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1 hour ago, robert_parker said:

Danger - photographer at work.... forum member Farnz poses for a photo on the rue des Abbesses, Paris; Rolleiflex 2.8f, HP5

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A VERY dodgy looking character!

25 minutes ago, bags27 said:

You know when a baby learns to do something new, and then only wants to do that same thing...over, and over, and over again? Ditto kit.

Baby's learned well, is producing wonderful art and is obviously enjoying himself. Which, at the end of the day, is surely all that matters.

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Last one for now! FE2 Nikon 80-200 f/4.5 and Zeiss 25 f/2.8 Kodak color pro 100 in Cinestill c-41

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vor 18 Stunden schrieb Doc Henry:

Nice view Rainer ... have you tried another color film ? ...  400 Isos for example like Kodak Portra 400 or 800 ?

Best Henry

Dear Henry, yes i tried a lot of other type of films. Finally i stayed with the Agfachrome 100 or 200 for the daily use.

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Leica R7; Agfachrome RSX II 100 Pro.

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Autumn is a wonderful season:

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Leica Minilux - Kodak 100

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Another non-Leica photo.

Edwardian half-plate camera. Contact printed onto hand coated rough surfaced drawing paper. Indian ink and watercolour added.

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Bozen - Bolzano

Arcades

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Leica M4

Summicron 2.0/50mm coll.

Ilford FP4+, developed in Adonal

Scanner Epson V800 with Silverfast 9.0, Darktable

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Fallen beech tree

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Olympus Pen EF + Fomapan 100

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Nikon FM3a / Micro-Nikkor 55f2.8 / Kodak Gold 200

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18 hours ago, Kl@usW. said:

Subway.   With a nod to G. Richter

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Vito C,  FP4; HC110    ( Voigtländer had the terrible custom of repurposing the names of their cameras. This Vito C is a Minox 35 copy, but better made ( by Balda ) , so  still working. It´s all plastic except  the lens which is a Triotar type.  Weights next to nothing. 

This is one of my ultra-favorite photographs in the last 30 days, as you allow, an homage to Gerhard Richter’s “Ema (Nude on a Staircase)” from 1966. As noted in Koenigsklasse III (37) “It is the first work he (Richter) painted from a color photograph that he had taken himself and it attests to his critical contemplation of Marcel Duchamp‘s famous picture ‘Nude Descending a Staircase No. 2’ from 1912, a short time after which Duchamp gave up painting. Richter’s picture conversely supports the argument that painting has not yet lost its validity or as Richter himself said ‘…anti-Duchampian gesture in which it is shown that the figurative tradition has not yet come to an end, that there is still more to be done.’” 

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Hudson Hornet in Palouse WA - M6, Voigtlander Ultron 28/2.8 ii, Adox Silvermax 100

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Multiple images, rue des Abbesses, Paris; Rolleiflex 2.8f, HP5

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1 hour ago, bags27 said:

Thread drift: As a graduate student at Cal, I lived in this house and saw the spot where a Duchamp "Descending" hung.

http://www.johnsheridanart.com/torrey.htm

Very cool! Did you have the foresight to photograph yourself descending the Torrey House staircase, like Sheridan? Thanks so much for the link.

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