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Which M to start with?


cccp1971

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My film set-up is a .58 M7 alongside an early model M3. The .58 viewfinder works wonders with the 28mm Summicron - my workhorse - and the .92 viewfinder on the M3 makes using any 50mm lens a heavenly experience.

 

To the original poster, I would advise that you spend as much time deciding what magnifacation viewfinder would work best with your lenses, or at least your preferred lens, as you spend on your body/model decision. While the above combination is best for me, your needs are probably quite different. Enjoy your decision-making, regardless.

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I got into the M series with an M2. I realize now that I was ridiculously over-charged for it, but there was a lovely girl that I was in love with and she bought it for me as a birthday present and I will forever be in her debt for it. It's just perfection..

 

I cannot possibly think of a better combination.

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CCCP1971, enjoy the M7! It's a superb camera and will keep on going as long as you can still get and process film.

 

Which brings us on to what film to get. Why not start off with some 100 ISO color slide film?

 

Have fun!

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HCB don´t miss them.........Bob Capa don´t miss them.......I don´t miss..... :rolleyes:

Sure, but like I said, it might be a point of concern. Every person is different and has different preferences, best course of action to help another person is to start with a bit of general empathy. :)

 

CCCP1971 have fun with the M7, I'm sure you will love it!

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I've read through the thread again and between us we have advised our friend that the 'best' M to start with is an;

 

M2

M3

M4

M4-P

M5

M6

M6TTL

M7

 

No one has mentioned the M4-2, or the CL!

 

As I've already suggested, a sticky with the pros/cons of each model would be more useful.

 

Now, we just need the OP to start another tread asking which film is best to start :D

 

Oh look! We just recommended almost every Leica ever made! I wonder what that says...

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As also mentioned indeed the MP would be a great choice but it doesn't come in steady supply - at least not where I live. The M7 is more regularly available from shops or from eBay, that also influences my decision since I don't want to wait too long :)

 

Most of the M7 I've seen so far come with a 0.72 viewfinder, which seems fine with 50mm (my preferred lens).

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As also mentioned indeed the MP would be a great choice but it doesn't come in steady supply - at least not where I live. The M7 is more regularly available from shops or from eBay, that also influences my decision since I don't want to wait too long :)

 

Most of the M7 I've seen so far come with a 0.72 viewfinder, which seems fine with 50mm (my preferred lens).

 

There's one here on the Forum's Buy & Sell section. A bit pricey, but they do come up. There's also a silver chrome one, waiting for payment.

 

I'd buy from the forum (or eBay) with care.

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The M7 is closest to the M9 (the shutter dial turns in the same direction and they both have the auto option and a vertical electronic shutter). [...]

 

Actually the M7 has a horizontal shutter with a max speed of 1/1000. The M9 does have a vertical shutter and 1/4000 of a second top speed. The M9 also has a faster flash synch speed.

 

I agree that for film, the M7 is just terrific. I have two and the worst thing that's ever happened is the battery door opened and the batteries dropped out. :eek: Once. And it was my fault.

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I agree that for film, the M7 is just terrific. I have two and the worst thing that's ever happened is the battery door opened and the batteries dropped out. :eek: Once. And it was my fault.

 

This is one of the reasons I got an M3 :) It's nice not to have to even think of batteries.

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I have five M4's for backup.

 

Really? How do you carry them? ;)

 

There's often talk about how the M3 lacks framelines for wider than 50mm lenses and needs goggles, but is this really such a problem? How much do the goggles reduce the VF magnification? Can't be by much. Somewhere I've read complaints about goggled lenses being bulkier or heavier than those without. But for me, coming from an SLR background, a weight difference of some 50-100gr isn't something to worry about when choosing which M to get. Plus I guess it is possible to use non-goggled 35mm lenses with M3s too. The lack of meter is also not a big deal. Sure some shots turn out under- or over-exposed. But learning to use Sunny 16 is actually a lot easier than one may think and produces great results in most circumstances.

 

For me, fwiw, there was simply no other M to get but the M3.

 

Cheers

Philip

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