Doc Henry Posted July 20, 2016 Author Share #18781 Posted July 20, 2016 Advertisement (gone after registration) Nikon F5, Nikkor 70-180, APX 100, Rodinal 1:25 F5_Makro_Mai16_04.jpg SUPERB Klaus Thanks Rg H. 1 Link to post Share on other sites More sharing options...
Advertisement Posted July 20, 2016 Posted July 20, 2016 Hi Doc Henry, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
MT0227 Posted July 20, 2016 Share #18782 Posted July 20, 2016 For me..different is always good I don't know if you are going to like this picture... or hate it you like PanLeica manner and wide angle effect Mont Saint Michel in Normandie panoramic Fuji Acros 100-MP-35 Lux Asph Nikon Coolscan 5000 Image1fujiacrostmicfeslfht++++-2-950.jpg Best Henry 1 Link to post Share on other sites More sharing options...
MT0227 Posted July 20, 2016 Share #18783 Posted July 20, 2016 Back to the reflection shots, nice one Philip. Bicycle Flickr Provia 100 2 Link to post Share on other sites More sharing options...
Keith (M) Posted July 20, 2016 Share #18784 Posted July 20, 2016 A shot from last Sept in Brantôme in the Perigord region of France. Bright sunshine on the forecourt of the Abbey. MP, 35mm Summaron f2.8, Portra 400. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 8 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3081777'>More sharing options...
rirakuma Posted July 20, 2016 Share #18785 Posted July 20, 2016 Superia 400 with 35/2 v1 9 Link to post Share on other sites More sharing options...
DirkR440 Posted July 20, 2016 Share #18786 Posted July 20, 2016 Also for Dirk I notice that Dirk prefer color with his M digit isn't ? I post these 2 pictures to show him that color is also nice in film for cars He must compare the 2 systems for the color just to see .... Montléry circuit * Kodak Ektar MP-50 LA (picture 1) Nikon Coolscan V Image1montlektavvlfht+++--2-950.jpg and A-Cron 90 (picture2) Image2montlherykodaktalfhtfec++++2-950.jpg Rg H. * https://en.wikipedia.org/wiki/Autodrome_de_Linas-Montlh%C3%A9ry Very nice Henry!! 1 Link to post Share on other sites More sharing options...
KevinL Posted July 20, 2016 Share #18787 Posted July 20, 2016 (edited) Advertisement (gone after registration) Ari Asks a Question (Ari is a trained Sinologist, now working for the MLA in NY). Caught him asking an erudite question while visiting at his cabin in the Catskills. M4, Elmar-M 50/2.8 wide open, Acros in Rodinal 1+100 (probably not the best combination but the rest of this roll was boring test shots for a new lens so I wanted something as painless as possible for processing and it's hard to beat stand dev for that). Edited July 20, 2016 by KevinL 9 Link to post Share on other sites More sharing options...
KevinL Posted July 20, 2016 Share #18788 Posted July 20, 2016 (edited) Superia 400 with 35/2 v1 Love that there's no outside details, no context other than the interior, here. Whatever he is raptly looking at remains completely up to our imagination. Edited July 20, 2016 by KevinL 1 Link to post Share on other sites More sharing options...
sblitz Posted July 20, 2016 Share #18789 Posted July 20, 2016 A fantastic photo Steve. Makes me want to travel and experience this part of the world. br Philip Thanks Philip, you really should. BTW areas were chock full of European tourists. Sent from my iPhone using Tapatalk 1 Link to post Share on other sites More sharing options...
MT0227 Posted July 20, 2016 Share #18790 Posted July 20, 2016 Hi Adam...would you mind elaborating on this point...I'm trying to understand a bit more when you'd choose Provia over Velvia....thx. Looking forward to seeing Israel through the lens of your camera. occasionally Provia 100 (for when I want slide film but the exposure or contrast is too much for the velvia 50). Link to post Share on other sites More sharing options...
philipus Posted July 20, 2016 Share #18791 Posted July 20, 2016 It's so difficult to resist... Back to the reflection shots, nice one Philip. 1 Link to post Share on other sites More sharing options...
KevinL Posted July 20, 2016 Share #18792 Posted July 20, 2016 Bicycle Flickr Provia 100 This reminds me very much of some of Saul Leiter's images. Well done. 3 Link to post Share on other sites More sharing options...
MT0227 Posted July 20, 2016 Share #18793 Posted July 20, 2016 Klaus...I really like the subtle grain in this shot; especially in the whites in the flower. Nikon F5, Nikkor 70-180, APX 100, Rodinal 1:25 F5_Makro_Mai16_04.jpg Link to post Share on other sites More sharing options...
