rfleica Posted October 12, 2006 Share #21 Posted October 12, 2006 Advertisement (gone after registration) really useful info. thanks. for my part, i care most about what things look like after raw development/tweaking...both in detail and noise terms. if c1 (or any other raw developer) can yield relatively low noise/hi quality/detail results...great. all of my own raw work is "developed" in the software (with simple, presaved profiles). once upon a time i had images on my contax n digital which were horribly noisy above 160iso. now, thanks to decent raw developers i can get far better results at all iso settings (what a misjudged camera, let down by unfinished firmware, take note:) )...the fact that i need to invoke the services of a raw developer are irrelevant to me. that's the beauty of having (just) enough time to use a raw software programme, rather than the "jpeg to print asap" school. Link to post Share on other sites More sharing options...
Advertisement Posted October 12, 2006 Posted October 12, 2006 Hi rfleica, Take a look here My Impression on M8. I'm sure you'll find what you were looking for!
gurtch Posted October 12, 2006 Share #22 Posted October 12, 2006 One point I need to supplement. The above ISO findings are based on the followings: For JPEG: High ISO noise are reduced by in-camera firmware. For DNG: ISO noise from 640 onwards as described above are based on DNG converted files. While all settings of C1 are set as standard, C1's M8 default profile are set to exercise different degrees of luminance and chromatic noise reduction automatically. So, the accurate interpretation should be, the description I stated above regarding high ISO performance is AFTER C1's standard M8 profile noise reduction. C1 definitely did a great successful job here. Original INTACT DNG, in this regards, will show a relatively higher level of noise. Cheers Matthew Matthew: Did any of the lenses you used have the 6 bit coding? If not, it appears the vignetting was not a major problem, even without the coding, which I think is supposed to "fix" vignetting, CA. etc. Thanks Dave Link to post Share on other sites More sharing options...
rsh Posted October 12, 2006 Share #23 Posted October 12, 2006 Thanks for the info. For the most part, my lens lineup should work well with the M8. Link to post Share on other sites More sharing options...
MP3 Posted October 12, 2006 Author Share #24 Posted October 12, 2006 Matthew: Did any of the lenses you used have the 6 bit coding? If not, it appears the vignetting was not a major problem, even without the coding, which I think is supposed to "fix" vignetting, CA. etc.Thanks Dave Hi David All lens I used are uncoded. I'm also interested to see what effects the coded lens bring. Cheers Matthew Link to post Share on other sites More sharing options...
marknorton Posted October 13, 2006 Share #25 Posted October 13, 2006 All lens I used are uncoded. I'm also interested to see what effects the coded lens bring. Sean, I assume you are watching this thread but are refraining from commenting as we'd expect (and respect you for not doing so). However, are you going to be in a position to comment on what the effect (if any) lens coding brings to the image quality? Will you have access to coded lenses? Link to post Share on other sites More sharing options...
sean_reid Posted October 13, 2006 Share #26 Posted October 13, 2006 Sean, I assume you are watching this thread but are refraining from commenting as we'd expect (and respect you for not doing so). However, are you going to be in a position to comment on what the effect (if any) lens coding brings to the image quality? Will you have access to coded lenses? Hi Mark, Once that production camera arrives for evaluation, I'm free to discuss any aspect of the camera. I haven't gotten confirmation yet from Leica as to which lenses are coming when but I hope to see a 28/2.8 in the set early on and that can be tested with the coding feature on and off. Cheers, Sean Link to post Share on other sites More sharing options...
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