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I shot this film two weeks ago, Henry. I quite do stick to the same film, sometimes I change for Ilford as there's still quite a stock of it in the fridge. And I'd love to test this Italian film, - I saw pics a couple of days that were amazing in my eyes. But is this Italian brand film commercialized now ?

By the way, I always would love to say "wow" to so many of You - I hope You understand my "thanks" that way. I most of the time come here after hard working days, so it is difficult sometimes to be not to tired to make comments to this or that picture. But it is a real source of pleasure and inspiration to be here.

Jean-Marie

 

I am glad the thread relax you ....

Thank you

Henry

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x

For Gary some more mountain landscape ... you notice I am in full b&w :)

in contrary of you

 

 

Ilford HP5-Leica MP-35 Summilux Asph

 

Col des Aravis in a little contre-jour

 

 

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

A lot of grains in HP5 , but tone clearer versus TX more black

 

Best

Henry

Edited by Doc Henry
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Wow, certainly beats my office...

 

And another out the office window shot. The rock is locally known as "Split Apple Rock", I think many moons ago I posted a sea level shot of it, I'll see if I can find it.

ETRSi

80mm

Agfa RS100

Epson 4870

Gary

 

This one is really nice, Keith. I like the grayscale layers and the road vanishing into the distance. 

 

More from the R5, 35mm Elmarit-R & Acros 100 first test roll.

 

The Way Ahead

Edited by philipus
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One from last year in Denmark:

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

Mamiya 645 1000S - Sekor-C 80 - Konica Centuria 100 

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Very nice James. Where have you found Centuria? Very nice colours I think.

br

Philip

Thank you, Philip! I sometimes buy larger collections of out of stock or long expired films from eBay, this Centuria came with one of these purchases. I like to experiment with different films and don't bother, if there are some faults.

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And another out the office window shot. The rock is locally known as "Split Apple Rock", I think many moons ago I posted a sea level shot of it, I'll see if I can find it.

ETRSi

80mm

Agfa RS100

Epson 4870

Gary

What a view you have from your office! Looks good enough to be in a holiday brochure! Edited by Steve Ricoh
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What a view you have from your office!

Isn't it supposed to be winter time down there, looks good enough to be in a summer holiday brochure!

Yes, decent view, mind you not always like that.

It is winter, this was taken over summer, and a few years ago at that.

Grew up having summer holidays and virtually every weekend at or near here.

Gary

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Yes, decent view, mind you not always like that.

It is winter, this was taken over summer, and a few years ago at that.

Grew up having summer holidays and virtually every weekend at or near here.

Gary

I realised my seasonal error, and edited my post - but you were quick in response
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Very cool composition Phil. The road repair equivalent of a crime scene chalk line.

 

 

Excellent natural-looking portrait Dan. The Summitar is a very nice lens.

br

Philip

 

 

Beautiful grain Phil stone well reproduced by Kodak TX

Beautiful grey tone with "nuance" 

Thank you

Best

Henry

 

 

I like the shot. It was not until I thought about the focal length that I became absorbed in the accuracy. I am impressed. Contractors to follow?

 

Thanks,

 

Wayne

 

Thank you so much Henry, Philip and Wayne. Yes I was most definitely attracted by the "crime scene" aspect of it, and also in the crudely drawn lines which reminded me a bit of the pictures observed by people like Aaron Siskind and Brassaï and others. No road crew photos unfortunately though Wayne - it was raining from memory, and this was taken through our hotel window - we tried to spend as little time there as possible. The holes (and lines) were still there when we left.

 

 

More from the R5, 35mm Elmarit-R & Acros 100 first test roll.

 

The Way Ahead

 

I've been meaning to comment Keith - I think you've found your tool! These photos with the new gear are stunning - especially this one. To be out and about in such beautiful and picturesque summertime countryside with such a great photographic tool - you must have to pinch yourself sometimes! And you are making the most of it (it will also be great for those moody wintertime shots as well, mind you!).

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I've been meaning to comment Keith - I think you've found your tool! These photos with the new gear are stunning - especially this one. To be out and about in such beautiful and picturesque summertime countryside with such a great photographic tool - you must have to pinch yourself sometimes! And you are making the most of it (it will also be great for those moody wintertime shots as well, mind you!).

I agree, the OM interlude was merely a teaser for this. And to think, the camera and Elmarit probably cost less too.

I'm finding the same with my SL, my R6 and my R lenses. Plus I am happier with the SLR style, the M I found increasingly difficult.

Gary

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Love all the landscapes.

You have one big advantage over us all there Gary. I've never seen anyone (yet) put a film camera on a drone.

And another out the office window shot. The rock is locally known as "Split Apple Rock", I think many moons ago I posted a sea level shot of it, I'll see if I can find it.

ETRSi

80mm

Agfa RS100

Epson 4870

Gary

 

Love the flow from boat to house and beyond.

M2, Summilux 50, XP2, Rodinal stand, X1 scan:

 

36071676611_6486c8a2b5_c.jpg

Barrachois by chrism229, on Flickr

 

This is superb Keith, perfect, no more tests required.

More from the R5, 35mm Elmarit-R & Acros 100 first test roll.

 

The Way Ahead

 

Lovely HP5 Henry, and the contre-jour gives it flavour, not lots of 1-1-1-1-1-1 white pixels and an overly dark foreground.

For Gary some more mountain landscape ... you notice I am in full b&w :)

in contrary of you

 

 

Ilford HP5-Leica MP-35 Summilux Asph

 

Col des Aravis in a little contre-jour

 

 

 

attachicon.gifImage3clusahp5mplfht+++1000.jpg

 

A lot of grains in HP5 , but tone clearer versus TX more black

 

Best

Henry

 

 

Really like the second one Phil, frames within frames, within squares, whilst looking for answers in the bottom of his tea cup.

 

Some more from Stockholm and the same roll as previously, again with the 75 Summicron I believe.

 

35790265720_5163478462_b.jpg

Flickr

 

36012398462_0ed28766d9_b.jpg

Flickr

 

 

Very nice reflection, just the right balance between what's inside/outside.

Salon Lady

M6 +50Cron and Agfavista200

tumblr_ots16yUEcw1vjphu4o1_1280.jpg

Edited by coogee
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