Fotoklaus Posted July 20, 2016 Share #18794 Posted July 20, 2016 M4-2, Elmar M 2.8/50, Superia 200 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 5 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3081795'>More sharing options...
Fotoklaus Posted July 20, 2016 Share #18795 Posted July 20, 2016 Klaus...I really like the subtle grain in this shot; especially in the whites in the flower. Thanks! Rodinal is not a grainy developer in general, as claimed often. It should not be used above the 20°C and it is not the right developer for Tmax or Deltas. They turn way to grainy in Rodinal, in my opinion. But with classic ISO 100 (about) BW-Films like APX, FP4, Rodinal works very well. 4 Link to post Share on other sites More sharing options...
gnuyork Posted July 20, 2016 Share #18796 Posted July 20, 2016 Also for Dirk I notice that Dirk prefer color with his M digit isn't ? I post these 2 pictures to show him that color is also nice in film for cars He must compare the 2 systems for the color just to see .... Montléry circuit * Kodak Ektar MP-50 LA (picture 1) Nikon Coolscan V Image1montlektavvlfht+++--2-950.jpg and A-Cron 90 (picture2) Image2montlherykodaktalfhtfec++++2-950.jpg Rg H. * https://en.wikipedia.org/wiki/Autodrome_de_Linas-Montlh%C3%A9ry Love it! But I'm a bit of a Lotus fan. sorry these are *not* film pics: 3 Link to post Share on other sites More sharing options...
philipus Posted July 20, 2016 Share #18797 Posted July 20, 2016 I think the development worked very well, Kevin. I don't know Rodinal but I have shot a bit of Acros and think this looks very good. Also nice to see a fellow M4 shooter Ari Asks a Question (Ari is a trained Sinologist, now working for the MLA in NY). Caught him asking an erudite question while visiting at his cabin in the Catskills. M4, Elmar-M 50/2.8 wide open, Acros in Rodinal 1+100 (probably not the best combination but the rest of this roll was boring test shots for a new lens so I wanted something as painless as possible for processing and it's hard to beat stand dev for that). 1 Link to post Share on other sites More sharing options...
philipus Posted July 20, 2016 Share #18798 Posted July 20, 2016 Thank you very much, that's very kind Kevin. Leiter's been one of my favourite photographers for a long time. One can see that he trained as a painter because there's something very graphic about his photographs. Early Color is a fantastically inspiring book and also one that made me realise that I am not alone in shooting all sorts of apparently bizarre things, like odd little reflections or details. I believe he initially studied to become a rabbi but was encouraged to take up photography by W Eugene Smith. Funny how so much is connected. Smith also shot some amazing photos - walk to paradise garden is, to my mind, the most beautiful photograph ever shot. This reminds me very much of some of Saul Leiter's images. Well done. 2 Link to post Share on other sites More sharing options...
philipus Posted July 20, 2016 Share #18799 Posted July 20, 2016 More on the reflections theme. Flickr TTL 50/1.4A Velvia 100 8 Link to post Share on other sites More sharing options...
KevinL Posted July 20, 2016 Share #18800 Posted July 20, 2016 I think the development worked very well, Kevin. I don't know Rodinal but I have shot a bit of Acros and think this looks very good. Also nice to see a fellow M4 shooter M4 was my first Leica -- later joined by an M6. Won't ever part with it, even though it's a workaday chrome that's "user" grade only. Has the best shutter sound, just a little "snick" and the smoothest wind on ever. I've been using my M6 more the last year or two, and when I finally went back to the M4 I realized just how much more refined all those details are on the earlier camera. Thank you very much, that's very kind Kevin. Leiter's been one of my favourite photographers for a long time. One can see that he trained as a painter because there's something very graphic about his photographs. Early Color is a fantastically inspiring book and also one that made me realise that I am not alone in shooting all sorts of apparently bizarre things, like odd little reflections or details. I believe he initially studied to become a rabbi but was encouraged to take up photography by W Eugene Smith. Funny how so much is connected. Smith also shot some amazing photos - walk to paradise garden is, to my mind, the most beautiful photograph ever shot. Leiter's painting background really shows, especially in his color work. Some of those images I find startling for how he takes mundane details that pass completely unnoticed by my eyes at least and imbues them with magic and significance. A good friend gave me a copy of Early Color when it was first released; as you say, it's "fantastically inspiring" even for me, an exclusive b/w shooter! 3 Link to post Share on other sites More sharing options...
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