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Leica iiif Nippon Kogaku 50mm LTM, Kodak Portra 800ASA

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Leica iiiC, Canon 50mm f1.4 LTM, Kodak Portra 160ASA

 

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Leica iiiC, Canon 50mm f1.4 LTM, Kodak Portra 160ASA

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Leica iiiC, Canon 50mm f1.4 LTM, Kodak Portra 160ASA

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Leica iiiC, Canon 50mm f1.4 LTM, Kodak Portra 160ASA

 

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Civitavecchia

M3/50/XP2

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Leica iiiC, Canon 50mm f1.4 LTM, Kodak Portra 160ASA

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Leica iiiC, Canon 50mm f1.4 LTM, Kodak Portra 160ASA

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Crowned crane

Nikon F5 - AIS 2,8/180 - Velvia

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F5 with 20 and 50mm

Cine500T in C-41

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Civitavecchia

M3/Summicron 50/XP2

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On 8/10/2021 at 3:30 PM, benqui said:

Leica M-A, Apo 50, Ilford Delta 400, X-Tol 1:1

 

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Me thinks ... A quiet moment for your model to reflect on her fine photographer. 

On 8/12/2021 at 4:44 PM, Wayne said:

Meandering. Took a couple days off from the garden, only to discover that my indolence had the price of losing some delicious asparagus due to bolting. Made me think of our old friend, who has not contributed for some time, riding his bicycle across Germany, and occasionally providing a great photo of asparagus being grown in long, beautiful rows. Good asparagus is bad thing to waste.

So, in honor of that old friend:..."What the lazy gardener saw."

 

Retina II, Ektar 47/2 lens, Tri-x

I miss his good sense of humour and fine photography too. 

On 8/12/2021 at 10:21 PM, OSEGAL said:

summicron 28 v2

m6

hp5+

Love the atmosphere and sense of togetherness in this photograph.

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Mrs O & I took a walk around the Island a couple of days ago; the view from Beinn Sgorabhaig (the highest point) to Eilean Glas Lighthouse.

Ferrania P30, like any other document film I ever used, can be a fickle thing.  Best used on overcast days with flat light or it will catch you out with very high contrast negatives.  This was a dull day of heavy cloud and blustery showers, one of those days where there is no defined horizon as the sea and sky merge.

It's an amazing emulsion, the grain is soft and almost invisible.  On the lightbox the contrast makes this look like a lith negative but the highlights and shadows had a lot of detail and subtle tones that just kept on coming as the scanner unlocked it.

Leica MP

28mm summaron-m

Ferrania P30 in HC-110

 

 

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Edited by Ouroboros
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Cliff face at Torrey Pines Natural Reserve in early afternoon light, casting muted color shadows.

Portra 160, Mamiya 645AFd, 120mm macro, NCPS lab.

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Edited by SHenry
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