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Hi all,

 

As for film vs digital, I never left film photography but tried my hand on a Fuji x100. Nice little thing but not for me.

Didn't keep it very long.

Even in film cameras I made my choise. After many years shooting only Hasselblads and Rolleiflexs I finally am back in the Leica world.

Traded my amazing Rolleiflex 3.5f white face against a freshly cla'd M3 ds with a summicron v4.

Great to be back here

You are welcome Rainer :)

and we wait for your certainly nice film pictures

Best regards

Henry

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This is  the shot from the hike on the Glacier des Bossons at 3000m.

Impressive hike , a little dangereous but our materials and our guide are good  :)

we are roped together

 

Kodachrome 64

M7 * - 28 Summicron A.

 

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Best

Henry

 

* works fine on the ice . M camera more practical than a reflex

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from a bike ride this time :) and lower

Mont Blanc 4800 m is in background

 

Kodachrome 64

M7-28 Cron A.

 

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Best

henry

Edited by Doc Henry
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I/we do Henry, but possibly not as spectacular as some of the overseas ones, the tallest here is about 12500' so quite modest compared.

And capping that off, I am domiciled in the upper North Island, with "most" of the spectacular scenery in the South Island.

One day..............

Gary

Gary, south NZ certainly very impressive mountain with wonderful landscape pictures

like in the "Lord of the Rings" movie of Peter Jackson :)

Best

Henry

Edited by Doc Henry
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I have joined the meterless club for 35mm, having decided that I shoot MF and LF quite happily without a meter in the camera, so why not simplify things for 35mm? (I also have to dispose of lots of gear so that it won't be a problem for my wife when the leukemia comes back.) So I have done a deal with my enabler, the wonderful Jean at Camtec in Montreal, to reduce all my Leica gear to a 1963 M2 and silver 35 Lux, 50 Lux and 90 Summarit. The M2 arrived today, so I put a roll of Tri-X through it:

 

23266136604_10b487aea4_c.jpg

Stump by chrism229, on Flickr

 

23868226946_f283e59c37_c.jpg

136 by chrism229, on Flickr

 

Chris

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With Tmax 400, Summilux 50 and MP

 

best regards

Marc

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Simply register for free here – We are always happy to welcome new members!

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Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

Train Station after hours in San Francisco. Shot on Tri-X 400.

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Like a swatch cloth of Manhattan during the day...nothing particularly focused on; just a snippet of life here...

M7, 28mm elmarit pre-asph, CInestill 800T (rated and developed at 800)

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Edited by A miller
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I have joined the meterless club for 35mm, having decided that I shoot MF and LF quite happily without a meter in the camera, so why not simplify things for 35mm? (I also have to dispose of lots of gear so that it won't be a problem for my wife when the leukemia comes back.) So I have done a deal with my enabler, the wonderful Jean at Camtec in Montreal, to reduce all my Leica gear to a 1963 M2 and silver 35 Lux, 50 Lux and 90 Summarit. The M2 arrived today, so I put a roll of Tri-X through it:

 

23266136604_10b487aea4_c.jpg

Stump by chrism229, on Flickr

 

23868226946_f283e59c37_c.jpg

136 by chrism229, on Flickr

 

Chris

Nice b&w pictures , with X1 scan ?

 

Chris , I did the same reasoning and all my equipment R remains in my two bags.

I now use only lighter and easier to transport only my M cameras :)

Best regards

Henry

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now place to Fuji Velvia 50 *  comparing with Kodachrome  :)

 

 

In the way of.....

 

M7-28 Summicron A.

 

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Best

Henry

 

* (dev by Lab Fuji Prof. France)

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....  and just for the green for Adam , your advice ?  :)

 

 

Fuji Velvia 50

 

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Best

Henry

 

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I like also Fujichrome Sensia 100 , vivid color and warm film slide.

Nice green lawn isn't Adam ?  :)
 

MP-50 Cron

 

....street photos , a conscientious reader

 

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Best

Henry

Edited by Doc Henry
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