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14 minutes ago, Ernest said:

Doppelganger II  Nikon F2  Micro-Nikkor 55  Fuji Natura 1600 

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Reminiscent of the patterns fromed by fountain-pen ink on blotting paper - I was a true artist back in the day - really nice creation, Rog.

Doppleganger fits well. Any idea what caused the secondary 'spooky' formation to the trees?

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21 hours ago, Ko.Fe. said:

 

5 CAD Samsung P&S and some no name, next to no emulsion, no anti-halo film I received under secret Santa exchange. The film is so thin, one roll is something like sixty frames. I have to cut it in half to load in the paterson reel.

Very nice edgy result!

15 hours ago, djmay said:

Very lovely, Jesse!

13 hours ago, benqui said:

To me as "country bumkin" these buildings in New York are always very impressive

 

 

Great blues.  And even I am impressed every time I look at them. :)

12 hours ago, Doc Henry said:

Kodak TX400-Leica MP-50 Summilux Asph

with no correction   (my old computer under Windows Vista  is out of service ,

all my old photosoftware doesn't work with W10  and I do not want to buy anymore) 

 

Canal Saint Martin Paris 

Best H

Wow - stunning, Henry.  Very inspiring !!

7 hours ago, Matisse said:

 

Lovely!

5 hours ago, Keith (M) said:

Apologies for my absence from the ever-growing thread. Limited opportunities (and if I was completely honest) some lack of motivation film-wise...  Anyway, the roll of Acros 100 I put in my MP in late August was finished off yesterday in town (see below) and developed /scanned today. All taken with 50mm Summilux-M ASPH. Standby for some uploads! 

Lamp-posts & poppies.

 

 

Welcome back, Keith!  I see you have "one upped Henry with the poppies 😂

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On ‎11‎/‎6‎/‎2019 at 3:57 AM, philipus said:

This really messes with my head and I love it. It looks like it is some organic matter, like amber with bugs stuck inside as time travellers, but once I've thought that thought it looks like a set of backlit curtains or a part of someone's feverish dream in a movie. Top marks, Rog.

I appreciate your laser logic and perceptive parsing: "someone's feverish dream." It's the visual conundrum and much of the time words get in the way by having their way. The moment that he illustrated passages from the Book of Revelation in his The Apocalypse (1498), the first artist's book, Albrecht Durer was challenged with visualizing allegory--a stated story with a parallel unstated narrative, which made the marginalia of the Geneva Bible (1560) with its interpretations of parables preferred over the King James Version for decades after 1611. Not to be wandering, what I mean to underline is the quicksand hazard that stands in the way of verbalizing the translation of the visual (abstract color fields, especially) into language. The poetry of the visual, in other words, is often the province of metaphor--multiple meanings, shades, gradations, inferences, oblique and frontal, all at the same time. It's enough to scramble the circus in the mind. Perhaps the oblique tenor of my work, some of it, anyway, is part of that symphony having survived a stroke six years ago. I love that reading of this Signatures piece reminding you of "amber with bugs stuck inside as time travelers." I have several such amber specimens, and you're right; the insects are the signature of life, some 30,000 years ago.

 

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On ‎11‎/‎8‎/‎2019 at 1:30 AM, philipus said:

I started watching Stranger Things yesterday and the mood in that series matches well what I see/feel in these latest constructs. Really excellent stuff, Rog

Well, Stranger Things looks verrrry strange, indeed. I will have to investigate!

 

23 hours ago, stray cat said:

This gets a quintuple "wow" from me, Rog - those colors, from the pepto (thanks for alerting me to that shade!), the sea-foam green, cadmium-barium yellow X 2 and that deep, deep ultramarine are just staggering. A lovely, artfully arranged swatch of complementary tones.

I really get a hot-diggity dog with your ever astute take on my sketches. Much appreciated.

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9 hours ago, Cyril Jayant said:

Lovely panoramic and I think it is the ideal lighting had made it the " top Fizzy lemonade shot "

Truly Adam, some hate citrus flavour and instead go for example other not known flavours and end up making surprising missed mix. But if you know how to make it then lemonade it not a thing very complicate to make . Well done Adam, beautiful as usual.

Thanks very much, Cyril - and highly amusing, too 🙂🙂

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3 hours ago, stray cat said:

This is something new and fantastic, Rog - like “impressionist-noir”!

Impressionist-noir!  I love it when you talk like this, I dare say, "Inventing the language, anew."

2 hours ago, Steve Ricoh said:

Reminiscent of the patterns fromed by fountain-pen ink on blotting paper - I was a true artist back in the day - really nice creation, Rog.

Doppleganger fits well. Any idea what caused the secondary 'spooky' formation to the trees?

You can never stop being "a true artist." It's a DNA thing. I am on the same page with you and your allusion to graphic art, the India ink on blotting paper--Jasper Johns and Gerhard Richter come to mind. The ghosting effect is only double exposure, so simple to do in-camera with the multiple exposure capability of the old Nikon Photomic F2. So disappointed Leica M-A doesn't allow multiple exposure.

1 hour ago, RayD28 said:

Handheld?

Yes, but it's two exposures: one is out of focus, and the other is in focus. Old school. I did a sloppy job of it here and should have used a tripod. It's possible to get a "glow" effect, similar to the Thambar, although making multiple exposures can be cumbersome.

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Distance Call
Nikon F2 Micro-Nikkor 55 Fuji Natura 1600

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3 hours ago, A miller said:

Fearless in Jerusalem 🕵️‍♂️

IIIg, 28mm summaron, Portra 400

 

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How’d you talk your way out of that one? 

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Doppelganger I  M-A APO 50  E100, Nikon F2 Micro-Nikkor 55 Fuji Natura

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1 hour ago, christoph_d said:

Books, Arles 2019

MP, 50, Kodak 5207, ECN2

Christoph, here are the same books ! .... focus point closer, Extra Film 200.

 

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Somewhat out of order!

MP, 50mm Summilux-M ASPH, Acros 100, Rodinal.

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