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New article on 35mm Summilux-M Version V at overgaard.dk


Overgaard

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Very nice article, Thorsten. I always find your images pleasing, and your perceptions interesting.

 

Apart from the obvious difference of 1 stop, do you have any thoughts on the comparison between the Summilux-M 35 mm Asph f/1.4 (V) and the Summicron-M 35 mm Asph f/2.

 

The extra stop gives a slightly narrower dof and lower light options, but what about handling of light (you refer to treatment of light and shadow, shown beautifully at the Kenzo show), rendition and bokeh?

 

Cheers

John

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The extra stop gives a slightly narrower dof and lower light options, but what about handling of light (you refer to treatment of light and shadow, shown beautifully at the Kenzo show), rendition and bokeh?

 

Interesting question !

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Good writeup Thorsten!

 

A few mistakes in the fact table:

 

  • The second version, 11870, (same optical design as the first) takes Series VII filters in the hood and has no filter thread.
  • The first ASPH has 9 elements in 7 groups and is the same as the 2010 version.
  • Mandler designed the first 35/1.4 used in v1 and v2, I doubt any of the aspherical 35/1.4 lenses were designed by him as he retired in 1985.

 

Cheers,

Carl

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Found it - in Thorsten's M9 thread. I appreciate that he was talking about the Summilux-M 50.

 

I have the Summicron-M 35, and like it very much. The Summilux, though, is tempting as a trade ... (it's just GAS :o)

 

Between Summicron and Summilux, speaking in the 35mm and 50mm range, I actually like the Summicron for the ability to get things sharp within reasonable tolerances, yet give you bokeh and selective focus.

 

In many ways, especially the 35mm Summicon is easier to use with good results, but by using it "as a Noctilux" by moving close in on things, you can create quite good atmosphere with loads of DOF.

 

The 50mm Summilux ASPH is very special. The out of focus areas are extremely nice and an art in them self. But I never really liked the overall contrast and "perfection" of it. In the 50mm range I would prefer Summicron and Notcilux, and skip the Summilux (Enough have bought the Summilux ASPH so that this isn't a scientific truth, but it's how I feel about the 50mm lens range).

 

I think the Noctilux is the 50mm extraordinary. If you look at those images on my Noctilux page, the really really really sing when you hit the right buttons. The Summicron can come close when used "as a Noctilux" with DOF in mind and when you play with the light.

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