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neopan rocks


andym911

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shot with a IIf and Elmar from 1940's...this film is just superb.

Metered with an old Weston and developed in hc110.

 

thanks for looking

 

andy

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and a 2nd one.

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and a final one..

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Hi Andy,

 

Difficult to tell looking at the pics here, but suspected it might be 400, the film/dev combo has produced great results, nice composition and subject matter too. I don't have children but my nephew and niece make great subjects!

 

Back to film, when struggling for more light I've generally shot Delta 3200 and HP5 pushed up to two stops. Friend of mine recommended Neopan 1600 recently and I am currently running some at 1600, not sure if it'd be too contrasty pushed to 3200 - have you any experience with this? Never shot Neopan 400, what are you rating it at? I like the versatility of HP5, does N400 handle much pushing?

 

Questions, questions! Dev. type, time, agitation will have some bearing, but if we can put those aside...

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Al,

 

I have no experience of neopan 1600, have heard good things but not tried myself.

 

The Neopan 400 I rate at box speed, namely 400.Developed in HC110 (Dilution B) it seems just about bang on, at 5 mins development.

hope this helps

 

andy

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They all look flat to me. The blacks are not really black yet the whites are blown out (jacket).

 

Plaubel,

 

I think you may need to calibrate your monitor.the highlights are not blown and the blacks are black.

 

Having said that, maybe it's me, difficult to say, poossibly I need to get my monitor calibrated.

All I can say is that on my monitor the images are not flat and have full tonal range and print perfectly.

Are you viewing on a PC or Mac monitor and which Gamma setting do you use?

 

thank

 

andy

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Guest maddoc2003jp

Andy, these are superb !! I had to read twice, which equipment you used just to be sure it was not an ASPH lens. The tones look perfect on my 12 inch laptop display, very good contrast, no blown out highlights and perfect blacks.

 

I really like both Neopan Presto (400PR) and Superpresto (1600PR), which are much cheaper than Ilford films here in Japan. I usually develop them in either XTOL or HC-110 (dil 1:50) or Fuji's Superprodol for the 1600PR.

 

Cheers,

 

Gabor

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Gabor and all,

 

thanks very much for looking and taking the time to comment...always appreciated.

 

Indeed I am constantly surprised what the old cameras and lenses can deliver, in terms of image quality and look/feel.

 

Normally I use the CL as my main camera combined with old lenses, but the IIIf with external viewfinder does a great job too and really fits in the jacket pocket.

I hate lugging any camera gear, so I often have the 35mm Elmar, in its bakelite box in my jeans pocket and the IIIf plus 3,5/50 on camera in the hand.

 

its a lot of fun then getting home and mixing up the HC and waiting for it do do it's magic:)

 

cheers

andy

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Hi Andy,

 

Thanks for the info! Saw something somewhere that Neopan 1600 works well rated 1000 and then given normal development.

 

Are you scanning negs or printing and scanning prints - if so what paper? Mid-high grade or variable - if so what filtration?

 

Thanks again, i always find your threads informative.

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Al,

 

thanks for your words...

 

all scans are from the Neg, I use an Epson flatbed but have recently got myself a used Nikon Coolscan and the results are a bit better.

 

I am one of those that get ridiculed for scanning film and then printing digitally :o

but it works for me.

 

I don't use my darkroom anymore at all.

 

I use the r2400 and Hannemuhle Rag paper, or Ilford and print in the advanced Black and White mode...nice results.

 

hope this clarifies

 

andy

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