edwardkaraa Posted January 17, 2018 Share #45941 Posted January 17, 2018 Advertisement (gone after registration) This picture is superb like in a movie Color is really nice Edward Best Henry Merci beaucoup 1 Link to post Share on other sites More sharing options...
Advertisement Posted January 17, 2018 Posted January 17, 2018 Hi edwardkaraa, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
edwardkaraa Posted January 17, 2018 Share #45942 Posted January 17, 2018 when I photograph in film I have another behavior compared to digital I choose my shots and I save , no image inflation because I only have 36 poses Cinestill 50-Leica M7-28 Summicron Asph Image13cinestillm7cron28lfrlhvn+++1000.jpg Best Henry Beautiful shot Henry, but why does it have a green cast. The result actually looks very interesting but I never had this cast with cinestill. 1 Link to post Share on other sites More sharing options...
Ko.Fe. Posted January 17, 2018 Share #45943 Posted January 17, 2018 M4-2, Summarit-M 35 2.5. Kodak 400 Ultramax developed at home: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 12 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3442313'>More sharing options...
Guest JMF Posted January 17, 2018 Share #45944 Posted January 17, 2018 Very saturated yet natural colors. Only Velvia can achieve that Some more Velvia 50 from a recent bargain purchase... a Nikon L35 AW compact camera (AF + pre set focus positions) très loin by JM__, on Flickr snorkeling by JM__, on Flickr It works ! Best , JM. Link to post Share on other sites More sharing options...
Doc Henry Posted January 17, 2018 Author Share #45945 Posted January 17, 2018 (edited) Beautiful shot Henry, but why does it have a green cast. The result actually looks very interesting but I never had this cast with cinestill. when I photograph in film I have another behavior compared to digital I choose my shots and I save , no image inflation because I only have 36 poses Cinestill 50-Leica M7-28 Summicron Asph Image13cinestillm7cron28lfrlhvn+++1000.jpg Best Henry Edward you are right a little cast .... just put less saturation Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Thank you Edward Rg Henry PS : Edward I don't need the anti aliasing process Edited January 17, 2018 by Doc Henry 9 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Thank you Edward Rg Henry PS : Edward I don't need the anti aliasing process ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3442336'>More sharing options...
Guest 10511 Posted January 17, 2018 Share #45946 Posted January 17, 2018 M2, Summaron 2,8/35mm, FP4 Scan-180116-0028.jpg Thank you all for the likes. 2 Link to post Share on other sites More sharing options...
farnz Posted January 17, 2018 Share #45947 Posted January 17, 2018 Advertisement (gone after registration) . CineStill BWXX (thanks, Adam!) with M3 and Voigtlander 15/4.5 SW Heliar lab-developed and Auto colour balance in Camera Raw. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 12 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3442356'>More sharing options...
logan2z Posted January 17, 2018 Share #45948 Posted January 17, 2018 Superb clouds Logan and nice black tone You develop yourself TX ? Thanks Henry. I've been having a local lab develop my film but I'm planning to start doing it myself shortly. 1 Link to post Share on other sites More sharing options...
logan2z Posted January 17, 2018 Share #45949 Posted January 17, 2018 Leica M-A, Summarit 35mm/2.4 ASPH, Tri-X 400 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 17 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3442394'>More sharing options...
heylos Posted January 17, 2018 Share #45950 Posted January 17, 2018 Carlos superb b&w pictures , contrast , tone , definition and resolution You dev and scan yourself ?....and Welcome Carlos The grain is inimitable not possible with digital , very nice picture Wayne Henry Thanks you Henry. I don't develop or scan myself yet. I saw the video you linked a few pages back on developing. I hope to try myself soon. I just got a scanner, now time to get the dev supplies. 2 Link to post Share on other sites More sharing options...
heylos Posted January 17, 2018 Share #45951 Posted January 17, 2018 Very nice portraits! Thank you Edward. 1 Link to post Share on other sites More sharing options...
