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Characterful Film


Gerard

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What developer was that with? I only ask because I used Xtol and never thought of Neopan 1600 as a very grainy film.. Much finer grained than Delta 3200, though with higher contrast.

 

I don't develop myself and unfortunately don't know what the lab uses. I've only used Delta 3200 once or twice. I seem to remember it was more grainy than Neopan.

 

I bought Neopan 1600 was withdrawn last year.

 

Yes I read something about this but I've still found un-expired rolls in shops.

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I asked a similar question not so long ago and one of the forum members suggested I try Rollei Retro80S - my first roll is still in the camera so I can't talk from personal experience, but the sample images I've seen look very interesting, very contrasty. If you have a look on Flickr there are quite a few examples.

 

But as many others have suggested, just buy a range and have fun.

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I asked a similar question not so long ago and one of the forum members suggested I try Rollei Retro80S - my first roll is still in the camera so I can't talk from personal experience, but the sample images I've seen look very interesting, very contrasty. If you have a look on Flickr there are quite a few examples.

 

But as many others have suggested, just buy a range and have fun.

 

Working on my second roll of Rollei Retro80s and it turned out great! My local lab could not find the developing times, etc. for use with his typical developer...Tmax I think. But, he guessed at it and I am happy with it.

 

BTW, anyone got the processing down for Tmax developer on Rollei Retro80s?:)

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The Massive Development Chart has no suggestions, I'm afraid.

 

This is the suggestion for HC110, though

 

http://www.digitaltruth.com/devchart.php?Film=Rollei+Retro+80S&Developer=HC-110&mdc=Search

 

So there are options if you don't use TMax

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for me the best choice is delta 400 pro developed in ilfotech hc , or kodak hc 110, for most grain trix 400 in the same developer i don't have simpaty abuot the tmax , have some problems with the common fixers , for the most problem of curling film increase the weight during the drying time.

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The Massive Development Chart has no suggestions, I'm afraid.

 

This is the suggestion for HC110, though

 

Digitaltruth Photo - The Massive Dev Chart B&W Film Development Database

 

So there are options if you don't use TMax

 

Thanks, Andy.

 

This is an example of using Tmax for developing and his guessing the development times, etc....this rivals the contrast from using TriX 400 in the M3. :)

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Crikey.

 

I have never seen contrast like that in Tri-X

 

This was, granted, one of the extreme examples. Normally, it looked very much like silky smooth TriX. Here is another example:

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Mathers of Lancashire .... Doh !!

 

Ordered 50 rolls of short dated 135 TMax 100 at £1.99 a roll last Thursday evening.

 

Call on Friday informed me that they only had 46 rolls in stock. No prob.

 

1 hour later said they only had 6 rolls of short dated stock at £2.99 and the rest would be at the standard price of £3.49 . Did I want to proceed ?

 

At £2.99, not £1.99 ? Yes. So how come my order for 50 films was billed at £109 incl postage ? I have the transaction detail.

 

So, in my book, never trust Mathers !! :eek:

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Thanks, Andy.

This is an example of using Tmax for developing and his guessing the development times, etc....this rivals the contrast from using TriX 400 in the M3. :)

 

Dave the photo post # 29 is very contrasting , point of view over light / shadow

not surprising that the personages are black !

same thing in digital with my M8 or M9 .....no better

secondly , it depends on the picture, how it is exposed

thirdly, it also depends in part of the scanner

Best

Henry

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Dave the photo post # 29 is very contrasting , point of view over light / shadow

not surprising that the personages are black !

same thing in digital with my M8 or M9 .....no better

secondly , it depends on the picture, how it is exposed

thirdly, it also depends in part of the scanner

 

More likely it's a result of guessing the development times and over developing.

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I tried a roll of Ilford XP2 400 last week and it sure gave a lot of character but it could be the camera (forty year old non-Leica)

 

I have used this film extensively, and I love it. There is some difference of opinion about it here, but it certainly suits me. It produces a long scale negatives, with very smooth middle grays and excellent sharpness. The camera has little to do with it.

 

I think that film has properties - but character? Not so very much. 99% of the "character" of a picture is in the minds eye at the moment of exposure. The character in my pictures (if there is any) comes from me. Whether I use Tri-x, XP2 or whatever, I think doesn't much matters.

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