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Despair over quality


danmitch

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I have just had film back from developing by a London pro-lab and on scanning have noticed it has a number of kinks, scratches and bits of dried residue, dirt and dust - re-washing has helped a bit. Surely they should be doing better than this?

 

It has probably been ten years since I last developed a roll of film myself and I am concerned whether I should expect much better if I start again myself at home. Am I being too picky and suffering from the fact that scanning shows more "dirt" than traditional printing - or should I expect more for my £16?

 

Dan

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Guest Bernd Banken

same happened to me with a Kodak BW 400. Scratches, dust and particles. My solution:

As in the past bathroom developing, loading Jobo drum in a small tent from Calumet, that's it.

 

Cheers

Bernd

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Yes, you should expect more

 

£16 goes a fair way to starting your own home brew kit. Do it yourself and any dust and scratches are down to you ;)

 

it's easy, cheap and quick to process your own b&w

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I recently shot a few rolls of color and had to take them to a lab. The negatives came back a mess. Scratches all over the place. It was really disappointing. I'm now thinking of giving up on color and sticking with b&w so I can do the work myself.

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Hi Andy, do you mean a Jobo film reel/tank? I use that for all of my B+W. I had read that colour involves way more consistent temperatures than one can maintain in a typical Jobo film tank? Could you tell us more about your E6 and/or C41 processing?

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I have reverted to doing my own B&W processing (film) and may take up C41 too - Andy means a Jobo processor which has a temperature controlled water bath for the chemicals.

 

I've had a several shocking experiences with processing from Jessops and Boots. Jessops lost my film and Boots ruined two films I dropped in together - I'm talking about serious marks, kinks, and scratches, totally ruined. Snappy Snaps have been mostly OK although one film was scratched.

 

I've also tried so called 'pro' labs but generally found the quality to be no better, just that you pay a lot more! In fact a few years ago I left a few negs to be printed up at a local pro lab, they were B&W high key images. Despite my instructions they decided that the prints should show a full range of tones and they complained to me that my negatives had been ruined in development! I didn't want the prints, they were useless to me - and very poor quality - but I had to pay to get my negs back.

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Thanks Nick - definately worth a try, do they do B&W on site or send it away? I will mention your name!

 

I disliked digital because of the time and workflow "post-processing", at least with B&W film I find if I want to digitise the picture I can just scan and I am pretty much done - this evening I have spent hours removing dust and scratches.

 

The fact is, if I can help it, I really don't want to spend time processing film, my enjoyment is taking and viewing the pictures - I would far rather a reliable lab (reasonable pricing would be a bonus) that is local and relatively quick. Developing myself is a last resort, though one that is looking increasingly likely.

 

Dan

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