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Shooting in a circus


andym911

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gents

 

will be going to a small circus this afternoon with my CL and an old Lux with Neopan 400.

 

Basically its a dark environment with spotlights..

 

Regarding metering-exposure is there anything to do differently than usual ?

 

Any advice-tips are welcome.

 

best andy

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Andy,

 

If I'm at the circus, I normally shoot HP5 rated at 1600 and shoot at 1/60th f2.8 or f4. Exposure latitude on negative film takes care of the rest.

 

Best wishes,

 

 

...Charlie, how do you soup HP5 rated at 1600? And what sort of results do you get? I have never rated it that high.

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...Charlie, how do you soup HP5 rated at 1600? And what sort of results do you get? I have never rated it that high.

 

HP5+ is amazing at 1600 and even 3200 ISO... Here is a sample @1600 from my blog... DDX, following the Massive Dev Chart...

 

the-kiss-breakers-weddings.jpg

 

Cheers,

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It's called push processing. HP5+ in Microphen or DD-X a speed enhancing developer. Or Tri-X (400) in Diafine E.I. 1250 also a perfect combination for these things.

 

...thanks for your prompt response, fotohuis.

 

I am aware of push processing and have done quite a bit of it. Please re-read my question - it relates to the process employed on HP5 at this rating and, more importantly, the specific impact of said process on the resultant negatives. Think density, contrast, dynamic range, tonality, etc.

 

I am not looking for general statements. Again, thanks for your input. ;)

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HP5+ is amazing at 1600 and even 3200 ISO... Here is a sample @1600 from my blog... DDX, following the Massive Dev Chart...

 

Cheers,

 

...this is a wonderful example of what I had in mind, Riccis - HP5 seems to retain considerable shadow detail even at -2 stops. Thanks.

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...this is a wonderful example of what I had in mind, Riccis - HP5 seems to retain considerable shadow detail even at -2 stops. Thanks.

 

Tri-X @ 1600 isnt bad either. All depends on how good its processed and scanned afterwards...

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Wow, you guys are getting great results. I've always shot/developed at box speed. So for a 'push' newbie... do you pretend the film is an ISO 1600 film and set the camera ISO to 1600 then also use the appropriate dev time for an ISO 1600 speed film? Seeing the results makes me tempted to try this, but I'm not completely clear on how to 'push'

 

Karen

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Wow, you guys are getting great results. I've always shot/developed at box speed. So for a 'push' newbie... do you pretend the film is an ISO 1600 film and set the camera ISO to 1600 then also use the appropriate dev time for an ISO 1600 speed film? Seeing the results makes me tempted to try this, but I'm not completely clear on how to 'push'

 

Karen

 

Karen,

 

Spot on! Just set the film dial to 1600, shoot the film as if it were 1600. Then develop as 1600 with the longer time in developer. To be honest, the lighting will change too quickly in a circus for you to meter as you go. 1/60th at F4 should be just fine (at 1600 ASA).

 

Best wishes,

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Here's HP5 (at 1600) processed in XTOL (1:1 dilution using times published on Kodak's website) taken at a circus (Moscow State Circus & Chinese State Circus) about 3 years ago.

 

Best wishes,

 

Amazing results ! :eek:

 

I thought with a spotlight in the dark the contrast will be out of control. But i allmost can't see any burned out places and also in the shadows you still have detail. Very well done..

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guy's

 

thanks for the comments...finally I just set the camera to f2.0 or f2.8 and 1/30....focussed in the middle of the activities and left it in these settings for the show.

 

used the 50 Lux and TE 90 and developed as written on the box at 400 ASA.

 

Am very pleased with the results...

 

herse just a sample shot.

 

more scanning tonight:rolleyes::rolleyes:

 

best

andy

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