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1 hour ago, gbealnz said:

So, dug out the negs, and proof sheet. The film is scantily marked, simply "Kodak", and the neg numbers, nothing else. Film base is exceptionally "clear", almost white looking. 

If my notation of the date is correct it was 1990, and the film would have been purchased, not bulk rolled. At the time I did use 120 film for aerial photos, but this was 70mm film, hand rolled. These pics came from 35mm film.Phone pic of a segment attached.

Hope this helps. 

 

Thank you Gary for these wonderful time capsules from 1990 and your forensic work in tracking down the negatives. IR film famously lends a surreal and quirky look to green foliage and blue skies, but your placement of human figures and architecture works particularly well in the pictures you’ve shared.

On a personal note Sue and I were delighted to meet with you and Shirley in Frankston last weekend, and to share a lot of laughs and many great stories.

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M3 Cron 50 DR Kodak Gold 200

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Taos Hover Diptych
MP APO 50 Eastman Double-X & Nikon Photomic F2 Micro-Nikkor 

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Erasure Ply
MP APO 50 ADOX Mission

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2nd St Snapper Montage
Rolleiwide E100

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15 hours ago, christoph_d said:

 

I like them, to me they have something spooky and surrealist. Do you remember which film you used? 

Methinks he's using Netflix Greenlight, and he's scaring the hell out of us all the way to bank. IR Redux. Scare us some more!

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9 hours ago, gbealnz said:

So, dug out the negs, and proof sheet. The film is scantily marked, simply "Kodak", and the neg numbers, nothing else. Film base is exceptionally "clear", almost white looking. 

If my notation of the date is correct it was 1990, and the film would have been purchased, not bulk rolled. At the time I did use 120 film for aerial photos, but this was 70mm film, hand rolled. These pics came from 35mm film.Phone pic of a segment attached.

Hope this helps. 

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Thank you for your efforts. I suspect it’ll be some version of Kodak HIE film (I could not find any reference to other Kodak B&W 35mm IR films). Furthermore, the blooming whites seem to indicate a lack of an anti-halation layer (just like Kodak HIE). Anyway, it hardly matters as that film is out of production for about 20 years…

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Bavarian Alps, 2025 

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Leica II D,  Elmar 3,5/3,5, Portra 160 (sic)   // Not a direct competition for the 35 Apo, the 3,5/3,5 is a charming little lens for hiking 

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Downhill.

Leica II / uncoated Elmar 5cm / CatLabs320 / Diafine

This CatLabs film (probably Aviphot200) has extended red sensitivity.

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We go thataway ... (Please click on image for a better view!)

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Ilford HP5+

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Gas pump at a historic gas station in eastern Frankfurt. Frankfurt, Germany

M3 with Summicron-M 1:2/35 (V1) 8-Element, ELW from 1959, Kodak Ektar 100

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Others also used the gas station for pictures...

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Bethmannpark Frankfurt with its Chinese garden. Frankfurt, Germany.

M3 with Apo-Summicron-M 1:2 /90 ASPH., Kodak Ektar 100

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vor einer Stunde schrieb Bateleur:

We go thataway ... (Please click on image for a better view!)

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Ilford HP5+

Lovely, Charles. Could you help them with their directions ? 😊

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vor einer Stunde schrieb Ernest:

Mondrian Recliner Diptych
Nikon Photomic F2 Micro-Nikkor 55/f.3.5

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Wonderful, Rog. I love the proportions and how the diptychs communicate. But then-- that’s actually the very definition of a diptych – two images that communicate with each other. Good communication – good diptych. Do you also do couples counseling, Rog?

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Barges 1989

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Horseman VH-R 6x9 cm, 105 mm, HP5, HPQ-homebrew developer

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