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On 10/26/2025 at 1:49 AM, Kiwimac said:

How on earth can you realistically do that unless you’re in a studio or otherwise working incredibly slowly for each image?

I can’t see too many documentary or photojournalist users managing to incorporate that into their process. 

It takes less than 30 secs at the start of a shoot - you use a calibrated transmission target, like Expodisc, to set in-camera WB with the available illumination. Neutral WB every time, and no guessing in post

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2 hours ago, CDodkin said:

It takes less than 30 secs at the start of a shoot - you use a calibrated transmission target, like Expodisc, to set in-camera WB with the available illumination. Neutral WB every time, and no guessing in post

I still think this is totally impractical for the shooting I do which is mostly street where I’m moving (and encountering different lighting conditions) constantly 

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On 10/25/2025 at 11:29 PM, Kiwimac said:

I’m not sure. I’ll try the suggestions here and see what they do. 
 

I never really had a great issue before. I generally set the balance by Kelvin and I presume that wasn’t affected since 5500K is presumably 5500K given that it’s a defined point on an international colour standard. 

5500k can be recorded, but there is no metadata on the file about color. so you programs number vari a bit

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