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Not the finale, but you get the idea!!

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Locorotondo - Pentax 6x7, Takumar 105/2.4, HP5@800 (35mm)

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So good to find this thread back in good order :) I was a bit irritated this afternoon, when I found out, that the thread disappeared...

After my color pictures now back to black (& white) - Hamburg, seen in Wismar:

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Leica IIIc - Summitar 50 - Ador Silvermax 100 (dev. in Rodinal for 17 mins @17°C)

 

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Hazard
M-A Summilux-M 50 Portra 400

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IN OUT
M-A Summilux-M 50 ADOX Color Implosion

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Restricted No. 3
M-A Summilux-M 50 BC & Thambar-M Adox Color Implosion & E100

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30 minutes ago, stray cat said:

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The Much Resounding Sea (afterThomas Moran) 2002

borrowed Rolleiflex T, TMX

The complexity of simplicity, this has such an undertow of energy! It has the cyclical poetry of water to cloud, cloud to water. Makes me want to get a gray sweatshirt lettered with CHIASMUS and this image 6x6 (inches). If Moran had a Rolleiflex for a day. . . .

Good show, Phil!

A photograph should show what we don't see. Thanks for the show.

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1 hour ago, stray cat said:

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The Much Resounding Sea (afterThomas Moran) 2002

borrowed Rolleiflex T, TMX

Superb image Phil!

Is that a hint of backbeach seaweed from down your way?

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56 minutes ago, Ernest said:

The complexity of simplicity, this has such an undertow of energy! It has the cyclical poetry of water to cloud, cloud to water. Makes me want to get a gray sweatshirt lettered with CHIASMUS and this image 6x6 (inches). If Moran had a Rolleiflex for a day. . . .

Good show, Phil!

A photograph should show what we don't see. Thanks for the show.

Thank you so much, Rog, and to those who took a look at my picture. As I was spotting the dust off this picture it occurred to me, much as Rog has better expressed it, that photographs such as this are not about what they appear to be about. They are, in fact, photographs, neither more nor less. And in this case, for me, it is the embroilment of grey tones and the "feeling" of motion that wins the day for me. After all, ONLY photography can trace,  as a singular entity, what has happened as time has passed (or, conversely, has been arrested). Which is something I always find quite incredible.

Heaven forbid if Moran had had that Rolleiflex - he might have gotten lazy and deprived the world of much of his staggering output!

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And please keep those fantastic Kodachromes coming -

23 minutes ago, erl said:

Superb image Phil!

Is that a hint of backbeach seaweed from down your way?

Thank you so much, John. I hope you are doing well with lockdown! Your detective work is exemplary - this was taken on the other side of the Peninsula, at Somers when we lived there. And please keep those fantastic Kodachromes coming - it is such a trip through space and time!

Edited by stray cat
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Today's selection of Kodachrome's were make at Rize on the Black Sea, Northern Turkey. Rize is famous for tea production (pics another day 😁 ), but also some great boat building takes place right on the beach. Very primitive looking arrangement, but the the results are very impressive.

Raw materials stacked

 

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Keel & ribs formed

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Hull takes shape

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Apprentice labour hangs around

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Small craft get a good finish

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On 8/3/2020 at 10:59 PM, philipus said:

 

If that guy is sentimentally inclined he might be open to the idea of having this photo on the wall. 

 

 

Thanks for the comment. Interestingly, for some reason (age?,) I thought the roll was fresh 127 Rerapan. So, I shot this ancient film roll at ISO 100. I am thinking 25 to 50 with the next roll.....2 rolls left. The staying power of old B&W film, that having box speed of 100 or below, is incredible........Except the MF Russian stuff: I think it has to do with backing paper used by Svema.

Edited by Wayne
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Restricted No. 5
M-A Thambar-M CS E100
No strictures on the restricted series.

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