35mmSummicron Posted March 6, 2007 Share #81 Â Posted March 6, 2007 Advertisement (gone after registration) 1.092....took a few quick test shots, and at first glance, i am seeing a HUGE 2500 ISO improvement in DNG's. much more detail/sharpness/less noise etc. Â anyone else seeing this? wanna make sure im not seeing things--it is a welcomed for sure. Â Â ps. same findings with 1250 ISO as well. i am LIKING THIS!!!!!! Link to post Share on other sites More sharing options...
Advertisement Posted March 6, 2007 Posted March 6, 2007 Hi 35mmSummicron, Take a look here New Firmware 1.092 thoughts/ Read instructions. I'm sure you'll find what you were looking for!
sdai Posted March 6, 2007 Share #82  Posted March 6, 2007 it also brings up the option of returning the camera under warranty if the problem only exists in some bodies. ....Peter  I don't think returning the camera is an option even under passport warranty, Leica will only repair or replace it under given conditions. Link to post Share on other sites More sharing options...
wparsonsgisnet Posted March 6, 2007 Share #83 Â Posted March 6, 2007 The only weirdness I have experienced so far is that my M8 seems to think that my 512mb card is a 1gb card now. Every time I turn on, the LCD reads 74 shots remaining (it should read 29 as I have eight shots on the card and a 512mb holds 37.) I went in to check that it is set at DNG and not JPG and indeed it is still set at DNG. Once I perform this check, the LCD returns to the correct shot count -- 29. However, when I turn the camera off and then on again, it returns to 74. I'm using a SanDisk Ultra II card. Â Aaron, I had a similar problem and it was suggested that I reformat the card. This solved the problem (don't forget to get the pictures off it first ... ) Link to post Share on other sites More sharing options...
Jamie Roberts Posted March 6, 2007 Share #84  Posted March 6, 2007 1.092....took a few quick test shots, and at first glance, i am seeing a HUGE 2500 ISO improvement in DNG's. much more detail/sharpness/less noise etc. anyone else seeing this? wanna make sure im not seeing things--it is a welcomed for sure.   ps. same findings with 1250 ISO as well. i am LIKING THIS!!!!!!  Yep--the chroma noise is down significantly in ISO 1250 and 2500. That's very, very good, and means you can reasonably "push" 1250 a bit more too!  BTW--try shooting those magenta blacks under tungsten without a filter and let me know what you see. In the short time I've had this, it looks way, wayt better to me (not completely fixed, though). Link to post Share on other sites More sharing options...
blakley Posted March 6, 2007 Share #85 Â Posted March 6, 2007 I've also tried to replicate the green bar/reference pixel problem. I've not been able to do it. I am using filters and 1.092. I'll continue to watch & test for this. Link to post Share on other sites More sharing options...
barjohn Posted March 6, 2007 Share #86 Â Posted March 6, 2007 Is the noise reduction down in JPGs too? I didn't test high ISO noise reduction this morning before I left for work and I can't do more tests until I go home this evening. Can you post some examples? Link to post Share on other sites More sharing options...
gravastar Posted March 6, 2007 Share #87 Â Posted March 6, 2007 Advertisement (gone after registration) I've also tried to replicate the green bar/reference pixel problem. I've not been able to do it. I am using filters and 1.092. I'll continue to watch & test for this. Â I've been caught a couple of times with event photography where there's vertical strips of lights at the edge of a stage. However I've found it very difficult to reproduce the effect under more controlled conditions unless you use an extended horizontal light as Mark has done. The placement of the light at the edge of the frame is extremely critical. Â Bob. Link to post Share on other sites More sharing options...
carstenw Posted March 6, 2007 Share #88 Â Posted March 6, 2007 Mark, I took about 7 shots moving the camera so the lamp started outside of the visible frame and moving closer in small steps until it was in the frame and I never saw what was posted earlier on any of the shots. Â Lift up a lamp and shoot directly at the bulb, with an exposure set for the background, not the bulb. Start the bulb just inside the framelines, and set the camera to 'continuous'. Then start shooting, moving the camera so the bulb slowly leaves the frame, until it is outside by an amount equalling the width of the bulb. I got it like this, just like with 1.06 and 1.09. However, I have never seen this problem any other way, and I do get lightsources in my pictures from time to time. Link to post Share on other sites More sharing options...
Guest guy_mancuso Posted March 6, 2007 Share #89  Posted March 6, 2007 This is 1.091 at ISO 640 but pushed a stop to 1250 Plus 1 stop in LR . I say the noise is a lot better. Shot with a 90 cron at F2.  If your going to see noise it most likely is in the blue channel. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/17992-new-firmware-1092-thoughts-read-instructions/?do=findComment&comment=192078'>More sharing options...
Guest guy_mancuso Posted March 6, 2007 Share #90  Posted March 6, 2007 This was this morning with 1.092 same result MUCH better Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/17992-new-firmware-1092-thoughts-read-instructions/?do=findComment&comment=192085'>More sharing options...
