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How bid do you blow up your M8 files?


GMB

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I read at several occasions that people blow up their M8 files to pretty large prints. My files (whether developed raw files or JEPEGs straight out of the camera) have a size of about 33x22 cm at 300 dpi. If I remember correctly, some members on this forum stated that they print 44 inches wide (some I think even said they print 60x40 inches). Unless I miss something, printing at 44 inches wide results in a resolution of about 90 dpi without resampling, and such a resolution is way too low for printing.

 

Hence my question, how big do people print, at what dpi, and what sampling, if any, do they apply?

 

Thanks for your answers.

 

Georg

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I read at several occasions that people blow up their M8 files to pretty large prints. My files (whether developed raw files or JEPEGs straight out of the camera) have a size of about 33x22 cm at 300 dpi. If I remember correctly, some members on this forum stated that they print 44 inches wide (some I think even said they print 60x40 inches). Unless I miss something, printing at 44 inches wide results in a resolution of about 90 dpi without resampling, and such a resolution is way too low for printing.

 

Hence my question, how big do people print, at what dpi, and what sampling, if any, do they apply?

 

Thanks for your answers.

 

Georg

I just printed (or had printed more accurately) an M8 DNG file, upsized in CS2 with Genuine Fractals to 36 x 24. The scene is in my signature. It enlarged and printed beautifully, with fine detail preserved. It was printed on an Epson but I don't know which model -- I think 4800. The file was huge, but there is no problem with the right image going VERY large with the M8,

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[quote name=Weinschel

36 x 24. [/quote]

 

I assume you are talking inches and not cm. Correct? I also checked in CS2 for Genuine Fractals and could not find anything.

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I assume you are talking inches and not cm. Correct? I also checked in CS2 for Genuine Fractals and could not find anything.

Yes, inches.

Genuine Fractals is a Photoshop add-in that must be purchased separately.

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Some post-processing gurus, foremost amongst them Scott Kelby, will tell you that 300 dpi is overkill and that 150 dpi is ample for a high quality print. It is not the simple mathematical evolution it seems to be. It depends on viewing distance, printer software, printer ppi, and some more magic. As it is detrimental to upres files and have printer software downsize them again to fit the system, my experience is that the only way to get it right is trial and error. Plus, different brands of printers have different sweet spots. I seem to recall that Epson, for instance, requires 180 dpi.

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Generally what works for me is:

Make sure you are using a processed .tif file (from RAW).

Using a jpeg will produce shoddy results.

In photoshop, go to "image", then "image size.."

Change the resolution of the file in Photoshop to about 180dpi (possibly even 150).

Make sure the "Resample image'" box is UNCHECKED.

Once you change the resolution you will see the document size change upwards.

To go further, make sure the "Resample Image" box is now CHECKED.

In the top dialogue, "Pixel Dimensions", choose 'percent' as the unit and type in

110%, then click OK.

Effectively you have now increased the size of the image again by another 10%.

The trick is, by doing it in increments of 10%, you can repeat this step several times until

you get the desired size.

Obviously it depends on the final printer output but you can basically double your original

file size at least without any major loss of quality.

 

Nicky

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Thanks for your responses. I had a quick look at David Adamson's thread but I need to read it tonight otherwise I won't get any work done today :)

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I tested Genuine Fractals against Blow up weeks ago. In my oppinion Blow up wins hands down. Yes also Genuine Fractals, is better than the normal ones, but blow up is better.

 

 

Now a total other question, why isn't there any software or plugin using a mode like Spline64 or higher ? These really give great results. But that's another thing.

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My feeling has always been "less is more." The less fiddling we do to our files, the better the end result.

 

The other addage is "you can't make something from nothing." If the camera produces 10MP of information, we will never be able to make that into more. We can stretch the image to new pixel dimensions and do our best to fill in the gaps, but this does not create more information than the original file.

 

For my own work I always use the original pixel dimensions for any print size, whether I am making a 4x6 or 20x30 (inches). I recommend the same workflow to all my print customers as well, both professionals and amateurs alike.

 

The results never fail to impress and the best part is that there is no additional work involved to get great prints at any size.

 

David

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