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Looking along the canal.  H503CX, 80mm Planar, medium yellow filter, FP4+, Ilfosol 3.

PS - the vertical lines above the left-side of the bridge are scaffolding poles from yet another housing development.

 

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Overground.

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vor 10 Minuten schrieb bags27:

Getting a bit too obsessed with scanning. This with the Fuji GFX R 50 mps MF, 4 photos stitched producing a 500 mps file. Mamiya 7 43 mm red filter HP5 in HC110 18 min. In lightbox this barely reflects the actual detail, although who needs so big a file? Anyone need a billboard of a frozen lake?

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But now you know it is possible when making the next billbord shot…

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Part of the Horkheim Weir on the River Neckar from 1927; architect Paul Bonatz. 

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Olympus OM 4ti; Zuiko 3,5/50mm, Pan F plus, Rodinal

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In my opinion the first shot is more interesting. The light in the left wall and its reflection in the water lead to the gate/bridge in the right and then into the open space to the right. Giving a direction.
In the second picture the light is more a spot without tension in a direction. May be it would work better, when burning the left wall that it becomes darker. And perhaps dodging the world right outside the gate/bridge…
May be others see it in the other way... ;)

Edited by verwackelt
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Velvia ISO 50, f/4.0, 1/250s, 105mm macro lens, F100.

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Untitled by JM__, on Flickr

Acros 100 - Konica HG 28

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Untitled by JM__, on Flickr

Acros 100 - Konica HG 28

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The Shores by JM__, on Flickr

Acros 100 - Konica HG 28

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4 hours ago, Keith (M) said:

Question time!  Hasselblad 503CX outing on Monday afternoon.  Dev'd & scanned the roll of FP4+ in Ilfosol 3 today. Can't make up my mind which of these two frames works better. They were taken about twenty minutes or so apart and the sun moved enough to make quite a difference. Thoughts appreciated!

Without question, I prefer the strong geometric statement of the first composition: the ellipticals and the emphasis of the diagonal with the railing holding its own. And it reads so well, left to right, like verwackelt notes. It has a kind of classic Piranesi etching going for it.

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5 hours ago, Kl@usW. said:

Part of the Horkheim Weir on the River Neckar from 1927; architect Paul Bonatz. 

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Olympus OM 4ti; Zuiko 3,5/50mm, Pan F plus, Rodinal

Why does Bentham ring such a resounding bell? Would he pen notions of panopticon in that prow of cement and steel?

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4 minutes ago, Ernest said:

Without question, I prefer the strong geometric statement of the first composition: the ellipticals and the emphasis of the diagonal with the railing holding its own. And it reads so well, left to right, like verwackelt notes. It has a kind of classic Piranesi etching going for it.

I agree. Love the ellipticals. The 2nd photo shows more detail, and I'm always looking for that, but the composition of the first is really interesting.

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9 hours ago, Keith (M) said:

Question time!  Hasselblad 503CX outing on Monday afternoon.  Dev'd & scanned the roll of FP4+ in Ilfosol 3 today. Can't make up my mind which of these two frames works better. They were taken about twenty minutes or so apart and the sun moved enough to make quite a difference. Thoughts appreciated!

The second photo without a doubt is my favourite. The first photo may have 'more' going on, but it's all distracting and the various elements lead the eye all over the place without letting it rest. I think other people are perhaps judging it on the basis of 'much is more'.The simpler meditative composition of the second image is further enhanced by the beckoning glow from the sunlit brickwork and the handrail further inviting the way around the corner and into the sunlight. In this case 'less is more' visually, while at the same having a far more satisfying cerebral impact.

Edited by 250swb
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10 hours ago, Keith (M) said:

Question time!  Hasselblad 503CX outing on Monday afternoon.  Dev'd & scanned the roll of FP4+ in Ilfosol 3 today. Can't make up my mind which of these two frames works better. They were taken about twenty minutes or so apart and the sun moved enough to make quite a difference. Thoughts appreciated!

First one - because of geometry and good light

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