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The doors that shut behind you


thompsonkirk

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I was one of those who preferred BW with earlier pairs of images. No different here. Somehow, for this setting, the emotional and historical baggage is so much more powerfully present in BW. Great series.

 

Ece

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  • 2 weeks later...

Thank you all & hello Peter –

 

The toning is Greg Gorman's method, which I learned here on the forum. Just google his name in a search here.

 

Specifically, the mix of RGB is 50-40-20. Then I lower the opacity of the Fill layer to around 22-38%. 38% looks like 'real' selenium toning of a gelatin-silver print. A lower % looks like diluted selenium toning for archival preservation. If you print on Harman Warmtone Glossy, the results look a lot likeo 'classic' Portriga Rapid 111.

 

Kirk

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Kirk

these are excellent and dramatic even though the grayscales are not done harshly in very high contrast. (i too have to sign up for the B&W's) . . #2 in B&W strikes me as the gate to hell.

 

also thanks for sharing that information on tweaking the layers.

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