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... no parking and two other stories ...


Guest agnoo

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Vic, thank you - i was not very happy with my camera-turn, a slight bit more to the right would have saved the head above ;-)

 

William, oh yes, i remember - a lot of sirene-noise, they stopped that scot for wrong driving or something even more critical.

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ronald - this is not a studio set-up or something alike. it is a snap kind. it just works when u look at it. personally, dont really mind about that head. u may undrrstand that i have a more liberal and "wholistically" (the whole/complete) oriented attitude to those kind of shots :-)

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ronald - this is not a studio set-up or something alike. it is a snap kind. it just works when u look at it. personally, dont really mind about that head. u may undrrstand that i have a more liberal and "wholistically" (the whole/complete) oriented attitude to those kind of shots :-)

Sorry, Victor. At this very time I disagree. :-))))

 

This isn't a snap. It is a good mindful framing and includes some of the happenings around. ;-)

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hi uwe, how r u ? :-))

 

ok, then lets take it as u say. (still i like the photo of course:-)

 

the only solution of ronald is to get a little backword as far as i can think.

 

cause:

1. rising the camera up alittle would loose the low/left corner, which is so essensial in the feeling that the shot rediates.

2. waiting untill the two people there will get into the frame would ruine the good position of ladies, because of different timing.

 

and besides - as u say uwe, i dont think that the second story is significant at all. the two (of parking and ladies) are good combo of this street as it appears to me from here now.

the couple there add very much in terms of "graphics", closing the road while still making it "empty" in the center :-)))

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Agree with Vic about the three couples (i wanted). No doubt, not a time-thing or a thing of rising the camera up. JUST a very slight right turn would fix that all. But hey, we´re talking about a snap ... seeing, waiting a second and snapping ... ready.

 

For me the scenery was interesting because of the different levels of the two foreground-stories, nobody could see the other story, only the third couple walking in the scenerey (closing the circle as Vic said) and i could see what´s going on. That was the point why i did it. If failed or not - just a snap of thousand others ;)

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I would have paid more attention to the other two stories, though. :-) The Scotsman must have been in good temper.

 

If I am not very much mistaken I know the number plate. ;-)

 

Tell me, that is funny!

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