinates me, Rog. First of all, both images show a window, but then the discussion begins: on one side, a red background with green spots (fern?), on the other side, a green surface with red spots. The windows also argue over whether they prefer a single pane or multiple ones, whether transparent or opaque, top or bottom, even the building kicks in: panels or planks, fence or no fence... .. like two siblings who can’t escape their shared genes but still argue at every meeting, just to reaffirm their differences and identity... very beautiful.

I really like your Polaroid series of Osaha, Aryel. You’ve managed to avoid the postcard trap and take a peek behind the scenes.

I really appreciate your complimentary discussion parsing the perspectives of this complementary diptych, particularly the personification of "two siblings" and their "shared genes." In a way, it reminds me of Diane Arbus's "Identical Twins," even though it's not a diptych. What I was playing with here was the echo of one image to the other: color, framing, flatness, texture, and form. A kind of abstract realism, but the two siblings who argue at their every meeting, I never would have come up with that bit of theatre. Thank you for that, Dr. Kl@us--sharp eye and sharp wit.

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Rocky Mountain National Park - M6, Summicron 35 asph, Ferrania P33

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i2, Color i-type

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MP APO 50 ADOX Mission
Hanalei

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Portra 400 on the RF

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i2, color i-type
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Brittany     [m6, 35, delta 400]

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Honda etc...  [m6. 35, delta 400]

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MP APO 50 ADOX Mission
Hanapepe

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