stray cat Posted January 17, 2018 Share #45952 Posted January 17, 2018 Heading back home. M7 ZM 50/2 Provia 100F by edward karaa, on Flickr Looks like where they filmed the air attack scene in Lawrence of Arabia - am I right in thinking that was, in fact, filmed at Wadi Rum? Great series from Lebanon, btw Edward - your colours and compositional selection have been first rate! when I photograph in film I have another behavior compared to digital I choose my shots and I save , no image inflation because I only have 36 poses Cinestill 50-Leica M7-28 Summicron Asph Image13cinestillm7cron28lfrlhvn+++1000.jpg Best Henry Henry, sometimes it seems here that people try various films, and then suddenly they post something and BAM! it seems they have found their muse. I have a feeling it may be that Cinestill 50 could be yours. These pictures have a something about them that elevates them. I actually like the green cast, and you have visibly been more selective with these frames. I can only wonder how your poppies would look with this film. BTW my son and I have a roll of the same film ready to develop today, along with some of my latest flame, Agfacolour Vista 400. I hope our results are anywhere near as good as yours with the 50. 4 Link to post Share on other sites More sharing options...
pico Posted January 17, 2018 Share #45953 Posted January 17, 2018 Speaking about the prints my mentor made - all by enlarger and most involving dodging and burning so that every print was slightly different. I appreciate seeing 'the hands' in the outcomes. 5 Link to post Share on other sites More sharing options...
stray cat Posted January 17, 2018 Share #45954 Posted January 17, 2018 Hello All... Here's one from me shot at Christmas in Hong Kong on the Star Ferry to Kowloon (M7, 28mm f/2.8 Elmarit, Neopan 400) We talk about the feel and tonal range of film verses digital... I have a random theory for you: Sensor pixels are two dimensional and perfectly flat. Silver halide crystals, on the other hand, are at various depths within the film. Perhaps it's that third dimension that adds to the feel?? A sensational picture to open your account Andy - and welcome to this wonderful thread! The photo confirms to me that the 28mm Elmarit is the perfect lens for shots like this - just a lovely separation between figure and ground, and lots of context in the detail of the people, actively engaged in what they are doing and with hair blowing back, all with the Hong Kong skyline sitting beautifully in the back. It makes me question why anyone would be concentrating on their phone screen in the presence of such magnificence, but perhaps they do the trip every day and I guess even such a grand vista might become passé after a while. Your theory about film's depth vis-à-vis that of digital is interesting and compelling. Why not look to the micro level to understand that difference (if we do in fact perceive a difference, and I think there certainly is). I once exhibited some portrait work alongside a couple of other photographers and was interviewed about it by a very prominent media personality here in Melbourne. We'd all three photographers used medium format film and had them scanned and printed (by my son) as superb A2 inkjet prints. We'd have liked to have done darkroom prints but that wasn't really an option for various reasons, but the inkjets (on Canson Platine, an amazing paper) looked fantastic. I was asked why we didn't just cut to the chase and shoot in digital rather than laboriously using film, to which I responded with a whole lot of reasons ranging from process to grain to tonality and so on. Still he remained unmoved. I guess if you don't see (appreciate) the difference then you wouldn't bother with film. Why would you? It's expensive, time consuming and far less convenient if you want to look at it that way. But I for one don't see it that way. 8 Link to post Share on other sites More sharing options...
stray cat Posted January 17, 2018 Share #45955 Posted January 17, 2018 Speaking about the prints my mentor made - all by enlarger and most involving dodging and burning so that every print was slightly different. I appreciate seeing 'the hands' in the outcomes. Jac, from the few examples of your work I've seen - he/she taught you extremely well. Loving the M2 and Summaron btw - together they comprise my "go everywhere" kit and have already provided me with plenty of keepers. Thank you again for such a delightful transaction. 3 Link to post Share on other sites More sharing options...
Steve Ricoh Posted January 17, 2018 Share #45956 Posted January 17, 2018 Regarding the differences between digital and film, I think the main difference is the transfer function (input v output). Digital is designed to have a straight line function, whereas film ihas a non-linear response, resembling an S curve on the X-Y plane. In reality 2D is a mathematical structure. All real world things including digital sensors and film have depth, it's just the matter of extent. The key to microelectronics is in the name; physical layout is so small that visible light wavelength is no longer used for laying the micro circuit. Silver halide molecules are probably measured in nm (x, y and z) but how deep I haven't a clue. 3 Link to post Share on other sites More sharing options...
Guest 10511 Posted January 17, 2018 Share #45957 Posted January 17, 2018 Hassi 501c, Planr 80, HP5, Imacon 848 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 13 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3442506'>More sharing options...
