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I was photographing an avalanche defense wall today, and it is comprised of a metal screen and rocks. I was using the SL2 with the 50mm APO Summicron at 4.5, which is where it is at its sharpest. This really caused some severe moire. I typically don't get a lot of moire from the SL2 because you typically don't find too many natural structures that set off the pattern here, but this man-made wall did. But the enhance details got rid of it right away... Previously you used to have to generate a duplicate to use it, but thankfully now it is just a button. If it is not possible to just engage it by default, I will see if I can just make a preset. The additional computing time is still fairly small, and the benefits (as seen here) can be substantial. Just figured I would show it here for those who were not already aware of it! 

NB: The moire version is showing up second for some reason! 

 

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Edited by Stuart Richardson
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