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New Portra 400: Underexpose or Push?


piblondin

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Pushing the development should give you better negatives then developing it normal. Despite all the hubbub about this film being somehow magical with respect to underexposure, I found it was very similar to Portra 400NC and 400VC in this regard. Which is to say pretty good, but NOT magic. I've seen some pretty good results from it with a real push though.

 

It looks better at 400 than it does at 800. But if you shot it at 800, it does pretty well with no push development (like many films). Two stops under (1600) started to look a bit rough. It might work with some tweaks in Photoshop in the right kind of lighting. But it should do better with a real push in development. I'd say if you are going to push it, go two stops.

 

Here's a semi-controlled test I did of 400, 400NC, and 400VC, all developed normally, and exposed from 4 stops under to 6 stops over, in daylight, tungsten light, and tungsten light with a KB6.

 

Collection: Portra comparison

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  • 1 month later...
What about simply using Portra 800? I have no experience using this film, just wondering...

 

Stefan

Hi Stefan

 

Much better compromise then pushing if you want the films best try at color. If you need 1600 push the Portra 800, but I'd not recommend that.

 

Getting a lens one stop faster is expensive...

 

Holding the camera steady and shooting at slower speed.

 

Noel

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I know this thread is oldish, but if anyone is still interested...

 

The new Portra 400 is probably my go to color film (I also shoot Ektar 100 and Portra 160NC from time to time, but not as much as I shoot the new Portra). The main reason why I enjoy the Portra so much is because it can easily be pushed to 1600 (even 3200 sometime)- no problemo.

 

That said, shooting at 1600, 3200 is a tad bit trickier. "Correct" exposure becomes uber critical. Personally, I usually over-expose the scene by 1/3 of a stop as a general rule, but it does vary some situation to situation.

 

Here are some examples:

 

Portra 400 shot @ 3200 / Push 3 in developing:

EX1: VIP @ McDonald's - asphericalperspective.

 

EX2: Cobblestone - asphericalperspective.

 

Portra 400 shot @ 1600 / Push 2 in developing:

EX1:http://easysee.zenfolio.com/img/v26/p825262556-4.jpg

 

EX2:http://easysee.zenfolio.com/img/v20/p991781416-4.jpg

 

Portra 400 shot @ 800 / Push 1 in developing:

EX1: Carson @ Meat Ball Shop - asphericalperspective.

 

Hopefully these images can give you a general idea as to what the Portra looks like under pushed conditions.

 

My recommendation is to rate the film as 1600 or 3200 and shot it a wee bit over-exposed and then push accordingly in post. Maybe the results are not to your taste, but I really enjoy it.

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Charlie - Not sure I can help you there. One of the upsides to living on Manhattan is that you can find someone to do anything for you. My lab (CrC) does it for me, I simply tell them how I'd like each roll to be processed.

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