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Colour Fringing with Biogon 21


wlaidlaw

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I was out taking some pictures this morning in the brief intervals between rain and on starting to process the images from DNG in Photoshop, I noticed quite heavy colour fringing. I was using the Biogon 21mm on the M8. Example below. Has anyone else had this problem with the B21.

 

Wilson

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That might be the difference, I convert using C1

 

Here is the same image processed with C1 - not terribly well as just learning C1 but you can see that the colour fringing is definitely less. However, detail preservation is considerably inferior to PSE4.

 

Wilson

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Jaap,

 

If I do not have to build an ark tomorrow and start collecting the animals two by two, I will go and try the same photos with 1.091. I will also try with the Biogon 35 to see if it is CA from the lens or maybe CA in the sensor microlenses, dependant upon light angle of incidence. I will process with PS, C1 and Lightzone, to see if there is any difference. The original DNG was a little dark and I think I pulled the exposure up in the C1 process a bit too much, which may have resulted in the loss of detail.

 

Wilson

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Jaap,

 

If I do not have to build an ark tomorrow and start collecting the animals two by two, I will go and try the same photos with 1.091. I will also try with the Biogon 35 to see if it is CA from the lens or maybe CA in the sensor microlenses, dependant upon light angle of incidence. I will process with PS, C1 and Lightzone, to see if there is any difference. The original DNG was a little dark and I think I pulled the exposure up in the C1 process a bit too much, which may have resulted in the loss of detail.

 

Wilson

 

Wilson

 

you have to be really careful to note the difference between CA (a lens problem) and purple fringing (a sensor problem due to overexposure due to super high contrast images). They may at first be perceived to be the same problem but are due to totally different physical phenomena.

 

Woody

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just wanted to say that while it is annoying to see/deal with BOTH CA and sensor blooming are unfortunate realities of shooting digital, and not exclusive to Leica M8's.

 

Canon's, Nikons, and even high end digital backs have this. Leica glass is supposed to be very well corrected (read, well corrected, but not necessarily 100% free from abberations), but keep in mind the newest optical forumlas are also of very high contrast, so bare branches against a white sky, you are bound to get some colour effects. i have noticed the same with zeiss glass as well.

 

from my understanding, much like how you can adjust/control CA in ACR, the H3D has incamera and software controls to help reduce the effects. it seems aside from more megapixels, more elaborate software to correct for lens imperfections is how digital photography is evolving and improving. it will be interesting to see how C1 version 4 handles this when it comes out (and in turn how it handles M8 DNG's).

 

 

i personally control this in photoshop and locally get rid of it with the desaturate-sponge tool.

**it helps if you use a drawing tablet**

 

/a

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I think the point I was trying to make was that the Biogon 21 seemed to accentuate this phenomenon more that the Biogon 35. My personal feeling was that this was a sensor characteristic but could possibly be dependant on light angle incidence and thus the exit pupil to sensor distance. The Biogon design has traditionally had a short exit pupil to imaging medium distance (for an extreme example look at the Biogon G21 for the G1/2 cameras). I know that it is possible to reduce this phenomenon by various post-production techniques but I was surprised by the extent of it on the "as taken" DNG/RAW and was wondering if others with the B21 had noticed it. It would appear that the answer is yes, so I now am reasonably confident that it is not a lens fault but a camera/lens characteristic, which I will have to live with and work round - more "scientific" tests today with 1.091.

 

Wilson

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CA is a lens phenominon isn't it? As Pascal hints at it sounds as if C1 is automatically attempting to correct it. You have to do this manually in ACR.

 

Steve,

 

I would agree and I think the action of C1 resulted in a reduction of quality, while it was dealing with the colour finging. It is a case of TANSAAFL (There ain't no such thing as a free lunch). On balance, I think I would rather live with a bit of colour fringing using ACR than lose so much definition. I have not tried this image with Lightzone, which might be a happy medium. The preview screen on Lightzone is a bit small even on my 22" monitors and unlike PS, you can't pull all the tool boxes into a different screen and expand the preview screen.

 

Wilson

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