A miller Posted January 18, 2018 Share #45958 Posted January 18, 2018 Too cool, Jean Marc. The colors and POV combo is captivating! Viva Velvia ! à la plage by JM__, on Flickr 15 Heliar v1 on M2 - Velvia 50 I agree with this. Hello All... Here's one from me shot at Christmas in Hong Kong on the Star Ferry to Kowloon (M7, 28mm f/2.8 Elmarit, Neopan 400) We talk about the feel and tonal range of film verses digital... I have a random theory for you: Sensor pixels are two dimensional and perfectly flat. Silver halide crystals, on the other hand, are at various depths within the film. Perhaps it's that third dimension that adds to the feel?? Very nice, Henry. But unfortunately your two Cinestill 50 images has schmootz, which kills the images for me. I just don't trust this film!! I bought 2 rolls of Cinestill 50 at Macodirect Germany for first time tests and for first time development One roll was poorly developed by my fault Here one picture of the second roll Leica M7-28 Summicron Asph-Cinestill 50 Tiff scan Nikon CS 5000 directly in Jpeg Courville Dec 2017 Image12cinestillcourvcinestillm7lfrlhvn+++1000-2.jpg Best Henry Great colors, Edward. Heading back home. M7 ZM 50/2 Provia 100F by edward karaa, on Flickr More great colors! Evening tea. M7 ZM 50/2 Provia 100F by edward karaa, on Flickr More SCHMOOTZ!!! OMG!! when I photograph in film I have another behavior compared to digitalI choose my shots and I save , no image inflationbecause I only have 36 poses Cinestill 50-Leica M7-28 Summicron Asph Image13cinestillm7cron28lfrlhvn+++1000.jpg Best Henry Fantastic, Pete. Very interesting choice of lens, which appears to be the same lens used in the photo that Jean Marc shared of the lady on the beach....? . CineStill BWXX (thanks, Adam!) with M3 and Voigtlander 15/4.5 SW Heliar lab-developed and Auto colour balance in Camera Raw. Steeplechase statue Croydon University.jpg 1 Link to post Share on other sites More sharing options...
Popular Post A miller Posted January 18, 2018 Popular Post Share #45959 Posted January 18, 2018 (edited) I"m taking a small break from my regularly scheduled programming of the NYC snow blizzards scenes to share one from a couple of weeks ago. It was a Sunday morning at 4am @ -15C and with snow still on the ground I thought it was a good opportunity to continue my pursuit of some good night photos in Central Park. I planned everything out and pack meticulously the night before so that I could tip toe out of my home just before 4am like a mouse. I packed my film like a champion. Then got to the Park and realized that I FORGOT MY F$$KING LIGHT METER! So I had to wing it. AND THEN MY IPHONE DIED AFTER THE FIRST EXPOSURE! So I had to count out loud for these 8-10 minute exposures (which sucked almost as bad as not being able to watch TV during the long exposures ). I brought a bunch of film stock with me but ended up shooting Acros 100 (b/c I thought the grays and low contrast would help capture more shadow detail without severely blowing the highlights), Delta 3200 (which came out nice but I like the Acros better) and - of course - Ektar ( ) Here's one from the Acros 100 with the Hassy SWC Gapstow Bridge, Central Park Central Park at night.jpg And here's the Ektar version.... don't remember the exposure time, but it was very long Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited January 18, 2018 by A miller 20 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3442558'>More sharing options...
Wayne Posted January 18, 2018 Share #45960 Posted January 18, 2018 when I photograph in film I have another behavior compared to digital I choose my shots and I save , no image inflation because I only have 36 poses Cinestill 50-Leica M7-28 Summicron Asph Image13cinestillm7cron28lfrlhvn+++1000.jpg Best Henry Henry, I am struck by the grandeur of this photograph. It reminds me of a famous landscape painting I have seen in several books, and in reproduction. I have read that Beethoven often composed with intent to present scenes he had contemplated. I would think the great master may have been inspired by a scene such as this. It makes one wonder what is there that cannot be seen.......want to get closer. It is such fun to press the shutter and then to see such a thing appear before you.......A mystery that can be brought forth at any time to distract from whatever may be preying on the mind. Go buy some more of this film. Wayne 4 Link to post Share on other sites More sharing options...
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