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Who wants the M9 with movie capability?


rolu

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Not me. But if someone else wanted to make a full-frame M-compatible non-rangefinder movie-making device, then me and my Noctilux are ready to become budding Kubricks :)

 

Right there with you, Jamie. I investigated having a 35mm adaptor modified to accept the M mount. This would permit Leica glass to be used on HD cams, for example. The flange distance is very shallow on the M gear (compared to Canon/Nikon lenses), which made adaptation not readily possible. Of course, the Canon/Nikon glass works fine. <sigh>

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No. No. No. and NO! The 'movie modes' on all dslrs are a complete waste of time. Movies are much harder to shoot than still, involving many more elements, including proper sound and stable imagery. Still-cameras are the wrong platform for this.

 

What the M9 *really* needs, however, is image stabilization. It is a natural companion to the rendering abilities of the M lenses, and would be a natural for M applications.

 

- n.

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Right there with you, Jamie. I investigated having a 35mm adaptor modified to accept the M mount. This would permit Leica glass to be used on HD cams, for example. The flange distance is very shallow on the M gear (compared to Canon/Nikon lenses), which made adaptation not readily possible. Of course, the Canon/Nikon glass works fine. <sigh>

 

Right--the closest you can get to a Leica look is using the R50 / R80 Lux on a 5d2. Not bad at all (especially the 80) but it's not a Nocti :)

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For me it's the following:

 

1. Full-frame chip (36mm x 24mm)

2. 16-bit RAW computer files

3. Works without having to use IR-Cut filters for colour photography

 

If the new digital-m doesn't have these three things, then I'm passing (again).

 

I totally agree with all 3. Regarding video, why not? That said, I would much prefer to have live-view than video. Live view would allow for critical focusing in difficult situations, and it would make adjusting the rangefinder easier.

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An M is not versatile. It's not supposed to be. If you need versatile get a Japanese camera. If you need a professional rangefinder get an M.

 

Or several ... for backup. Anyway lets face it 99% of Leica users use them in fully auto mode. If it had movie and AF they would sell even more of the things:D.

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Maybe I don't get you:

 

Do you mean it is better to pay more and get less?

Explain this to the Leica-dealer - or the liquidator.

 

I'd explain it to the Leica dealer when I don't buy it.

 

The Nikon D90 that I bought my partner (and which she never uses these days) gets used for video - you should try one of these many, many other cameras that all do a great job of capturing video.

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I totally agree with all 3. Regarding video, why not? That said, I would much prefer to have live-view than video. Live view would allow for critical focusing in difficult situations, and it would make adjusting the rangefinder easier.

 

If the M9 had live view and movie mode in addition to the standard rangefinder mode of operation it would be more versatile.

 

1 - you could use it on a microscope/telescope etc.

2 - you could take macro shots using a simple extension ring

3 - you could make movies using a large sensor & prime optics

 

The optics would distinguish it from a $300 P&S, the rangefinder would still be there if we want the classic M ergonomics.

 

Hi kschwartz, hi Stephen,

 

in the German forum a mjh explained that video historically is an aftereffect of live-view.

http://www.l-camera-forum.com/leica-forum/digitalforum/94051-wer-m-chte-seine-m9-mit-5.html#post988237

He explaines further, that the condition of live view is a sensor, which can be readout while the shutter is open.

And: this is not viable with a "full frame transfer CCD" as the Kodak KAF in the M8 and S2,

but only with an "interline transfer CCD" as in P&S-cameras or a CMOS in DSLRs.

 

As I remember test shots of the DMR ans M8 versus 5d etc. the CCD had the better overall image quality and colour rendition.

 

So does this mean neither live-view nor video is technically viable if we want, what I suppose all here do, the best sensor for photography for our M9.

 

If this is so, this would be the reason for me against live view and movie mode - not for ideological, but technical reason.

 

Can the "full frame transfer CCD" be enhanced in the future to cope with this?

Is the "interline transfer CCD" an option?

Any thoughts?

Any more technicians, engineers around?

 

Regards

rolu

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Good point Rolo, so does that mean that the Red sensors are worse than the M8 CCD in terms of picture quality? I guess so based on what you write.

 

Maybe Leica going for a live view EVIL viewfinder compatible with M and R lenses (the ME or EMS or whatever) and a 'classic' M9 with state of the art CCD, rangefinder only, no live view etc. The former would act as a backup and "party" camera and the latter would be the 'real thing'.

 

Makes sense to me. FWIW

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Interline CCDs can support video. Full frame transfer CCDs can do it too, if there is a black duplicate of the sensor. CMOS have the problem of sequential reading, from top to bottom, and this produces some kind of "in frame" lag, but that is being improved. I don't need video in a rangefinder camera

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Thanks no thanks. The more complicated, the less Leica. Would be great on the next APS of full frame (?) Panny though.

 

I agree. Keep it simple, reliable and as good as it can be where it counts. Microsoft could do with thinking along these lines too!

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Thanks no thanks. The more complicated, the less Leica. [...]

 

I agree. Keep it simple, reliable and as good as it can be where it counts. [...]

 

I also agree with LCT's bright statement. That's how I'm thinking regarding future Leica's reflex - more prone to "gentrification" (tons of buttons, loads of LCD, unusable interface, etc.).

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