DreiPunkte Posted June 24, 2024 Share #90581 Posted June 24, 2024 Advertisement (gone after registration) 6 minutes ago, Kl@usW. said: Tokyo Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! MP, Elmarit 28 asph, Portra 160 @100, Yellow filter, partially corrected Nice look But why do you use a yellow Filter, where you can edit the color mood both in the darkroom and digitally and keep a virgin negative with all the options. Link to post Share on other sites More sharing options...
Advertisement Posted June 24, 2024 Posted June 24, 2024 Hi DreiPunkte, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
Popular Post tuna Posted June 24, 2024 Popular Post Share #90582 Posted June 24, 2024 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 24 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5380875'>More sharing options...
Popular Post r+m Posted June 24, 2024 Popular Post Share #90583 Posted June 24, 2024 Lago Maggiore near Ascona, Ticino, Switzerland (Leica M4-2, Zeiss 2,0/35 ZM, Ilford FP4+): Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 26 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5381297'>More sharing options...
Ernest Posted June 25, 2024 Share #90584 Posted June 25, 2024 14 hours ago, Xícara de Café said: Was this meant for me @Kl@usW.? If so, thanks! And no, but I did have a Husserl book on phenomenology on my shelf for years and read no more than a page of it (I did better with Merleau-Ponty). Another phenomenological object follows: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Mamiya C330, single exposure back, Mamiya-Sekor 80mm 1:2.8 f8 1/4", paramender, Fujifilm UM-MA @ ISO 64, D76H 1:5 21ºC, development timed by observation under safe light (12min?). Looking for "The Minority Report." Unique. 1 Link to post Share on other sites More sharing options...
Ernest Posted June 25, 2024 Share #90585 Posted June 25, 2024 M-A Summilux-M 50 Fujicolor Natura 1600 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 19 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5382646'>More sharing options...
Xícara de Café Posted June 25, 2024 Share #90586 Posted June 25, 2024 (edited) 9 hours ago, Ernest said: Looking for "The Minority Report." Unique. Thanks Ernest. Never saw Minority Report but after a quick Google, I found the "Precog Balls" you were referring to. Interesting! My wooden ball is actually a spare wooden "interface" for a computer music project of mine done with designer Marc Raszewski and electronics designer Jim Sosnin. This following wonderful photo, by Peter Welch, shows the work in an almost finished state and the photo was taken outdoors just for effect. This version was done in Melbourne in 1994: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! A gallery visitor sits in the chair and sees his/her reflection in the cabinet to the front. The participant waves a wand-like devices in the region below those two stalks. Using a Pepper's ghost illusion, movements of the wand are seen, in apparent 3D, as a glowing ball moving around the head of the visitor. Via an ultra-sound mechanism and triangulation of the wand tip, these movements are mapped to musical algorithms producing sounds with a spatial trajectory determined by the position of the wand. The sound was amplified/rendered by the 6 speakers surrounding the listener. I later, again with Jim and Marc, made a simplified interface from a wooden sphere with embedded ultrasound transducers. With this, the ball represents the entire sculpture and the listener moves to wand around to the ball to produce a corresponding sound trajectory relative to the sculpture. It worked quite well and used a spatial audio model by someone called Moore (i forget the name). But if you can imagine the listener inside a sphere, each embedded transducer on the sphere represents a "window" in the sphere. The ultrasound mechanism serves to measure the distance of the wand tip to each window (and yes, even though ultrasound transducers are typically unidirectional, Jim's brilliant design produced an omnispherical transmission of ultrasound pulses from the wand tip and at a frequency relative to the ball diameter, that allowed the embedded transducers on the far side of the sphere to register the refracted sound from the wand tip. The exact positions of the loudspeakers in the sculpture (which you can think of as a sphere) are mirrored by the transducers on the ball and the distance of the wand tip to each speaker was mapped as an audio intensity (inverse square of distance) at each corresponding speaker. The listener thus hears sound "objects" moving around them in 3D through these windows. Here's a photo of of the wooden ball version, done in 1996. My basic photos - print and slide film. Too much information, sorry! Edited June 25, 2024 by Xícara de Café 7 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! A gallery visitor sits in the chair and sees his/her reflection in the cabinet to the front. The participant waves a wand-like devices in the region below those two stalks. Using a Pepper's ghost illusion, movements of the wand are seen, in apparent 3D, as a glowing ball moving around the head of the visitor. Via an ultra-sound mechanism and triangulation of the wand tip, these movements are mapped to musical algorithms producing sounds