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Hütten by -Ric Capucho-

 

 

What we need now is yet more foggy trees shot on XP2.

 

What can I say? Been foggy around here lately. When yer got lemons, make lemonade.

 

Oh, and another square crop because the boathouse to the right didn't quite work its way into the composition as I'd imagined.

 

Ric

 

Fog in Ilford HP5 for Ric with trees  :)

ducks are a bonus for you :D

 

 

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M7-28 Cron Asph

 

Best

Henry

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Henry, I used two continuous fluorescent lights, each with three CFT bulbs. If you ever get a chance to look at EgoÏste you should—there have been 17 issues since 1977, the last in January 2015 (currently selling for 129 Euros on amazon.fr!). As you can see, it is huge, printed on thick exhibition type paper and full of wonderful photographs. I only have two issues, this one and one full of Avedon portraits. Read more here - caution, nude photos so perhaps not at work!

 

Adam, I like it very well. I have their 4x5 too. A bit nicer and slightly more expensive than the Shen Hao. Paper negatives with 10x8 paper are such fun! I take a couple, tray develop them under a safelight, go and take a couple more with exposure adjusted and so on. I call this slow-motion chimping! This is the sixth shot, but it occupied my morning and allowed me to treat myself to a beer when finished.

 

Chris

Thank you Chris for your reply !

Egoiste is also a perfume brand Chanel :D 

Best

Henry

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If I may call upon you all on more time for your "curator" input on the color version of the composition that I shared with you in B&W a week or so ago.  

As with the last series, I'd like to know which of these you feel is worthy of inclusion in a professional portfolio.

All were taken with Ektar and my Hasselblad SWC/M

The follow TWELVE :o photos were taken during sunrise and sunset over a two day period 

I have ordered the photos chronologically beginning with the pre-dawn magic hour and ending with the post-sunset magic hour.

I value your critical input and really appreciate your patience.

Best, Adam

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6 (half way there!)

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Thank you again for your time...

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Adam. Now this is much tougher to call.

Really like #7, the Catermaran adds en extra something.

discounted #5&6 because I don't like the Sunstars.

it was nearly #9, but the Cruise Liner obscures too much.

#10&11 both really strong but let down a bit by the shoreline.

 

So, the winner is #12. Great colour, super reflections and good compositional crop.

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DG, I agree with your remark at 200%.

 

For your development it's fine for me

Color is nice stone , boats ...

At what temperature you work 38°C or 30°C ?

Kit Tetenal or other brand ?

Best

Henry

 

For the castle it was Tetenal at 38C, but I have followed the advice of someone else on this forum (I think it was Steve - 250swb, from memory) who said 30C. I find this temperature much easier to control given my kitchen sink processing area.

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Adam, your series of 12 photos of New York are very special - please don't tell me they were all taken on 1 roll of film !

I prefer 3 and 8. But maybe 2 for impact. I was not sure about the stoney foreground in 8 but it is balanced by the cloud. But then I like 11 as well. The images with the yacht and the cruise liner could grace the front cover of any magazine.

 

One question can you place the A12/16 film backs on the SWC/M or does it have a standalone back ? 

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