Guest magyarman Posted March 6, 2007 Share #91 Â Posted March 6, 2007 Lift up a lamp and shoot directly at the bulb, with an exposure set for the background, not the bulb. Start the bulb just inside the framelines, and set the camera to 'continuous'. Then start shooting, moving the camera so the bulb slowly leaves the frame, until it is outside by an amount equalling the width of the bulb. I got it like this, just like with 1.06 and 1.09. However, I have never seen this problem any other way, and I do get lightsources in my pictures from time to time. Â Is plenty bat staff about M8 oba I thing this take mabe too far? I now if I gonna take away objectif mine M6 and put over his mouth mine blitz I gonna see light on film what was pass by shatter cortins. I thing is possibly always to make it happened something bat with any one camera if enough try hard Link to post Share on other sites More sharing options...
larry Posted March 6, 2007 Share #92  Posted March 6, 2007 Is plenty bat staff about M8 oba I thing this take mabe too far? I now if I gonna take away objectif mine M6 and put over his mouth mine blitz I gonna see light on film what was pass by shatter cortins. I thing is possibly always to make it happened something bat with any one camera if enough try hard  Blasko,  I can hardly believe that's coming from you! (And I do agree.)  Larry Link to post Share on other sites More sharing options...
Guest guy_mancuso Posted March 6, 2007 Share #93 Â Posted March 6, 2007 I'm still trying to recover. LOL Link to post Share on other sites More sharing options...
robbegibson Posted March 6, 2007 Share #94  Posted March 6, 2007 Is plenty bat staff about M8 oba I thing this take mabe too far? I now if I gonna take away objectif mine M6 and put over his mouth mine blitz I gonna see light on film what was pass by shatter cortins. I thing is possibly always to make it happened something bat with any one camera if enough try hard  Now, who can argue with that??  I agree! Link to post Share on other sites More sharing options...
grober Posted March 6, 2007 Share #95 Â Posted March 6, 2007 This is 1.091 at ISO 640 but pushed a stop to 1250 Plus 1 stop in LR . Â Guy, Â How do you "push a stop" using a digital camera? (I assume it's through a certain manipultion of the image on the computer in post processing NOT on the camera, yes?) Â Also, it should be said, I have zero experience with Lightroom. Â Thanks! Â -g Link to post Share on other sites More sharing options...
Guest guy_mancuso Posted March 6, 2007 Share #96 Â Posted March 6, 2007 Effectively if you are underexposing by a stop and you bring the exposure up a stop in the raw converter your really gaining a stop of light so in effect your at 1250 in this case. Link to post Share on other sites More sharing options...
gravastar Posted March 6, 2007 Share #97  Posted March 6, 2007 This is 1.091 at ISO 640 but pushed a stop to 1250 Plus 1 stop in LR . I say the noise is a lot better. Shot with a 90 cron at F2. If your going to see noise it most likely is in the blue channel.  Guy, Can you tell me the approximate color temperature of the stage lighting in these shots, was it tungsten or HMI? I intend to use the M8 where events are lit by low temperature tungsten so noise in the blue channel is a concern.  Thanks, Bob. Link to post Share on other sites More sharing options...
wlaidlaw Posted March 6, 2007 Share #98 Â Posted March 6, 2007 It all seems to be about noise both shutter and image. I am not sure I like the new shutter noise. It is a bit like my very worn IIb in comparison to my very lightly used IIf. There sounds to be more mechanical threshing about. However I am very happy with the reduction in noise. It looks to be more marked in DNG than JPEG taken at 1250 ISO but it is late at night and I have been trying a new to me malt whisky - 10 yo GlenKinchie - don't like it very much. Â The other features seem to work well without the bugs of image numbers I got in 1.091. It will be interesting to try a colour fringing test with the Biogon 21 tomorrow. Cross fingers my Elmarit - M 90 might finally be back for me to play with too. Â Wilson Link to post Share on other sites More sharing options...
george + Posted March 6, 2007 Share #99  Posted March 6, 2007 Is plenty bat staff about M8 oba I thing this take mabe too far? I now if I gonna take away objectif mine M6 and put over his mouth mine blitz I gonna see light on film what was pass by shatter cortins. I thing is possibly always to make it happened something bat with any one camera if enough try hard  Hey Blasko; now you are writing like a real Hungarian. Not accepting any nonsense. Most még csak irj nekem magyarul és minden rendben is lesz.  Did I tell you that I am not complaining about the 20 second auto exposure I took with the lens cap on? It then took another 20 seconds to correct and all it shows is noise. I'm sure some would find this unacceptable too. :) Link to post Share on other sites More sharing options...
Guest guy_mancuso Posted March 6, 2007 Share #100 Â Posted March 6, 2007 Bob tungsten stage lights . Bob here is what idid , I shot on AWB which of course everything was warm as expected than in LR i just switced the lighting to Tungsten and tweaked it a little than appllied that setting to everything. really you could have set the camera on tungsten also and in effect would do the same thing. This is the reason i shoot raw and could care less about the AWB issues. I always do this in my raw converters with Nikon, canons and leica's just leave on AWB because i adjust everything in C1 or LR anyway. Really the only time this gets critical if your shooting jpegs than you want to be on the money but even than for a whole shoot you can create a action in PS and run it on the jpegs. AWB is a guess no matter what camera there is, it basically is reading the kelvin temp but that can vary from reflections off your subject or almost anything can cause a shift . It is not like a meter that only sees grey and balances for grey. Were talking a multitude of color in a image and basically the AWB is taking a educated guess just like we would. A lot of people shoot at kelvin temp for the light there under too. Daylight 5600, Tunsten 3200 etc etc. Now for stage work just try to find somebody wearing a white shirt or a neutral grey because you can't run up there and get a WB than in your raw converter go for that and make any small tweak to taste and save that setting for the others Link to post Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.