with a spatial trajectory determined by the position of the wand. The sound was amplified/rendered by the 6 speakers surrounding the listener. I later, again with Jim and Marc, made a simplified interface from a wooden sphere with embedded ultrasound transducers. With this, the ball represents the entire sculpture and the listener moves to wand around to the ball to produce a corresponding sound trajectory relative to the sculpture. It worked quite well and used a spatial audio model by someone called Moore (i forget the name). But if you can imagine the listener inside a sphere, each embedded transducer on the sphere represents a "window" in the sphere. The ultrasound mechanism serves to measure the distance of the wand tip to each window (and yes, even though ultrasound transducers are typically unidirectional, Jim's brilliant design produced an omnispherical transmission of ultrasound pulses from the wand tip and at a frequency relative to the ball diameter, that allowed the embedded transducers on the far side of the sphere to register the refracted sound from the wand tip. The exact positions of the loudspeakers in the sculpture (which you can think of as a sphere) are mirrored by the transducers on the ball and the distance of the wand tip to each speaker was mapped as an audio intensity (inverse square of distance) at each corresponding speaker. The listener thus hears sound "objects" moving around them in 3D through these windows. Here's a photo of of the wooden ball version, done in 1996. My basic photos - print and slide film. Too much information, sorry! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5383551'>More sharing options...
Kl@usW. Posted June 25, 2024 Share #90587 Posted June 25, 2024 (edited) Advertisement (gone after registration) vor 15 Stunden schrieb DreiPunkte: Nice look But why do you use a yellow Filter, where you can edit the color mood both in the darkroom and digitally and keep a virgin negative with all the options. Thank you DreiPunkte, I completely agree. But I simply overlooked that there was still a yellow filter on the lens when I switched it from the black-and-white M 4 to the color MP... Unfortunately, it's not the first time this has happened. I really should decide to not photograph in color and black-and-white simultaneously. Tokyo can easily push a country bumpkin like me to the limit, then decision fatigue sets in and these mistakes happen. Edited June 25, 2024 by Kl@usW. Link to post Share on other sites More sharing options...
Kl@usW. Posted June 25, 2024 Share #90588 Posted June 25, 2024 vor 13 Minuten schrieb Xícara de Café: Thanks Ernest. Never saw Minority Report but after a quick Google, I found the "Precog Balls" you were referring to. Interesting! My wooden ball is actually a spare wooden "interface" for a computer music project of mine done with designer Marc Raszewski and electronics designer Jim Sosnin. This following wonderful photo, by Peter Welch, shows the work in an almost finished state and the photo was taken outdoors just for effect. This version was done in Melbourne in 1994: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! A gallery visitor sits in the chair and sees his/her reflection in the cabinet to the front. The participant waves a wand-like devices in the region below those two stalks. Using a Pepper's ghost illusion, movements of the wand are seen, in apparent 3D, as a glowing ball moving around the head of the visitor. Via an ultra-sound mechanism and triangulation of the wand tip, these movements are mapped to musical algorithms producing sounds with a spatial trajectory determined by the position of the wand. The sound was amplified/rendered by the 6 speakers surrounding the listener. I later, again with Jim and Marc, made a simplified interface from a wooden sphere with embedded ultrasound transducers. With this, the ball represents the entire sculpture and the listener moves to wand around to the ball to produce a corresponding sound trajectory relative to the sculpture. It worked quite well and used a spatial audio model by someone called Moore (i forget the name). But if you can imagine the listener inside a sphere, each embedded transducer on the sphere represents a "window" in the sphere. The ultrasound mechanism serves to measure the distance of the wand tip to each window (and yes, even though ultrasound transduceres are typically unidirectional, Jim's brilliant design produced an omnispherical transmission of ultrasound pulses from the wand tip and at a frequency releative to the ball diameter, that allowd the embedded transducers on the far side of the sphere to register the refracted sound from the wand tip. The exact positions of the loudspeakers in the sculpture (which you can think of as a sphere) are mirrored by the transducers on the ball and the distance of the wand tip to each speaker was mapped as an audio intensity (inverse square of distance) at each corresponding speaker. The listener thus hears sound "objects" moving around them in 3D through these windows. Here's a photo of of the wooden ball vestion, done in 1996. My basic photos on slide film. Too much information, sorry! Fascinating, Xícara de Café. Is there a place where one can experience that? 2 1 Link to post Share on other sites More sharing options...
