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I was busy these days, but in a few days , many beautiful pages of photos here
It's nice. Thank you all :)

 

Someone in this thread had asked Kodak Gold 100, I have found some pictures

It's look like Fuji for color

 

Fishermen in Danang beach

(Vietnam)

 

 

Kodak Gold 100

MP-50 Cron

 

 

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Best

Henry
 

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Time to change from the old family shots. A slice of technology.

On top of the DVOR (Doppler VOR), many years ago.

At a guess with an old ETRSi.

Agfa RS100 Plus.

Gary

 

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24134181641_201096a3ea_b.jpgHütten by -Ric Capucho-

 

 

As you can see, this is a tough village to hold a parade in. I reckon they'll have to reverse their path and take the long way around the mountain.

 

XP2 in the Contax T2.

 

By the way, Ilford XP2 is really a wonderful film, even if it isn't *really* a true b+w. Kodak had a similar film BW400CN that gave very similar results, although they stopped making it last year. What I love about both of these films is that they have their own (similar) character.

 

Ric

Ric a good result

Nicely done

Best

Henry

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Normally I don't keep a record of my film intake. Last year though I thought I'd keep a tally ...

 

attachicon.gif23921072699_7793023742_o.jpg

 

40 rolls of 120 format and 68 of 35mm format mostly Ilford but some exotics to keep life interesting.

Charles a lot of work is waiting for you  :)

Glad to see you again

Best

Henry

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When I was in Stockholm in November I stopped by the "Fotografiska" photo museum. There were a few exhibitions on, including one by Magnus Wennman of the Swedish daily Aftonbladet. Called "Where the children sleep" ("Där barnen sover"), it shows the children's side of the current migration crisis. It is an extraordinarily moving exhibition.

 

Wennman's exhibition hid (inexplicably) in a small room behind the (very large) hall where Martin Schoeller's "Up close" was shown. This shows four of his series, including "Close up", the one with massive prints of famous people's faces. And there was some pompous irrelevant statement about how he has depicted these fortunate individuals to show that they actually look like everyone else (though I'm not sure if he actually means that most people run around with a straight-jacket like Tarantino or have blood on their face like Bale). As you can tell, I'm no fan of his photography, but what I found truly disturbing was that the museum had chosen to place the most important of these exhibitions literally in a corner.

 

Here are a few snaps from my visit (all M4, 50/2 v3 and Superia 400).

 

23671715323_71a9da3063_b.jpg

Flickr

 

24190420012_64fa0762f3_b.jpg

Flickr

 

23670028224_3f7b3233db_b.jpg

Flickr

Philip superb pictures , well framing and well thought before taking thes pictures

Best

Henry

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Gary :D

for "I can see a bit of laundry work coming up."

we can see a good family father :)

 

 

Mont Saint Michel Church

at 70m high

 

... and for Philip (jet line)  :)

 

Fuji Acros 100

MP- 135 Apo Telyt Asph

+ Monopod

 

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Henry

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I was scared ... I thought it was a sensor dust :p

but finally it's a seagull
bottom, left, in the corner

 

 

for the bird, amazing definition of film with its grains

200% crop

 

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Italy, Summer 2015, Hanbury Garden,

 

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