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Film curl


sm23221

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I don't get much curl from Tri-X, but a few days in sleeves in a folder seems to cure any problem satisfactorily.

 

The least curly film I have ever used is Rollei ATP, which is on a dead flat, clear, polyester base.

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Tri-X is a great film especially shot at 1600 developed in Diafine I wouldn't be without it.

To tame the curl with freshly developed film I use ANR glass in my Epson V700.

All films are flat after a couple of months under heavy books:rolleyes:

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Tri-X never goes completely flat, but I don't find the curl to be a problem.

 

How do you dry your film?

 

PhotoFlo---->hang vertically in shower with clip on bottom ----> very bowed.

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I had this with Tri-X too. I wait for the film to just get dry enough to not be at all sticky, then wind it onto a dry spool emulsion side out. This forces the film to fully dry against any inclination it might otherwise have to curl. Then, when fully dry I cut it out in 6-frame lengths and go from there. It works, and doesn't then curl even when stored.

Jim.

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PhotoFlo---->hang vertically in shower with clip on bottom ----> very bowed.

 

After I hang Tri-X like this to dry and put into a long sleeve, I simply roll it up backwards into loose roll and let stand for a couple hours. Best way to remove significant curl that I've found, and its easy to do. Much quicker and more effective than trying to press it flat.

 

After that I cut into 6 frame strips for scanning and filing.

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Which b&w neg film curls the least? Tri X seems so "curl-prone" I'm ready to abandon it even though I Iove the results. Thanks in advance.

 

I shoot a few rolls of film a day, and have for over 30 years.

Film curl is based on many factors, humidity in the room, speed at which they dry and the base they are made of etc.

 

Tri-x curls more now than it ever did before it was reformulated (2007). That is clear time and time again. Depending on the subject and format (35mm or 120), whether I will print only, scan only or expect to do both, I make my choice of film between HP-5, TX, Neopan 400, T 400 and Acros. Tri-x curls the most of the bunch in my darkroom.

I will try Andy's (RITskellar) suggestion of rolling it backwards just to see if it reduces it.

 

Handling curled film in a pain in the a$$.

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I dry all films, B&W and colour, in an old clothes dryer (the tall thin type) converted to conveniently hang film in. I turn the heat on for about 15 min. leaving the cabinet door ajar (to prevent overheating). I then turn the heat off and allow the final dry to occur naturally, usually with the door closed.

 

When 1/2 dry, all films are very curly, but when properly dry and cool I have no curly problems with any films. Any hint of trouble is usually with colour. B&W is fine.

 

These days my common B&W is either Ilford Delta 100 or 400. I have some Tri-X for the Hasselblad, but MF film seems to behave better than 35mm for drying anyway.

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