Alexander108 Posted Monday at 08:44 AM Share #21 Posted Monday at 08:44 AM Advertisement (gone after registration) Just did a test shot with my M11 with some some sunlight. The suggested settings of 15/5 by @don daniel worked perfectly for me. No need to adjust WB in regular daylight / sunlight shots anymore. Thanks for providing this easy fix! 1 Link to post Share on other sites More sharing options...
Advertisement Posted Monday at 08:44 AM Posted Monday at 08:44 AM Hi Alexander108, Take a look here WB Fine-Tuning. I'm sure you'll find what you were looking for!
JNK100 Posted yesterday at 10:10 AM Share #22 Posted yesterday at 10:10 AM On 10/25/2025 at 10:08 PM, PeLu said: I have a loaner m11p on its way from Wetzlar. I presume the adjustment would be the same for that since it’s the same sensor? Yes it's the same camera. Link to post Share on other sites More sharing options...
CDodkin Posted yesterday at 02:05 PM Share #23 Posted yesterday at 02:05 PM On 10/26/2025 at 1:49 AM, Kiwimac said: How on earth can you realistically do that unless you’re in a studio or otherwise working incredibly slowly for each image? I can’t see too many documentary or photojournalist users managing to incorporate that into their process. It takes less than 30 secs at the start of a shoot - you use a calibrated transmission target, like Expodisc, to set in-camera WB with the available illumination. Neutral WB every time, and no guessing in post Link to post Share on other sites More sharing options...
PeterKelly Posted yesterday at 04:43 PM Share #24 Posted yesterday at 04:43 PM 2 hours ago, CDodkin said: It takes less than 30 secs at the start of a shoot - you use a calibrated transmission target, like Expodisc, to set in-camera WB with the available illumination. Neutral WB every time, and no guessing in post I still think this is totally impractical for the shooting I do which is mostly street where I’m moving (and encountering different lighting conditions) constantly 1 Link to post Share on other sites More sharing options...
jaapv Posted yesterday at 04:48 PM Share #25 Posted yesterday at 04:48 PM But don't you want to record those variations? It is reality, after all. Colour variation sets the atmosphere. If everything looks like noon sun it gets boring quickly. 1 1 Link to post Share on other sites More sharing options...
Photoworks Posted 23 hours ago Share #26 Posted 23 hours ago On 10/25/2025 at 11:29 PM, Kiwimac said: I’m not sure. I’ll try the suggestions here and see what they do. I never really had a great issue before. I generally set the balance by Kelvin and I presume that wasn’t affected since 5500K is presumably 5500K given that it’s a defined point on an international colour standard. 5500k can be recorded, but there is no metadata on the file about color. so you programs number vari a bit Link to post Share on other sites More sharing options...
CDodkin Posted 19 hours ago Share #27 Posted 19 hours ago Advertisement (gone after registration) 7 hours ago, PeterKelly said: I still think this is totally impractical for the shooting I do which is mostly street where I’m moving (and encountering different lighting conditions) constantly I shoot street - it's not an issue Link to post Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now