DreiPunkte Posted June 25, 2024 Share #90589 Posted June 25, 2024 6 minutes ago, Kl@usW. said: Thank you DreiPunkte, I completely agree. But I simply overlooked that there was still a yellow filter on the lens when I switched it from the black-and-white M 4 to the color MP... Unfortunately, it's not the first time this has happened. I really should decide to not photograph in color and black-and-white simultaneously. That happens in the ragefinders world, but its much better then protecting the beloved lens with a beautifull lensscap. You have beautiful images, I get solid, beautiful blacks because Iam a coward. 2 Link to post Share on other sites More sharing options...
Xícara de Café Posted June 25, 2024 Share #90590 Posted June 25, 2024 27 minutes ago, Kl@usW. said: Fascinating, Xícara de Café. Is there a place where one can experience that? Thanks. No, unfortunately I had to scrap the project when I moved countries. 2 Link to post Share on other sites More sharing options...
Xícara de Café Posted June 25, 2024 Share #90591 Posted June 25, 2024 13 hours ago, r+m said: Lago Maggiore near Ascona, Ticino, Switzerland (Leica M4-2, Zeiss 2,0/35 ZM, Ilford FP4+): Beautiful scene and framing. It looked to me at first glance that it was taken by CZJ Sonnar lens, but I see it was indeed a Zeiss lens. Very similar rendering. Link to post Share on other sites More sharing options...
Popular Post atournas Posted June 25, 2024 Popular Post Share #90592 Posted June 25, 2024 Mother and child. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 20 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5384581'>More sharing options...
r+m Posted June 25, 2024 Share #90593 Posted June 25, 2024 vor 7 Stunden schrieb Xícara de Café: Beautiful scene and framing. It looked to me at first glance that it was taken by CZJ Sonnar lens, but I see it was indeed a Zeiss lens. Very similar rendering. Thank you, you might notice that many Zeiss lenses have the same "optical tradition" 1 Link to post Share on other sites More sharing options...
r+m Posted June 25, 2024 Share #90594 Posted June 25, 2024 vor 2 Stunden schrieb atournas: Mother and child. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Very intense eye contact. 1 Link to post Share on other sites More sharing options...
erl Posted June 26, 2024 Share #90595 Posted June 26, 2024 He fancies her glasses M7 & 75mm Cron with Delta100 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 11 6 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5387324'>More sharing options...
erl Posted June 26, 2024 Share #90596 Posted June 26, 2024 Two pidgeons M7 & 75mm cron with Delta100 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 12 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5387331'>More sharing options...
Xícara de Café Posted June 26, 2024 Share #90597 Posted June 26, 2024 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Leica IIIf, Summaron 3.5cm 1:3.5, Ilford HP5 400 @ 200, PMK 1:2:100 24°C 10'. 16 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Leica IIIf, Summaron 3.5cm 1:3.5, Ilford HP5 400 @ 200, PMK 1:2:100 24°C 10'. ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5387602'>More sharing options...
tuna Posted June 26, 2024 Share #90598 Posted June 26, 2024 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 11 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5387926'>More sharing options...
Popular Post tuna Posted June 26, 2024 Popular Post Share #90599 Posted June 26, 2024 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 42 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5387935'>More sharing options...
Michi D Posted June 26, 2024 Share #90600 Posted June 26, 2024 M4 - HP5+ 50 Lux Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 19 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=5388307'>More sharing options...
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