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M9 in Ethiopia (3 Images)


Guest WPalank

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Guest WPalank

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Dear Leicaholics,

 

I just returned from about three and a half weeks in Ethiopia, two and a half of which were spent in the South Omo, Konso and Kaffa Regions traveling in a Land Rover over some of the roughest and most mountainous terrain I’ve ever experienced (sometimes up to 12 hours a day).

 

Anyway, one thing that makes my trip unique is not only did I bring my M9 and three Summilux ASPH lenses but an 80 kg waterproof hard case (the case dry weighed about 35 kg) containing a Broncolor Portable A2R pack with Mobilite 2 Strobe Heads, light stand and back-up system. I used a Broncolor RTS radio trigger to fire the strobe as the pack already had a radio receiver built in. My decision was to use it as my fill with light modifiers in many daytime shoots as I knew the sun would be treacherous. All in all it was quite challenging with temperatures reaching 100-105 degrees Fahrenheit on some days and nowhere to look for shade.

 

The reason I brought the system with my M9 was at 1200 w/s I could become or overpower the sun if need be. My compositions with local villagers were not compromised by the position of the sun. Also, if need be, I could get a little more pop in the shade and process the images the way I wanted.

 

After thoughts:

After one particularly grueling 12 hour day where we never touched pavement, I thought my system would be trashed even though I packed it quite carefully in the hard case with pluck and pick foam. I also used the folded soft boxes as protective padding. the second I loaded a battery into the pack it worked first time every time with no strobe breakage. The case also survived 6 airline trips with the luggage gorillas (two of which were international flights).

The M9 with lenses also survived as well and are still focusing spot on.

 

I would have posted a different title, “Leica M9 in Ethiopia with Portable Strobes”, but it would have left no room to warn people my post contained three images.

 

Dear Moderators,

I would like to keep the discussion in the M9 Forum as I want to stimulate discussion on using the M9 digital camera and extending the dynamic range (or not) using a portable lighting system and the inherent problems being without electricity for days.

 

I also brought all the gear into the cities of Harer and Lalibella, but have had only enough time to quickly run through the images. Here is a link to the Omo Images on Flikr:

Ethiopia I - a set on Flickr

 

Cheers!

 

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Simply register for free here – We are always happy to welcome new members!

 

 

 

 

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William -

 

I shudder at the thought of the weight and bulk of your lighting kit, especially since we do carry-on only travel (Well, if it's a SCUBA trip we do check a 20 kilo large bag), but it certainly paid off with stunning results. I never even thought about the problems of trying to match the sun as you did. Terrific.

 

BTW: One of the best novels I've read in years takes place mostly in Ethiopia over a 20 year period and I most strongly recommend it: Cutting for Stone.

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William, the work is stunning! Gorgeous, tactile, but completely personal. Amazing! Congratulations!

 

 

 

 

I particularly like the shot of the guy in the backwards baseball cap. You could'a borrowed his lights, I bet! :p

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Guest WPalank

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Thank you Andy, Jeffry, proy, K-H and Howard.

 

Stuart, thanks for the suggestion, I will look into the book immediately.

 

Howard, the ball cap was there to moderate the incredible heat. Even with sun block I was becoming lobsterish. Plus, the Giants are World Champs finally. The reason I wore it backwards was the Broncolor RTS in the hotshoe kept bumping into the bill.

 

Thanks also, axelman, jaap and Juseno.

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William. Have checked your fickr set and without doubt this has to be about the best work I have seen since following this forum. Classic leica work and it looks like the lighting rig really paid dividends. I would be interested in some of your PP as it looks like you may have used some sort of modified bleach process effect that I sometimes use in 'Nik color efex pro' Once again many, many thanks for sharing your inspirational work

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I really like the "Ethiopia" series. Perfectly controlled lighting - so hardly classic Leica work!;)

 

If it takes 1200 joules to get full control of the lighting with a M9, think how much it would take with a film M at 1/50 sec:D

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Guest WPalank

Thank you David, Andrew, Macusque, Peter and John for taking the time to comment.

 

Larry, thanks so much. Yes, prints were the objective of this trip.

 

Morfeus, I might have caught you too late. If you are heading to the Omo and Hammer tribes be very careful. The Hammer Historical Society (I think that's what they called themselves) in Turmi has just recently been pulling photographers arbitrarily (I was the second one my tour operator knew of) and calling us special Professional Photographers. They tried to extort $3000 from me to photograph after the fact. I gave them a big fat "f*ck you" while my driver argued for about an hour in Ahmeric. We finally got it reduce to just under $100 which my operator paid for. According to a sheet of paper, they could charge up to $20,000 if they felt like it which was typically meant for Film Crews.

My tour operator owner then called an emergency of the Ethiopian Tour Operators and they are currently working with the Ethiopian Diplomatic core in Addis Ababa as we speak.

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Guest WPalank
Sticking with gear rather than photo discussion, what were your thoughts on using the 75 (2 photos) versus the 50 (for the other 61)?

 

Jeff

 

In Abyssinian Angel I wanted more compression in the background so I chose the 75mm over the 50mm. Also, what you don't see are the thirty or so people surrounding me. In the case of the crocodiles I just wanted to be closer to the subject.

 

The 50 is my favorite walk around and I'm somewhat of a lazy shooter. I hate changing lenses.

 

Also, Purple with the two Mursi women was shot with the 24mm Summilux ASPH. I have corrected it.

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The hassle with the extortionists gives a hint of the the ethical problems involved in this kind of photography. whose stock in trade is exoticism. That said, I think you have side-stepped this issue. The strobes may have solved a lighting problem, but the whole formal thing with the subjects, where they have to take their time and compose themselves, has resulted in some terrific pictures of remarkable people. They seem so alive and in their skins......

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