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mardi gras lens choices


scjohn

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I am heading to New Orleans for the mardi gras. Day parades, night parades. Big crowds and people photos. I understand it will be a zoo. A 2 lens situation. Which 2? I am thinking 35 lux and 50 nocti. I can zone focus both when needed but open them up too. eI have a 21 2.8, 50 lux and 90 2.0 I do not expect to use or even take to the streets given the "keep it simple" philosophy I am going with. I have a voightlander 15 too but it seems far too slow.

 

Any suggestions would be welcome. I have not shot a wild street party before.

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I'd use the 21 for close quarters and the 35 Lux for the rest.

As Andy says, zone focussing the Nocti defeats the whole purpose IMO.

Two bodies would be best, but not absolutely necessary if you only have 2 lenses and can swap them quickly. If you go with the above combo, I suspect you'll be using the 35 for 80% of your shots: I'd leave the 21 finder on the camera at all times.

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I'd go with the 21/2.8, 35/1.4, 90/2. But I'm biased, that's my current travel kit and it works well for me.

 

The 21 will be helpful if you're in the thick of things, it works great close-up in a crowd. The 35 will be good for low-light and the 90 for portraits or picking details out of a crowd.

 

Have fun.

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For general in-the-crowd action and what-not, the 21mm, hands-down. Set it to hyperfocal with a reasonably fast shutter speed and don't even peep the VF except to frame. There's enough action going on all around you. You have to be faster.

 

For more controlled shooting, the 35mm is probably your best bet.

 

Though being able to isolate item(s) of interest (hehe) from a very busy background, the Noctilux might not be a bad idea. Will be especially useful as the evening approaches. But it's large and heavy. Totally your call on this one. I think you could pull off some amazing stuff with it there.

 

90mm? Nah. Too many people, too crowded and you'll probably be less than steady enough to hold it most of the time. :p

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I really appreciate all of your advice. I agree with the "one lens and make it the 35" concept. I am not thinking of zone focusing the nocti. Instead, I thought I could use it to "isolate" in a crowd more effectively and artistically that I coud the 90.

 

The 21 is a good choice too.

 

Sadly, I don't have two bodies just the m9 with an m8 backup. I don't plan to carry both, however, because the crop factor will make the issues moot... although I did think of using the 35 on the m9 and the nocti on the m8 for effective 75mm or so at 1.0... "naked woman throwing beads from porch, say hellow to my little friend"

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...

Sadly, I don't have two bodies just the m9 with an m8 backup. I don't plan to carry both, however, because the crop factor will make the issues moot... although I did think of using the 35 on the m9 and the nocti on the m8 for effective 75mm or so at 1.0...

 

In that case you're on the right track. I'd take the 35/1.4 for the M9, the Noct for the M8. I wouldn't bother with switching lenses in such a situation.

 

I'd still bring the 21. It will serve dual purposes. First, you can go really wide on the M9 and second, if your M9 goes down for some reason you'll still have an effective 28mm for your M8. Otherwise you'll be stuck with a 50 as your widest lens (35mm on M8).

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I think an ultra wide lens like a 21mm will be like using a scatter gun approach so I wouldn't bother. A 28mm would give the opportunity to crop images to a 35mm view without losing much image quality, and a 50mm would allow a 75mm style crop, so for crowd work a 28 and a 50, in effect four lenses from two. For backup and anything else a zoom P&S camera (like a Canon G11) is a great idea as in a small package you get a flash, telephoto lens and image stabilisation.

 

Steve

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